humanities computing and the internet

Este panel invita a explorar la cultura de internet del mundo hispanohablante y sus representaciones en producciones artísticas. El meme fue acuñado por el biólogo Richard Dawkins en 1976 para referirse a la difusión de “tunes, ideas, catch- phrases, clothes fashions, ways of making pots or builduing arches” (249) mediante procesos de imitación. Décadas más tarde, el estudio de Patrick Davison (2012) corroboraría que la idea de “meme” había evolucionado gracias a las redes sociales y había pasado a tener el poder de exclusivamente cumplir un objetivo humorístico. Autores como B. E. Wiggins y G. Bret Bowers (2014) argumentan que la circulación del meme es una herramienta conversacional que alienta la participación de la cultura digital.

Any philosophical consideration of the current zeitgeist requires an assessment of the quasi-object ( Latour 1993) constellation of Artificial Intelligence and its affordances without giving in to either knee-jerk optimism or unchanneled pessimism. For if doomsday was indeed near (as social media discourses want us to believe), and human labour progressively redundant to the machinations of human-made artificial intelligence, what is the limit case scenario, which makes such a provocation real, tangible and material beyond fatalistic projections of obsolescence? How does that reconfigure the idea of the Human as both the object and subject of cybernetic capital?

“This shabby piece of equipment”: Modernism and Artificial Intelligence

Session sponsored by the International Lawrence Durrell Society

Louisville Conference on Literature and Culture after 1900

The International Lawrence Durrell Society requests proposals for 20-minute presentations on artificial intelligence in the modernist era. Potential subjects include:

Last call! We are looking for one more presenter to round out our panel. If you are interested, please see details below:

Collaborative Scaffolding: Shifting Perspectives and the Future of Digital Humanities

120th session of PAMLA (all in-person - no hybrid or remote presentations)

Oct. 26-29, 2023 - Portland, Oregon

Special Session - CFP

II International Conference on Humanities and Social Sciences: Fostering Global Resilience through Cross-cultural Collaboration

ISCAP Porto Portugal, 27-28 novembre 2023

Deadline: 15 septembre 2023

The conference is an opportunity for academics and professionals with cross-disciplinary interests to share the latest research findings and new ideas (theoretical and practical) related to the cross-cultural contributions of HSS in addressing global issues. The main goal is to contribute to the realization of a sustainable and inclusive development model.

The Topics of interest include, but are not limited to, the following:

Management, Economics, Cultural and Creative Industries:

Bhatter College Journal of Multidisciplinary Studies

CFP 2023

General Areas & Local Area Development Research

Under the Continuous Publication Model

Editor-in-Chief:
Dr, Pijush Kanti Khatua,
Principal, Bhatter College, Dantan

We are inviting original research papers on any topic under the following broad disciplines throughout the year. Once the review process of the individual article is completed, we will publish the articles throughout the year. As per the volume of contents, the articles will make an issue. At the end of the year, the issues will be printed as a Volume.

General Areas

Broad Disciplines:

Though the Internet has been around since the 1980s, the “Internet novel” as a genre has only really emerged in the last decade or so. We can think of Lauren Oyler’s Fake Accounts (2021), Patricia Lockwood’s No One Is Talking About This (2021), and Calvin Kasulke’s Several People Are Typing (2021) as notable recent examples. Each of these novels take as their topic the particular and peculiar confines of the digital world we live in. Lockwood has described this sensation as falling through a “long void that never reaches the bottom,” while Brandon Taylor claims that “the Internet Novel captures some of the weird Gothic horror that white people have come, by way of their new digital Calvinism, to accept as being inherent to digital life.”

The themed issue on “The AI Revolution” aims to discuss and disseminate the latest research on the impact of artificial intelligence on human life, its representation in art and literature and its academic possibilities. With our declared orientation to the United Nation’s Sustainable Development Goals, the issue will look forward to sharing research on how the Goals can be achieved through holistic multidisciplinary approaches.

Authors from any discipline can submit papers. But the journal will not publish papers that belong purely to the disciplines of science and technology, medicine, and business management. We will publish papers that are interdisciplinary in nature engaging in discussion relevant to humanities and social sciences.

[The deadline for submissions is Monday, August 28th, 2023. If you have questions, please contact markgallagher@ucla.edu]

The Ralph Waldo Emerson Society will sponsor a panel at the seventh biennial conference for C19: The Society of Nineteenth-Century Americanists taking place March 14-16, 2024, in Pasadena, California.

The End(s) of Originality?: The Transcendentalists and AI

Due in part to well-publicised advancements in generative AI technologies such as GPT-4, there has been a recent explosion of interest in – and hype around – Artificial Intelligence (AI) technologies. Whether this hype cycle continues to grow or fades away, AI is anticipated to have significant repercussions for fandom (Lamerichs 2018), and is already inspiring polarised reactions. Fan artists have been candid about using creative AI tools like Midjourney and DALL-E to generate fan art, while fanfiction writers have been using ChatGPT to generate stories and share them online (there are 470 works citing the use of these tools on AO3 and 20 on FanFiction.net at the time of writing).

The intersection of the digital and environmental humanities speaks to our current moment: we live amid ecological changes that we seek to understand, mitigate, and publicize through new technologies. Medieval studies has long been at the forefront of the digital humanities, while ecocriticism and environmental history have advanced our understanding of how medieval people conceived of the nonhuman world. Recently, these threads have come together in adapting modern digital tools to study premodern experiences of local and evolving environments. Our panel centers this exciting area of study in anticipation of a forthcoming issue of Digital Philology on the same topic.

Seeking chapter submissions for a co-edited anthology on "Robot Theater" for consideration with Routledge for Fall 2024.

Abstracts (of approx 300 words) and a short author's bio are to be submitted to Eric Mullis (mullise@queens.edu) or Hilary Bergen (hilary.bergen@gmail.com) by Aug. 15, 2023. 

CFP:

As scholars’ engagement with media-archaeological study have increased, so have students’ interest in the field’s approaches, methods, and philosophies. Many courses on media history and theory today include sessions focused on media archaeology.

Concept Note :