Philosophy, being untimely, is inexorably embedded in time, dedicated to the future. For Chiasma's third issue, we will look for essays engaging with the future – as an object for philosophy, as a hermeneutic of philosophy, and also in terms of the future of philosophy – from an interdisciplinary background.
We invite proposals for the Fifth Annual Conference of the EBSN, which will take place in Manchester, UK, from 27‐29 June, at The Wonder Inn (http://www.thewonderinn.co.uk), in the heart of the city.
As always, papers on any aspect of Beat creativity are welcomed, but especially in relation to two central themes: music and science. The themes are reflected in our two confirmed conference keynotes: C.P. Lee, legendary Manchester musician and musicologist, and Andrew Lees, Professor of Neurology.
The International Conference "War Reflections: Precedents and Consequences of WWII in Literature and the Arts" sets out to study works of literature, cinema, music and the visual arts related to the Second World War and the consequences derived from it.
This interdisciplinary conference intends to be a meeting point for specialists in literature and different arts in order to foster debate around the artistic representations of WWII. Thus, we propose new approaches to a historical event that has had great impact not only on society, politics, and history, but also on literature and the arts.
Want to write for us?
We have a rolling submissions policy.
Lehigh Valley Vanguard was started to give a "voice to the voiceless."
This means subverting the neoliberal paradigm to make way for new modes of relating.
This also means when you send something in, you WILL hear back.
Writing we admire as a model:
Anything published by Semiotexte, Roxane Gay, Ta-Nehisi Coates, Noam Chomsky.
French political thought in general. Revolutionaries, renegades, critical thinkers.
Submissions in PROSE
The 18th annual conference of the Space Between Society focuses on the concept of surveillance—watching, listening, recording—as it relates to literature, art, history, music, theatre, media, and spatial or material culture between 1914 and 1945. From the rise of totalitarianism to the dwindling borders of the British Empire, global citizens were under constant scrutiny as governments, artists, and documentarians developed new ways of listening in.
Shifting Tides, Anxious Borders: A Graduate Student Conference
in Transnational American Studies (7th Annual) at Binghamton University
Theme: "Occupying Nations and Exceptional (dis)Placements"
Date: Saturday, April 9, 2016
Keynote: Professor Anne McClintock
Deadline for Proposal Submission: March 2nd, 2016
Social Justice for LGBTQ Identities in the Borderlands/Justicia Social para las Identidades LGBTQ en la Región Fronteriza
New Mexico State University
Las Cruces, March 21-25, 2016
Call for Proposals/Convocatoria para propuestas
Submission deadline/Plazo: December 14, 2015 / 14 diciembre 2015
SUBMIT PROPOSALS HERE: http://artsci.nmsu.edu/en/forms/call-for-proposal-jpt-symposium
Keynote: "A Tale of Deliveries"
Rey Chow, Duke University
Thursday, March 10, 2015 at 5:00pm
Call for Papers
Submission Deadline: Dec 15, 2015.
The Committee on Social Theory at the University of Kentucky is excited to announce our forthcoming project, the website "Why Social Theory?"
This site is designed to become the premiere source for scholars on the subject of Social Theory. As part of the website, we are designing a resource of pedagogical materials for a section on teaching. These contributions can include:
Roots and Routes: Exploring Movement, Mobility, and Belonging
Date: 20-21 May.
Location: UBC, Vancouver, Canada.
Deadline for Abstracts: 31 January 2016
Keynote Speakers: Caren Kaplan, University of California, Davis and Miranda Burgess, University of British Columbia.
What does it mean to be from a place or a position? To move from one position to another? What does it mean to be "moved" by an aesthetic experience?
Vladimir Nabokov famously expressed that the theme of "a Negro-white intermarriage which is a complete and glorious success resulting in lots of children and grandchildren" has been "utterly taboo" in Western literature. This was a taboo that British women writers of the eighteenth and nineteenth centuries regularly explored, and even challenged. From the explosively doomed union between Rochester and Bertha Mason in Charlotte Bronte's Jane Eyre, to the fetishistic gaze within which the female narrator holds the protagonist of Aphra Behn's Oronooko, to the forced erasure of the happy marriage between Juba and Lucy from Maria Edgeworth's Belinda, British women's fiction represents a range of interests in and encounters with interracial relationships.
The 11th Annual Midwest Interdisciplinary Graduate Conference (MIGC)
Theme: IN PROCESS
CALL FOR SUBMISSIONS
KEYNOTE SPEAKER: Dr. Levi Bryant (Collin College)
WORKSHOP CONDUCTED BY: Dr. Nick Montfort (MIT)
University of Wisconsin – Milwaukee
February 19–20, 2015
Deadline: December 7, 2015
"Do you see the slightest evidence anywhere in the universe that creation came to an end with the birth of man? Do you see the slightest evidence anywhere out there that man was the climax toward which creation had been straining from the beginning? ...Very far from it." ― Daniel Quinn, Ishmael
What is meant when we consider something to be in process?
We are accepting submissions through January 30:
Rules for submission:
Virginia Woolf was deeply interested in the past – whether literary, intellectual, cultural, political or social – and her writings interrogate it repeatedly. She was also a great tourist and explorer of heritage sites in England and abroad. As the first Annual Virginia Woolf Conference to be hosted in England for 10 years, and located in Yorkshire, an area rich in cultural links for Woolf (not least the Brontë Parsonage at Haworth, the subject of her first published article), this conference will explore how Woolf engaged with heritage, how she understood and represented it, and how she has been represented by the heritage industry.
Papers are invited on topics including (but not limited to):