Adaptation studies has recently grown into a vibrant, wide-ranging field of study. Scholars in literary, media, and cultural studies have used the concepts of adaptation and intertextuality to explore how content negotiates the transition from text to image, image to text, and across media platforms and/or cultures of production and reception.
Ahead of this fall's 50th anniversary conference of the Western Literature Association, which coincides with the release of a feature-length documentary, Oregon filmmaker Ian McCluskey's Les Voyageurs Sans Trace (Mountainfilm, 2015), this panel's organizer seeks proposals for both critical and creative works that engage the story of the so-called French Trio of 1938. Alternatively, this panel may engage similar narratives of North American river-running, early outdoor recreation in the West, or other formative adventures marked by the elusive "traces" of bygone journeys—especially those fueled by "free-spirited risk-taking." For context, the following is adapted from the filmmaker's synopsis:
Joseph Donica is an Assistant Professor of English at Bronx Community College.
Rami Shamir is the author of TRAIN TO POKIPSE (Grove Press 2011, http://traintopokipse.com/)
Abstracts of 300 words and full CVs due September 1, 2015 to
Full articles due Decemeber 1, 2015
Projected publication May 2016
Complicating the notion of the 'French Renaissance,' this panel seeks papers that explore the dynamic relationship between Italian artists and their French patrons, audiences, and counterparts in the fifteenth- and sixteenth-century courts of Charles VIII, Francis I, Henry II and Henry IV. We are interested in investigations into the ways in which these artists realized their royal commissions by participating in, subverting, and creating artistic dialogues. Rather than simply importing visual language, humanist discourses, and artistic debates into French contexts, Italian artists and their French patrons mediated different processes of material, contextual, and formal translations.
Keynote: Omise'eke Tinsley, University of Texas at Austin
Conference Date: October 16, 2015
Kinships that cross boundaries often entail radical decenterings of family, community, or subjectivity. What happens
when Yellow Peril supports Black Power in Ferguson? When Maggie Simpson holds up a Je Suis Charlie sign?
When, in a single frame, Kordale and Kaleb dismantle stale notions of Black masculinity, queerness, and
Can we undomesticate kinship?
Call for papers
Stereo & Immersive Media — 2015 International Conference
National Archive of Torre do Tombo, Lisbon, Portugal
October 7-9, 2015
Stereo & Immersive Media — 2015 International Conference aims to bring together researchers, artists and archivists working on visual media renowned for their stereoscopic and/or immersive features. Stereo and immersive media environments provide an expanded field for photographic media since the 19th century. The recent revival of interest in stereo and immersive technologies has set an opportunity to research its historical roots and also the present-day challenges to visual culture.
Afterlives: Remediations in Word and Image
19-20 August 2015
Professor of Film and Media Studies,
Birkbeck, University of London
"The presence of the past in the cinema is also the presence of the body resurrected…"
Laura Mulvey, Death 24x a Second: Stillness and the Moving Image (2006)
CALL FOR PAPERS
Words Unofficial: Gossip, Circulation, Mediation
University of Chicago English Graduate Conference
November 19-20, 2015
Keynote Speaker: Prof. Susan Phillips, Northwestern University
Associate Professor of English and Alumnae of Northwestern Teaching Professor
John Dos Passos was undoubtedly one of the most eclectic American writers of his generation. Faithful as he was to the intermedial aesthetics of modernism, he did not limit himself to the role of novelist, but frequently also crossed over into the neighboring arts: as an accomplished painter and illustrator, as a playwright and sometime set designer for the New Playwrights Theatre, and through his work on Hollywood cinema and documentary film. The resulting cross-pollination would fuel Dos Passos's creativity over the years, influencing his most celebrated novels.
Reflecting on the seismic cultural and political shifts of his own time, Francis Bacon pinpointed 'printing, gunpowder, and the compass' as the technological drivers which had 'changed the appearance and state of the whole world'. Bacon's identification of communicative (print), violent (gunpowder) and technological (compass) forms of cultural expression and exchange as world-shaping continues to resonate, shaping the production and interpretation of texts.
For our 2016 annual forum, the Program in Educational Theatre builds on the work of previous annual events in curriculum, assessment, teaching artistry, playwriting, ethnodrama, Shakespeare, citizenship, and site specific theatre by inviting the global community to propose workshops, papers, posters, narratives, and performances around one of the following topics:
•Drama in Education (i.e., studies in drama/theatre curriculum, special education, integrated arts, assessment and evaluation)
•Applied Theatre (i.e., studies in community-based theatre, theatre of the oppressed, the teaching artist, diversity and inclusion)
Abstract: This special session will explore the intricacies and expectations embodied in portrayals of womanhood in Renaissance and Restoration England. This session desires papers using literature and plays to discuss the realities for and suppositions of women that were common in this era, potentially looking at the broader social implications.
The 7th Annual Louisiana Studies Conference will be held September 11-12, 2015 at Northwestern State University in Natchitoches, Louisiana. The Conference Committee is now accepting presentation proposals for the upcoming conference. The theme of this year's conference is "Louisiana Cultural Crossroads."
The conference "Power and the Mediterranean" will be held on 13-15 November 2015 at the University of Michigan, Ann Arbor, featuring keynote speaker Julia Clancy-Smith (University of Arizona).
--- Participant Places Available ---
Great Writing International Creative Writing Conference (UK)
18th Annual International Creative Writing Conference
Imperial College, London, Great Britain*
Saturday 20 June – Sunday 21 June 2015
Although all peer-reviewed presenter places are now filled, participant places are still available, and you would be most welcome.
Participants can join in the discussions, and in all sessions throughout Saturday and Sunday, and can also be involved in this year's "New Writing International Creative Writing event" on Saturday night.