CFP Children in World Cinema
CFP Children in World Cinema
CALL FOR PAPERS
Olho d’água (ISSN: 2177-3807) – UNESP – Brazil
Aesthetics of Dispersion
Drinking from the River of Mnemosyne: Memoir, Truth, and Rhetoric
The modern concept of the memoir has a complex relationship with traditions of art, history, memory, rhetoric, and even ethics. Memoir is usually distinguished from autobiography by its inclusion of reflection—the examination of a life that borrows techniques from fiction to render its story interesting. Generically, it is often classified as ‘Creative Non-fiction,” a categorization that seems unwilling to confront the divide between fiction and non-fiction. That reluctance, however, may recall a more classical interpretation of truth, fiction, memory, and history.
VISUAL DADA – INTERNATIONAL CONFERENCE
Bucharest, June 24-25th, 2016
University of Bucharest
Center of Excellence in Image Study CESI
Some Preceding VISUAL DADA Events
Monday, June 20th: Dada films at the Cinémathèque
Tuesday, June 21st: Unteatru: Travesties, by Tom Stoppard
Wednesday, June 22nd: Lectures at the MNAR (National Art Museum)
Thursday, June 23rd: Lectures at the MNAR (National Art Museum)
The Journal of the Midwest Modern Language Associationinvites submissions on the topic of “Arts and Sciences,” essays that investigate the roles of the humanities and scientific inquiry within academic models of the past, present, and/or future. Essays might consider artistic representations of science or scientific presentations of the arts, as well as the social roles of the arts and sciences, blendings of artistic and scientific methods, and practical considerations of such categories in campus life and the broader culture. Please email your submission to firstname.lastname@example.org by June 30th, 2016.
Topics could include, but are not limited to:
Indiana College English Association 2016 ConferenceLiterature: Empowerment through EmpathyFriday, October 28, 2016Indiana Wesleyan UniversityMarion, Indiana
You never really understand a person until you consider things from his point of view—until you climb into his skin and walk around in it. --Harper Lee, To Kill a Mockingbird
AlterNative: An International Journal of Indigenous Peoples is a multidisciplinary internationally peer-reviewed journal published continuously online as well as in quarterly print issues. AlterNative presents scholarly research on Indigenous worldviews and experiences of decolonization from Indigenous perspectives from around the world. AlterNative publishes articles in English but also welcomes submissions in Indigenous languages, as well as ones that have been previously published in an Indigenous language and are translated into English.
Australian Feminist Studies is an international, peer-reviewed journal published quarterly by Routledge/Taylor & Francis. The journal was launched in 1985 and during the subsequent three decades it has become a leading journal of feminist studies.
The journal aims to:
· be a key forum for transformative feminist ideas and analyses, nationally and internationally
· be genuinely interdisciplinary in scope
The deadline for contributing to an MLA volume on Teaching the Works of Karen Tei Yamashita is fast approaching! Please complete the survey and propose an essay (submit an abstract) by 1 June 2016 at https://www.surveymonkey.com/r/mlasurvey_yamashita. While the co-editors are excited to add another title devoted to Asian American literature to the MLA Teaching World Literatures series, we enthusiastically welcome all input: from those who have taught a single work by Yamashita only once to those who have regularly taught her works over several years. We want to hear from scholars both in the Americas and beyond.
In light of the conference theme of utopia/dystopia, the Carson McCullers Society and the Carson McCullers Center for Writers and Musicians invite papers that explore the ways in which McCullers’ work presents settings and characters situated and interacting within ideal or imperfect structures and relationships. Further, 2017 will mark McCullers’ 100th birthday, and we might consider how her life and work resonates as we look to this centennial and what it offers to contemporary understandings of utopia/dystopia. Presentations about McCullers and her work that are not directly related to the conference theme are also welcome.
Cato’s daughter; Brutus’ wife. This panel will consider the figure of Porcia in the Renaissance, where she is to be found in a wide range of cultures and genres. From the earliest accounts, Porcia has been something of a a paradox: heroic and vulnerable; the masculine soul who is also the devoted wife. No woman in history can have passed into legend more closely defined by her menfolk; let’s give her some room of her own.
Topics might include, but are certainly not limited to:
National traditions (eg. Spanish lyrical Porcias; French tragic Porcias)
Porcia in the visual arts
Female suicide: strength or weakness?
Call for Papers
Medieval Studies on Television Screens
Proposals by 30 June 2016
Session sponsored by the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
For the 27th Annual Conference of the Mid-Atlantic Popular & American Culture Association, Atlantic City, New Jersey, 3-5 November 2016
CALL FOR PAPERS: A BILLIE HOLIDAY ANTHOLOGY
Jessica McKee and Michael Perez, Embry-Riddle Aeronautical University
Cinema: Journal of Philosophy and the Moving Image invites submissions for its 8th issue devoted to the philosophy of Karl Marx and its links with cinematic art.
Marxism, as a tool for social analysis and transformation, has influenced politicized and progressive filmmakers such as Sergei Eisenstein and Sembène Ousmane, in theory and in practice, as well as shaped theoretical discussions around film and history, aesthetics, economics, and ideology. Key topics of this discussion have been reproducible art and active collective experience (Walter Benjamin) and cultural and social hegemony (Antonio Gramsci), among others.
Transmit, transmute, transduce, transfuse: scientific and medical discourses have long relied upon the prefix “trans” to convey the mutability and permeability of living organisms, distant or tiny objects, and inorganic matter. Change is both a celebrated result of scientific advancements and an ominous harbinger of malignancies, disruptions, and decay. As with the clinical laboratory and astronomical observatory, the theatre serves as a reflexive and generative site of transformations, a place to penetrate barriers and test innovative ideas, approaches, and practices. This working session places transdisciplinarity at the core of its mission to identify and explore meaningful convergences of the fields of science and theatre.