Since Richard von Krafft-Ebing's first clinical naming of "masochism" as a perversion located in men in 1890, masochisms and masochists have been approached through a variety of lenses: scientific, sexological, artistic, literary, psychiatric, and dramatic. Importantly, the most prolific period regarding the circulation of ideas and theories about masochism is the same period that produced the modernist text.
Edited Collection: Lost and Othered Children in Contemporary Cinema
Call for contributions to Starlight and Shadows: Images of Lost and Othered Children in Contemporary Cinema. [tentative title]
Seeking original articles for an edited collection about lost and "Othered" children in contemporary cinema (from 1980 to the present). In contrast to traditional portraits of sweetness and light, there is a large body of cinematic works that provide a counter note of darkness to the more common notion of the innocent and pure child. These films depict childhood has as a site of knowingness, despair, sexuality, death, and even madness. Starlight and Shadows explores this filmic imagining of the dark side of childhood.
The Carnival of Death: Perceptions of Death in Europe and the Americas
An interdisciplinary conference organised by Maria-José Blanco and Ricarda Vidal, Institute of Germanic & Romance Studies, School of Advanced Study, University of London.
Deadline for submissions: 21 June 2010
Conference dates: 24-26 Feb 2011
Venue: Institute of Germanic & Romance Studies, School of Advanced Study, University of London
In the most general terms death is defined as the final and irreversible cessation of the vital functions in an organism, the ending of life. However, the precise definition of death and the exact time of the transition from life to death differ according to culture, religion and legal system.
ATTN: PAMLA's 2010 Conference in Hawaii: Film Studies Panel(s)
(DEADLINE FOR PROPOSALS: 4/5/10)
Aloha Concerned Cinema Citizens,
PAMLA (Pacific Ancient and Modern Language Association) is the western regional affiliate of MLA. The 2010 conference will take place November 13-14 at Chaminade University, Honolulu, Hawaii.
PANEL DESCRIPTION: F I L M S T U D I E S
THE EXILIC NETWORK AND ITS IMPACT ON MODERNISM
October 14-16, 2010
The University of Illinois at Urbana-Champaign
Levis Faculty Center
This conference will convene scholars and practitioners to present state-of-the-art research on translation and the humanities. In particular, we seek to assess if, and how, academic disciplines comprising the humanities consider translation to be constitutive of their practice.
Translation scholars have called for a paradigm shift in defining the relationship between translation and the humanities. While it is acknowledged that a large share of our common knowledge is conveyed through translation, too little has been said about the way knowledge itself is built and circulated, particularly in the domain of interpretive disciplines.
Registration for 'Modernism and Utopia: Convergences in the Arts' (23-24 April 2010) will CLOSE on April 22nd.
In order to register, please visit the conference website at the following address (http://www.mod-utopia.bham.ac.uk/) and click on 'Conference Registration'. This will open a University of Birmingham webpage containing the registration form and details.
A conference programme / schedule will be made available in due course. If you have any questions regarding the registration process please do not hesitate to contact Nathan Waddell at firstname.lastname@example.org.
PAMLA (Pacific Ancient and Modern Language Association) is the western regional affiliate of MLA. The 2010 conference will take place November 13-14 at Chaminade University, Honolulu, Hawai'i. English Literature (1700 to present), a standing session, invites papers from a range of theoretical and analytic approaches on any relevant topic.
Paper proposals of 500 words and a 40-word abstract are due by April 5, 2010. Please submit online at PAMLA's Online Proposal Submission Form: http://www.pamla.org/2010/please-register
This panel invites participants to explore the ways in which reading visual texts plays out in our increasingly visual culture. From the bombardment of images used in advertising, to the moving image that adapts printed text to the cinematic screen, to the increasing centrality of visual images in digital spaces like Facebook and Second Life, our culture is one that often takes for granted the interplay between text and image.
Proposals for any presentation connected to the field of visual rhetoric are welcome.
Presentations may seek to answer any of the following questions, or they may offer a perspective on visual rhetoric that connects to the convention theme "The Interplay of Text and Image":
In keeping with the theme of the 2010 SAMLA convention, this panel seeks paper proposals that address the interplay of text and image. Possible topics may include but are not limited to: cinematic adaptations of literary works, film theory and authorship, reflexivity in film and literature, and the relationship of word and image in national cinemas and cinematic traditions. By May 15, 2010, please send proposals of approximately 500 words with presenter's name, academic affiliation, and contact information (including e-mail and mailing addresses) to Adrienne Angelo, Auburn University, at email@example.com. All submissions will be acknowledged.