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CFP: [General] Proposed Panel on Reading for the CEA Conference

Friday, October 19, 2007 - 4:01pm
Kimberly Baldus

Seeking abstracts for a proposed panel focusing on literary texts that
frame reading as a transitional/transformative experience. Abstracts of
200-500 words are due by October 30, 2007.

The proposed panel will take place at the College English Association’s
Annual Conference on March 27-29, 2008 (in St. Louis, Missouri). A full
description of the CEA conference theme can be accessed at

UPDATE: [General] Southwest GRADUATE English Symposium Feb.29-Mar 1,Abstract Nov 1st,"Transgression" of the Prose Poem

Wednesday, October 17, 2007 - 11:33pm
Marqueshia Wilson

The paper and abstract deadline has been extended to November 1, 2007!

 From the Literary Calls for Papers Mailing List
             more information at
Received on Wed Oct 17 2007 - 19:33:45 EDT

CFP: [General] Myth and Fairy Tale

Tuesday, October 16, 2007 - 3:13pm
Melissa Morphew

Myth and Fairy Tale Call for Papers
Abstract/Proposals by 15 November 2007
Southwest/Texas Popular & American Culture Associations 29th Annual
Albuquerque, NM February 13-16, 2007
Hyatt Regency Albuquerque
330 Tijeras
Albuquerque, NM 87102
Phone: 1.505.842.1234
Fax: 1.505.766.6710
Panels now forming on topics related to all areas of myth and fairy tale
and their connections to popular culture.
Special Areas of Interest Include:
Fairy Tale and Myth in Film, Revisionist Myth and Fairy Tale, The Works
of Angela Carter, Margaret Atwood and Fairytale, Fairy Tale in
Contemporary Poetry, Myth in Contemporary Poetry, Fairy Tale and the

UPDATE: [General] Representations of Trauma in Literature and Film (10/26/07; CSA, 05/22/08 - 05/24/08)

Tuesday, October 16, 2007 - 9:42am
Philippe Codde

Papers are sought for a proposed panel on “Representations of Trauma in
Literature and Film” at the Cultural Studies Association Annual Meeting at
New York University, May 22-24, 2008.
Psychotherapists such as Dori Laub, Bessel van der Kolk, Onno van der Hart,
and Judith Herman have repeatedly underscored the visual nature of
traumatic experiences, which tend to be engraved in memory in the form of
images or icons. This would suggest that visual media provide the most
expedient canvas for representing these moments of crisis, and movies like
Sidney Lumet’s The Pawnbroker (1964), Christopher Nolan’s Memento (2000),
or Brad Anderson’s The Machinist (2004) confirm the validity of this