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(Un)Ethical Futures: Utopia, Dystopia and Science Fiction

Friday, July 7, 2017 - 9:19am
Monash University & University of Warwick
deadline for submissions: 
Sunday, August 13, 2017


16 & 17 December 2017 

With pre-conference activities for postgraduate students on 15 December 2017


Hosted by Monash University in Melbourne, Australia

Organised by Monash University and the University of Warwick with funding provided by the Monash Warwick Alliance



Deadline: 13 August 2017



Friday, July 7, 2017 - 9:19am
SAMLA 89: High Art/Low Art Borders and Boundaries in Popular Culture
deadline for submissions: 
Friday, July 14, 2017

In the last two decades, Young Adult (YA) literature has become increasingly popular; both the YA fan base and YA publishing imprints have continued to grow at a time when many other subsets of book publishing are shrinking. Debates about whether YA literature qualifies as “High Art” or is always relegated beyond an arbitrary boundary to be “Low Art” are ongoing. Regardless of those debates, YA literature and its adaptations dominate popular culture.

Trans-Migration: Corporal, Spatial, and Symbolic

Friday, December 1, 2017 - 9:36am
Animal de fondo
deadline for submissions: 
Friday, January 19, 2018




Trans-Migration: Corporal, Spatial, and Symbolic Mobility

 Submission deadline: Friday, January 19, 2018

Publication: March 2018


Deadline Extended: Learning to Teach: Women of Color Reflect on Graduate School Pedagogical Praxis

Wednesday, July 5, 2017 - 2:34pm
Kimberly McKee and Adrienne Winans, editors for a special issue of Feminist Teacher
deadline for submissions: 
Saturday, September 30, 2017


Editors: Kimberly McKee, Grand Valley State University

Adrienne Winans, Utah Valley University


We are soliciting submissions for a special issue in Feminist Teacher focusing on pedagogies employed by women of color while in graduate school. Often, we do not critically engage with the formative processes and experiences that shape our future teaching praxis. This issue focuses on how we learn from our successes and failures in the classroom including women of color’s creation of supportive mentoring and peer networks. We envision these essays serving as touchstone in the ongoing conversations on how women of color survive and thrive in the academy.

NeMLA 2018: Language is Migrant: A Cross-Genre Reading

Wednesday, July 5, 2017 - 2:36pm
BK Fischer & Daniela Kukrechtova
deadline for submissions: 
Saturday, September 30, 2017

Seeking writers to present work at a creative session at the NeMLA convention in Pittburgh, PA, April 12-15, 2018

Encyclopedia of Sexism in American Cinema

Sunday, January 14, 2018 - 7:28pm
Salvador Jimenez Murguia, Akita International University
deadline for submissions: 
Tuesday, May 1, 2018

Encyclopedia of Sexism in American Cinema (Second Call)

This volume takes up the topic of sexism within American Cinema from its early days of film production to the present. Covering over 300 film entries, as well as conceptual and critical interpretations, the breadth and depth of this volume will generate some highly significant material for both academics and general audiences alike. The first of its kind—indeed there are no other encyclopedias that cover this topic anywhere on the market—The Encyclopedia of Sexism in American Cinema is a timely companion to the ever-growing field of critical film studies.

DEADLINE EXTENDED 7/16/17: President Donald Trump and his Political Discourse: Ramifications of Rhetoric via Twitter

Wednesday, July 5, 2017 - 2:38pm
Michele Lockhart, Ph.D.
deadline for submissions: 
Sunday, July 16, 2017

Call for Proposals

President Donald Trump and his Political Discourse: Ramifications of Rhetoric via Twitter

Michele Lockhart seeks contributors for her fourth collection of essays, which analyzes a segment of language used by the 45th President of the United States, Donald John Trump.

LAST REMINDER: Il Parlaggio - new issue November 2017

Monday, September 25, 2017 - 7:03am
Edizioni Sinestesie (Italy)
deadline for submissions: 
Wednesday, October 4, 2017

This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages.

“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.

Bodies on the Line: Intersections between Gender and Dis|ability

Monday, July 10, 2017 - 7:43am
gender forum: An Internet Journal for Gender Studies
deadline for submissions: 
Thursday, February 15, 2018

For a long time the relationship between gender and dis|ability has been viewed in a subtractive or additive fashion, often pointing to the emasculation of men or double discrimination against women. The portrayal of dis|ability annihilating gender and exacerbating systems of oppression can be found in mainstream media and disciplinary scholarship alike. While identity is commonly explored through the axes of race, class, and gender, arguments have been put forward to include the category of the body or dis|ability (Smith & Hutchison 2006, Winker & Degele 2009, Walgenbach 2007).


Wednesday, July 5, 2017 - 2:46pm
Global Art Archive (GAA), Art Globalization Interculturality (AGI), Faculty of Geography and History of the University of Barcelona
deadline for submissions: 
Sunday, September 10, 2017

ACCUMULATION TECHNOLOGIES: DATABASES AND 'OTHER' ARCHIVES is an international symposium focused on archival practices. It is conducted within the framework of the Research Project Global Art Archive (GAA), and organized by Art Globalization Interculturality (AGI) and the Faculty of Geography and History of the University of Barcelona.

In the past few years archive has generated a great interest within art theories and practices, as well as in other fields of culture, such as the scientific or the academic ones. The expansion of this discussion has finally given voice to agents as data technicians and archivists, whom surely have a lot to say around the archive.