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CINEMA 9 CFP: ISLAM AND IMAGES

updated: 
Tuesday, March 28, 2017 - 2:51pm
Cinema - Journal of Philosophy and the Moving Image
deadline for submissions: 
Sunday, April 30, 2017

CINEMA 9 CFP: ISLAM AND IMAGES

edited by 
Patrícia Castello Branco (IFILNOVA)
Saeed Zeydabadi-Nejad (SOAS University of London) 
Sérgio Dias Branco (University of Coimbra/IFILNOVA/CEIS20) 

In recent times, due to significant political, mediatic and social, but also aesthetic and artistic factors, we have witnessed an awakening of interest in Islamic aesthetics and imagery.

"Feminist War Games?" Book call for Proposals/Contributions

updated: 
Tuesday, March 28, 2017 - 2:52pm
Jon Saklofske / Acadia University
deadline for submissions: 
Monday, May 15, 2017

Call for Proposals

 

Feminist War Games?:

Mechanisms of War, Feminist Values, and Interventional Games

 

A collection edited by Jon Saklofske, Dene Grigar, Jon Bath, and Alyssa Arbuckle

 

CFP: Thea Astley

updated: 
Thursday, March 23, 2017 - 10:38am
Sue Sheridan, Jessica Gildersleeve / Queensland Review
deadline for submissions: 
Thursday, June 1, 2017

Queensland Review welcomes proposals for essays for a special issue (26.2 2019) on the work of Thea Astley. A panel session is proposed for the July 2018 Literary Studies Convention in Canberra, to be followed by the special Astley issue of the journal, edited by Susan Sheridan with Jessica Gildersleeve.

Please send proposals of 250 words, for an essay or a conference paper or both, by 1 June 2017 to Susan Sheridan (sue.sheridan@flinders.edu.au) and Jessica Gildersleeve (jessica.gildersleeve@usq.edu.au).

Call for Submissions - Eborakon Issue 4

updated: 
Thursday, March 23, 2017 - 10:39am
Eborakon Poetry Journal
deadline for submissions: 
Sunday, April 2, 2017

Eborakon is an annual poetry magazine based at the University of York, publishing new writers alongside established poets. The name is derived from the Brythonic for York, meaning “place of the yews”. We value writing that is rooted, both in the resonances of language as it has been used over the course of history, and in the evocation of place. We are nourished by the writers and critics who have preceded us, at the same time branching out to explore the future. Like the yew, for us poetry is mysterious and earthly, real matter that is potentially dangerous to savour.

MMLA Permanent Section, English II: English Literature 1800-1900

updated: 
Thursday, March 23, 2017 - 10:39am
Midwest Modern Language Association
deadline for submissions: 
Wednesday, April 5, 2017

I

In keeping with this year’s MMLA Convention theme, “Art and Activism,” I welcome papers that address social/political activism in nineteenth-century British literature and culture. Possible topics include, but are certainly not limited to: writers as social critics; the Victorian social problem novel; radical lyric and narrative representations; Aesthetes, Decadents, and the idea of “Art for Art’s sake”; and humanists, humanitarians, and social activists in life and fiction.

Please send a 250-word abstract and a brief bio. by April 5th, 2017 to Bailey Shaw at bshaw@siu.edu.

 

 

Citing Violence, Inciting Critique: Karl Kraus, 1933

updated: 
Thursday, March 23, 2017 - 10:40am
Institute of Jewish Studies, University of Antwerp
deadline for submissions: 
Sunday, April 30, 2017

Citing Violence, Inciting Critique: Karl Kraus, 1933
22-24/11/2017, University of Antwerp (Institute of Jewish Studies)

“To me, nothing comes to mind about Hitler” (Mir fällt zu Hitler nichts ein) is the famous opening line of Karl Kraus’s analysis of the first months of National Socialism. This 300-page fragment was written between May and September 1933, and first published only in 1952 as Third Walpurgis Night.

"The Aesthetics and Ethics of Teaching Writing" A Panel Series

updated: 
Sunday, April 23, 2017 - 8:28pm
New York University
deadline for submissions: 
Tuesday, April 25, 2017

Call for Papers: The Aesthetics and Ethics of Teaching Writing

We invite proposals for participation in a series of discussions on the topic of “The Aesthetics and Ethics of Teaching Writing.” We invite participants from all disciplines to propose brief presentations on the significant intersections between aesthetic principles, ethics, and practice as faculty committed to the value of writing pedagogy. Presentations or proposals that consider or deploy interdisciplinary approaches, creative-critical hybrid strategies, or alternative methods are welcome.

Creative Writing: Prose

updated: 
Thursday, March 23, 2017 - 10:40am
Robert Miltner / Kent State University Stark
deadline for submissions: 
Saturday, April 1, 2017

CFP MMLA Panel

 

Creative Writing: Prose

 

The Creative Writing: Prose panel will discuss emerging brief prose forms, which may include prose poems, micro or flash fiction, flash creative nonfiction, excerpts from flash sequences, and hybrid or blended short prose pieces.  Panelists will offer a brief statement defining the type of brief fiction s/he is writing, then read examples from their work by way of illustration.  The intention is for this panel to be informative to those attendees new to brief prose, while concurrently being interesting and enjoyable for readers familiar to brief prose.  Questions and a lively discussion to follow. 

 

Doris Lessing Studies 2017

updated: 
Thursday, March 23, 2017 - 10:43am
Doris Lessing Society
deadline for submissions: 
Monday, May 15, 2017

Call for Papers, Doris Lessing Studies 2017: Open Topic

UPDATE: Fall 2017 Cormac McCarthy Conference

updated: 
Thursday, April 20, 2017 - 1:03pm
the Cormac McCarthy Society
deadline for submissions: 
Sunday, April 30, 2017

The Cormac McCarthy Society invites paper proposals for its Fall 2017 Conference, to be held Sept. 1-3 in Austin, Texas. Based on the new, exciting Nautilus essay, we have decided to extend the submission deadline to April 30, 2017.

Papers on all topics relating to the works of Cormac McCarthy, from all perspectives, are invited, including considerations of theatrical productions or film adaptations of his work, pedagogical approaches, and the relationship of McCarthy’s work to other authors or artists.

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