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CFP: 'Nabokov and Morality' Symposium

updated: 
Monday, October 18, 2010 - 10:33am
Michael Rodgers

Call for Papers: Two-day Symposium

'Nabokov and Morality'

University of Strathclyde, 5th & 6th May 2011

Keynote Speaker: Prof. Michael Wood (Princeton)

Papers are invited for a two-day symposium at the University of Strathclyde in Glasgow on the 5th & 6th May 2011. The event will involve 15-20 speakers over two days and be based on papers/presentations of 20 minutes each plus 10 minutes for questions. Both days will conclude with a roundtable discussion.

Changing the Language Game (Due: Dec 15, Conference: Jan 28)

updated: 
Monday, October 18, 2010 - 9:51am
UNC Charlotte English Graduate Student Association

UNC Charlotte's English Graduate Student Association (EGSA) is proud to announce its 11th annual conference and call for papers. Our conference is the largest and longest running student-led conference in the southeast. This year, come and see how the rules of the game are changing.

The UNC Charlotte English Graduate Student Association invites faculty, graduate students, and advanced undergraduates to submit an original essay or presentation for the annual spring semester conference.

The writing of Rose Macaulay, in her historical and cultural context 23 September, 2011

updated: 
Monday, October 18, 2010 - 3:56am
Institute of English Studies, University of London

This symposium offers an opportunity to focus the mind on Rose Macaulay's writing in her life, and to consider her work in its cultural context.
The day will be organized as a series of 20-minute papers, beginning with a talk by Sarah LeFanu, Macaulay's most recent biographer, on researching Macaulay's life, and is open to all who have an interest in Macaulay, as a forum to discuss how they have been drawing on her life or writing in their own research, in their own writing, or in another aspect of culture or criticism, perhaps travel writing or journalism.

ATHE's Music Theatre/Dance Focus Group: Bruce Kirle Memorial Emerging Scholarship Panel

updated: 
Monday, October 18, 2010 - 1:25am
ATHE’s Music Theatre/Dance Focus Group

The Music Theatre/Dance (MT/D) Focus Group of the Association for Theatre in Higher Education (ATHE) announces its call for papers for the "Bruce Kirle Memorial Emerging Scholarship Panel in Music Theatre/Dance" for the 2011 ATHE conference in Chicago, IL (August 11-14, 2011). This annual panel is held in memory of Dr. Bruce Kirle, a longtime member of the Music Theatre/Dance focus group. Dr. David Savran will serve as the respondent. Dr. Savran is the Vera Mowry Roberts Chair in American Theatre at the CUNY Graduate Center as well as the editor of The Journal of American Theatre and Drama. His most recent book, Highbrow/Lowdown: Theater, Jazz, and the Making of The New Middle Class, was published in 2009 by the University of Michigan Press.

Systematized Objects: the other "world" literature [systems theory, ANT, OOO, posthumanism, etc.]; ACLA April 1-3; due Nov 12

updated: 
Sunday, October 17, 2010 - 8:26pm
Meredith Farmer and David Baker

Currently, a number of analysts are thinking about what constitutes, assembles, or traces "objects." While Bruno Latour (2005), Manuel DeLanda (2006), Andy Clark (2008), Graham Harman (2009), Cary Wolfe (2010), et al. might not agree on what objects "are," they're all interested in shifting away from the transcendental ego in ways that evade the "modern constitution" or the "bifurcation of nature." And we're interested in how this move -- and all its concomitant effects -- might influence not literary theory, but literary criticism.

Assembling Among Assemblages: Corporate Forms and American Literature Before 1914

updated: 
Sunday, October 17, 2010 - 6:20pm
Brynnar Swenson, Butler University; Andrew Lyndon Knighton, California State University, Los Angeles


Gilles Deleuze defines an assemblage as a multiplicity that "is made up of many heterogeneous terms and which establishes liaisons, relations between them, across ages, sexes and reigns — different natures." Such a form of organization, he argues, is the product of the interactions between the various bodies — physical, psychical, social, economic, linguistic — that compose it. The inherent dynamism of the assemblage is mirrored in the work of those who have theorized it; the concept remains notoriously diffuse and unstable. Following Manuel DeLanda's recent work, we are eager to reconstruct and refine assemblage theory.

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