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VOX MEDIA: Sound in Literature (Call for Papers)

updated: 
Monday, July 18, 2016 - 2:20pm
University of Coimbra, Portugal
deadline for submissions: 
Monday, October 31, 2016

MATLIT, 2017, vol. 5 Call for Papers 

Editors:

Osvaldo Manuel Silvestre (University of Coimbra) 

Felipe Cussen (University of Santiago de Chile)

DisArt Symposium: Disability Arts Now (Date Change)

updated: 
Monday, July 18, 2016 - 2:30pm
DisArt
deadline for submissions: 
Monday, October 3, 2016

DisArt Symposium: Disability Arts Now

Attention: Symposium Dates Changed

April 6-8, 2017

Why are we changing the dates?

Ancient-Modern Relations: The Classical Tradition

updated: 
Monday, July 18, 2016 - 2:23pm
Jon Solomon / University of Illinois at Urbana-Champaign
deadline for submissions: 
Friday, August 5, 2016

114th Annual Conference - Pasadena, California
Friday, November 11 - Sunday, November 13, 2016Ancient-Modern Relations: The Classical Tradition

CfP: The Intersections of Whiteness (Jan. 11-13, 2017)

updated: 
Monday, July 18, 2016 - 2:28pm
Ruhr-University Bochum (Germany)
deadline for submissions: 
Sunday, July 31, 2016

Call for Papers: Intersections of Whiteness, Ruhr-University Bochum and TU Dortmund, January 11-13, 2017

Deadline: July 31, 2016

World Picture Annual Conference, 13-14 Dec 2016: PROPERTY

updated: 
Monday, July 18, 2016 - 2:28pm
World Picture Journal
deadline for submissions: 
Monday, August 15, 2016

2016 World Picture Conference

 

University of Cambridge

 

13 & 14 December 2016

 

 

Property

 

Keynote Speakers

 

Gertrud Koch

(Freie Universität Berlin)

 

Brenna Bhandar

CFP-Futures Near and Far: Utopia, Dystopia, and Futurity

updated: 
Monday, July 18, 2016 - 2:22pm
Norma Aceves & Jaquelin Elliott/University of Florida English Graduate Organization
deadline for submissions: 
Wednesday, August 31, 2016

Futures Near and Far: Utopia, Dystopia, and Futurity

Keynote Speaker: Dr. Phillip Wegner, University of Florida Marston-Milbauer Eminent Scholar

 

Heroism as a Global Phenomenon in Popular Culture

updated: 
Monday, July 18, 2016 - 2:20pm
Collaborative Research Centre 948: Heroes—Heroizations—Heroisms
deadline for submissions: 
Saturday, December 31, 2016

Sonderforschungsbereich 948 / Collaborative Research Centre 948:
Helden—Heroisierungen—Heroismen / Heroes—Heroizations—Heroisms

 

International Conference "Heroism as a Global Phenomenon in Popular Culture"
Freiburg, September 28-30

Organized by Michael Butter (Tübingen), Nicole Falkenhayner, Wolfgang Hochbruck, Barbara Korte (Freiburg) and Simon Wendt (Frankfurt)

 

Rust/Resistance: Works of Recovery, ASLE Twelfth Biennial Conference

updated: 
Friday, July 15, 2016 - 2:55pm
Association for the Study of Literature and Environment (ASLE)
deadline for submissions: 
Monday, December 12, 2016

Rust/Resistance: Works of Recovery
ASLE Biennial Conference, June 20 - 24, 2017
Wayne State University, Detroit, Michigan

Superhero Narratives and (Dis)Ability Roundtable (NeMLA 2017)

updated: 
Friday, July 15, 2016 - 2:56pm
Derek S. McGrath and Mary Ellen Iatropoulos / Northeast Modern Language Association
deadline for submissions: 
Friday, September 30, 2016

In what ways can superpowers be read as disabilities, or disabilities as superpowers? For example, The Avengers hinges on Tony Stark’s ability to recruit Bruce Banner, the Hulk, by acknowledging how they both share the “privilege” of what are interpreted as disabilities: Stark’s heart injury that led him to develop the Arc Reactor powering the Iron Man robotic suit, and Banner’s condition as the Hulk, which by height, weight, mentality, and emotions can compromise his involvement in the world but can also make him a superhero.

Transmedia Storytelling: Questioning Canon in 21st-century Popular Culture Narratives (NeMLA 2017 Panel)

updated: 
Friday, July 15, 2016 - 2:56pm
Mary Ellen Iatropoulos / Northeast Modern Language Association
deadline for submissions: 
Friday, September 30, 2016

How does transmedia storytelling inform and influence contemporary understandings of the relationship between medium, auteur, canon, and fandom? Although clearly successful in connecting with audiences hungry for more stories set in these universes, transmedia continuations of films, television shows, and comic books illustrate how the marketing of auteurism obscures as much as clarifies complexities in authorship, collaborative production, different reading styles demanded of audiences across different media, and the relative importance of dynamics between intention vs. reception and narrative continuity vs. formal dissimilarity.

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