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Palimpsest: Yale Graduate Literary and Arts Magazine, Vol. IX: TRANS [ . . . ]

updated: 
Monday, October 23, 2017 - 1:30pm
Brandon Menke, Editor / Palimpsest: Yale Graduate Literary & Arts Magazine
deadline for submissions: 
Thursday, November 30, 2017

Palimpsest is a biannual print publication run by graduate and professional students at Yale University, featuring fiction, poetry, visual art, nonfiction, and media related to architecture and music.

We are pleased to announce the call for submissions for our upcoming issue, Volume IX: TRANS [       ].

InVisible Culture 29: "Beyond Love"

updated: 
Monday, October 23, 2017 - 1:30pm
InVisible Culture Journal
deadline for submissions: 
Monday, January 15, 2018

“Beyond Love” – Issue 29

 

For its twenty-ninth issue, InVisible Culture: An Electronic Journal for Visual Culture invites scholarly articles and creative works that address the complex and multiple meanings of love.

 

Call for Submissions:Theoretical Studies in Literature and Art

updated: 
Monday, October 23, 2017 - 1:30pm
Theoretical Studies in Literature and Art (ISSN0257-0254)
deadline for submissions: 
Tuesday, July 31, 2018

Theoretical Studies in Literature and Art (ISSN 0257-0254), launched in 1980 and published bimonthly, a most highly recognized peer-reviewed journal in China, publishes original papers in Chinese or English in arts and humanities, especially literary studies. We welcome MLA-style papers of 6000-12000 words in the fields of literary theory, critical theory, aesthetics, philosophy of art, cultural studies, etc.

Authority: Questioning Power Structures within the Humanities and Beyond

updated: 
Monday, October 23, 2017 - 1:29pm
Graduate Students in English Organization / University of Arkansas
deadline for submissions: 
Friday, January 12, 2018

Authority: Questioning Power Structures within the Humanities and Beyond
An Interdisciplinary Graduate Student Conference
University of Arkansas, Fayetteville, AR
March 3, 2018

The theme of the 2018 GSE Conference is Authority, acknowledging and questioning power and authority within the humanities and beyond.

THE PODCAST: FORMS, FUNCTIONS, FUTURES

updated: 
Monday, October 23, 2017 - 1:28pm
Johannes Gutenberg-Universität Mainz
deadline for submissions: 
Wednesday, November 1, 2017

THE PODCAST: FORMS, FUNCTIONS, FUTURES

AN INTERNATIONAL SYMPOSIUM

8 - 9 February 2018

in Mainz, Germany

organised by

Margarita Navarro Pérez (Departamento de Idiomas, Universidad Católica San Antonio de Murcia)

and Patrick Gill (Department of English and Linguistics, Johannes Gutenberg-Universität Mainz)

 

Transversing Spaces

updated: 
Monday, November 13, 2017 - 10:33am
University at Albany English Student Graduate Oranization
deadline for submissions: 
Friday, January 12, 2018

“Transversing Spaces”

University at Albany’s 16th annual EGSO Conference 

UAlbany English Graduate Student Organization

Date: March 23-24, 2018 

Critical Keynote: Moacir P. de Sá Pereira

Creative Keynote: Patricia Smith

Submission Deadline: January 12, 2018

Comics and Popular Arts Conference at Dragon Con 2018

updated: 
Monday, October 23, 2017 - 1:27pm
Comics and Popular Arts Conference
deadline for submissions: 
Friday, December 15, 2017

2018 Call for Papers / Call for Proposals

The Comics and Popular Arts Conference (CPAC) invites submissions for our 11th Annual meeting in Atlanta, Georgia, August 31-September 3, 2018.

CPAC is an annual academic conference for the studies of comics and the popular arts, including science/speculative fiction and fantasy literature, film, and other media, comic books, manga, graphic novels, anime, gaming, etc. CPAC presentations are peer reviewed, based in scholarly research.

Please submit a proposal that engages in substantial scholarly examinations of comic books/graphic novels, anime, manga, science/speculative fiction, fantasy, or other parts of popular culture.

Chaotic Formats: Video, Moving Images, Cinematic Displays

updated: 
Monday, October 23, 2017 - 1:27pm
Journal of Chinese Cinemas
deadline for submissions: 
Friday, December 15, 2017

In postsocialist China, the boundaries between the practice of artmaking and filmmaking, and the spaces of contemporary art and cinema, have rarely been distinct. Instead, artistic practices in China are characterized by a chaos of formats, an ambivalence about presentational modes and an implicit or explicit acknowledgement of mainstream representational and presentational formats. Moving image art has become a potent analytic and practical category for art history and film scholars to examine the alternative production, exhibition and funding models that facilitate the migration of filmmakers into the spaces of art and artists into the spaces of film.

CFP: 2018 Comics and Popular Arts Conference

updated: 
Monday, October 23, 2017 - 1:27pm
Comics and Popular Arts Conference
deadline for submissions: 
Friday, December 15, 2017

2018 Call for Papers / Call for Proposals

The Comics and Popular Arts Conference (CPAC) invites submissions for our 11th Annual meeting in Atlanta, Georgia, August 31-September 3, 2018.

CPAC is an annual academic conference for the studies of comics and the popular arts, including science/speculative fiction and fantasy literature, film, and other media, comic books, manga, graphic novels, anime, gaming, etc. CPAC presentations are peer reviewed, based in scholarly research.

Please submit a proposal that engages in substantial scholarly examinations of comic books/graphic novels, anime, manga, science/speculative fiction, fantasy, or other parts of popular culture.

Excursions Journal Vol 8.1: 'Networks'

updated: 
Monday, October 23, 2017 - 1:26pm
Excursions Journal
deadline for submissions: 
Wednesday, November 15, 2017

The Call for Submissions to the next issue of Excursions Journal, 8.1, on 'Networks', is open for the next four weeks, until 15th November 2017. We welcome journal articles of 3000-5000 words from a range of disciplines that engage with instances, contemporary and historic, where the networks we have established matter. This could include, but is not limited to:

- How networks in our historical approaches help us to better understand our present moment, or reinterpret our narratives of the past

- Representations of networked practices in art, literature and music

- Spatialisation, architecture and place

- Economic networks of production, distribution and/or exchange

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