humanities computing and the internet

The Victorians Institute Journal (VIJ) is still accepting submissions through April 1st for Volume 53, which will be published later this year. The VIJ is an award-winning scholarly journal of Victorian and Edwardian literary and cultural studies. The VIJ publishes a variety of pieces, including articles, reviews, and rare texts. For further details on the Victorians Institute Journal, visit 

Call for Papers: Journal of Gaming & Virtual Worlds

Special Issue: ‘Save State: Ethics, Politics and Poetics of Video Game Preservation’

Guest Editors: Paweł Frelik (University of Warsaw), Magdalena Kozyra (SWPS University), Tomasz Z. Majkowski (Jagiellonian University) 

Important Dates 

• Abstract Submission Deadline: 1 March 2026

• Notification of Acceptance: 10 March 2026

• Full Article Submission: 15 June 2026

• Peer Review Returned: 1 August 2026

• Revised Article Submission: 31 August 2026

In 2016, Oxford Dictionaries named “post-truth” its Word of the Year, marking a shift towards skepticism of facts and scientific institutions alongside the rising influence of emotion and opinion in shaping public knowledge. In the decade since, we have witnessed the further erosion of consensus truth as multiple constructions of the “real” proliferate throughout divergent media ecosystems, accelerated by emerging technologies and polarizing political orientations towards race, gender, class, and sexuality. 

SPECIAL ISSUE of FERAL FEMINSISMS

Feral Intelligence (FI): New Queer Approaches to Generative Artificial Intelligence (GAI)

// Abstract Deadline: March 15, 2026

Perhaps the most relevant question we are facing today, both in and out of the university, is how to deal with AI. In academia, different disciplines handle this question in a myriad of ways, some insisting that to not embrace AI in the classroom is harmful to the students, while others believe the utilization of AI must weaken critical thinking skills. Regardless of the differing opinions on how to use it appropriately, no one disagrees that it is here to stay. Living through the development of this world-changing technology means that we are the ones facing the question of what it means to live well in the age of AI.

Call for Papers: 

I am pleased to share a call for chapter proposals for an edited collection currently in development titled Black Feminist Practices and AI in the Composition Classroom: Memoir, Pedagogy, and Futures. This volume invites scholars, teachers, and practitioners to explore how Black Feminist rhetorical traditions can guide ethical, humanizing, and culturally responsive uses of artificial intelligence in writing instruction.

Dates: Thursday 25 June - Friday 26 June 2026
Venue: Jesus College, University of Cambridge

The Department of English and Cultural Studies, School of Humanities and Performing Arts, CHRIST (Deemed to be University), Delhi NCR Campus, is hosting its 3rd International Conference on Global Digital Cultures: Texts, Technologies, and Audiences (Hybrid Mode). 

Date: 23 - 24 February, 2026

In the era of rapid technological change, digitalization, globalization, and platformization are reshaping film, media, and creative industries. This conference critically explores the intersections of texts, technologies, and audiences in global digital cultures, with a focus on South Asia and the Global South.

As technological, ecological, and sociopolitical transformations challenge traditional notions of human identity, the posthuman paradigm offers a framework for exploring how literature and culture imagine, negotiate, and problematise the boundaries between humans, nonhumans, and their surroundings. This conference seeks to critically examine established notions of a posthuman future/present and its representations in contemporary narratives across literature, cinema, advertising, video games, and other media forms. The seminar examines the concepts of authority, marginality, and ambiguity within dystopian and utopian literary visions of posthumanism.

Baldur’s Gate 3 (Larian Studios, 2023) represents a milestone in the evolution of narrative gaming. As both an heir to Dungeons & Dragons and a contemporary work of interactive storytelling, the game synthesizes centuries of myth, moral inquiry, and imaginative world-building into a playable form. This edited collection seeks essays that investigate how Baldur’s Gate 3 draws upon, reinterprets, and transforms literary and philosophical traditions—from the medieval and Renaissance periods through modern fantasy and posthuman theory—to create new modes of narrative, ethics, and embodiment.

Call for Participation

Workshop on Creativity and Artificial Intelligence

Hobart and William Smith Colleges

March 28, 2026

Keynote Speaker: Richard Jean So, Duke University

The Global Digital Humanities Working Group of Central New York Humanities Corridor is pleased to host a 1-day workshop on creativity and artificial intelligence at Hobart and William Smith Colleges on March 28, 2026. 

2026 WAR AND MEDIA STUDIES GRADUATE STUDENT WRITING AWARD 

The War and Media Studies SIG is holding its annual graduate student writing award competition to showcase innovative work in the field by our graduate student members. We will again be partnering with the Sage journal Media, War & Conflictand the winning author will have the opportunity to be published in the journal.  

The 2026 Benedict College International Multidisciplinary Conference (2026 BCIMC)
Thursday and Friday, April 23-24, 2026, at 9:00 AM-5:00 PM

Sponsored by the School of Communication, Arts, and Social Sciences (CASS)

CONFERENCE WEBSITE
https://benedict.edu/bciimc

CONFERENCE FORMAT
Hybrid
In-Person and Virtual

CONFERENCE VENUE
Benedict College
Dr. David H. Swinton Campus Center 
1616 Oak Street
Columbia, SC 29204

CONFERENCE THEME
The Age of Artificial Intelligence Across Academic Disciplines

The UI English Graduate Association is excited to announce our 2026 conference theme “(k)no(w) books, (k)no(w) people: Multidisciplinary Studies of Narrative, Media, and the Anthropocene.” At the forefront of our conference is the power of narratives. Humans are storytellers by nature, and for thousands of years we have used stories to remember our pasts and envision our futures. We have used them to entertain and inspire us, to empower us in the face of oppression, and to understand the world around us. And, as the Anthropocene makes strikingly clear, human stories have shaped the world, to an irreversible degree.