The American Literature Association is sponsoring a panel on Herman Melville at the American Literature Symposium "Frontiers and Borders in American Literature" to be held from February 25-27, 2016 in San Antonio, Texas. Please send one page abstracts to Steven Frye at firstname.lastname@example.org by December 1, 2016.
The American Literature Association is sponsoring a panel on Cormac McCarthy at the American Literature Symposium "Frontiers and Borders in American Literature" to be held from February 25-27, 2016 in San Antonio, Texas. Please send one page abstracts to Steven Frye at email@example.com by December 1, 2016.
The American Literature Association is sponsoring a panel on Ernest Hemingway at the American Literature Symposium "Frontiers and Borders in American Literature" to be held from February 25-27 2016 in San Antonio, Texas. Please send one page abstracts to Steven Frye at firstname.lastname@example.org by December 1, 2016
The American Literature Association is sponsoring a panel on James Fenimore Cooper at the American Literature Association Symposium "Frontiers and Borders in American Literature" to be held from Feb 25-27, 2016 in San Antonio, Texas. Please send abstracts to Steven Frye at email@example.com by December 1, 2015
Abstracts required for edited collection Victorian into Modern: Suturing the Divide, 1875-1935.
Abstract (300 words) deadline Sept 15, 2015. Full chapters due May 31, 2016.
Call for content: As a multi-disciplinary and multi-medium e-Journal, we invite traditional and non-traditional content such as: narratives, articles, letters, proposals, research, literature reviews, viewpoints, conceptual, and general reviews of anything place or space related. We equally welcome poetry, travel logs, personal journal excepts, and photographs / digital images. Digital images of artwork, drawings, paintings, sculpture, textiles, environmental art or sculpture, murals, creative landscapes, built structures and mixed media are also encouraged. Let's not forget book reviews, film reviews, memoirs, graphic design, and information architecture.
James Baldwin, one of the most eminent and evocative American essayists, novelists and playwrights of the twentieth century, would have been ninety-one years old on August 2, 2015. Literary critics have described Baldwin as the most successful African American writer of his time, and even of all time. His prominence or fame are of less importance, though, than the substantial body of complex writing he left behind for readers, students, and scholars to interpret.
Narrative representations of war have long been important culturally, having the power to help people feel and, one hopes, ultimately understand important personal and historical events. Susan Mackey-Kallis, a film studies scholar, observes that popular films, and I would add popular novels, help to "make sense retrospectively by storytelling in the present, drawing on events in the past," which then "shape[s] that past and make[s] it usable" (23). Literary and filmic representations of war are important tools in understanding and creating a social memory of it. These representations stand alongside historical documents, news reports, journalism, and non-fiction to create a full perspective of war and the experience of serving in it.
This seminar invites scholars to mine the convergences of "networks"--a multifaceted conceptual, historical, and methodological term--and "modernisms"--a spectrum of aesthetic engagement with modernity's interrelated histories of empire, technology, and migration. Putting "network" into play as both noun and verb, we seek not only to parse modernism as a collection of networks but to uncover how modernist objects build networks. Questions we might begin to engage include: Can we see modernist texts not only as interacting with emerging transportation and media networks but also forging networks as a mode of literary, visual, and sonic representation? Can modernists' understanding of networked culture and society inform our own?
[sic] – a journal of literature, culture and literary translation invites submissions for the upcoming 12th issue titled Liminal Balkans:
CFP: Globalizing the Humanities - #EIRAAR
CALL FOR PROPOSALS
"Globalizing the Human(ities)"Eastern International Region of the American Academy of Religion 2016 Annual Meeting
University of Pittsburgh May 6-7, 2016
Deadline for submission of proposals: February 15, 2016
The Eastern International Region of the AAR invites faculty, graduate students, undergraduates, independent scholars, and professionals from both inside and outside the Region to submit proposals for papers and panels to be presented at the 2016 Regional Meeting. Alongside the regular panels, the conference will include a series of special sessions on the theme of Globalizing the Human(ities).
The International Journal of Humanities and Cultural Studies (ISSN 2356-5926) invites original, unpublished, quality research articles/case studies in the fields of humanities, anthropology, business studies, communication studies, criminology, cross-cultural studies, development studies, economics, education, ethics, geography, history, international relations, linguistics, media studies, methodology, philosophy, political science, psychology, sociology, literature, discourse studies, performing arts (music, theatre & dance), religious studies, visual arts, women and gender studies, queer studies etc…for the December 2015 Issue (Volume Two, Issue Three).
Manuscripts Submission Deadline: November 20, 2015.
First International Conference of Hermeneutical Studies on Symbol, Myth and "Modernity of Antiquity" in Italian Literature and Arts from the Renaissance to the twenty-first Century (Milan, Università Cattolica del Sacro Cuore, 1-2 December 2015)
I. Words and concepts
I. 1. Hermeneutics, symbol and myth: etymological meaning of the terms and their evolution in the ancient culture.
Researching our Teaching Practices: A member-organized panel during ACCUTE's conference May 28-31, part of Congress 2016 in Calgary, Alberta, Canada.
For the American Comparative Literature Association (ACLA) Conference, March 17-20, 2016, Harvard University
In 2014, "Religion, Ethics, and Literature" became a new research committee of the International Comparative Literature Association (ICLA). Its members adhere to a range of scholarly perspectives that represent not only philosophical, but also cultural divergences. While scholars within the group focus their attention on multiple literatures, their perspectives can be grouped under three basic positions, all of which depict how the faculties interact with each other because of the convergence of religion, ethics, and literature.