Incorporating Civic Education into the Classroom and Beyond Roundtable invites you to submit an abstract. This roundtable is a part of the Northeast Modern Language Association (NeMLA) Convention, Aprtil 7-10, 2011, New Brunswick, New Jersey.
The status of genre writing has been redefined for us in the work of Gunther Kress. Kress reminds us that writing involves more than the alphabetic notion that we write poems, stories, plays and essays. In fact, communication is large, contains multitudes, to paraphrase Whitman; it involves visual and aural elements as well as traditional writing. As a result, even those of us who have not technologized our classes have felt the need to revise our courses (and our assignments) accordingly to include more and more of what our students bring with them as prior knowledge and experience to our classes. There is new teaching to be done, and we must bring forward a new era of instruction in creative writing.
42nd Annual Convention, Northeast Modern Language Association (NeMLA)
April 7-10, 2011
New Brunswick, NJ – Hyatt New Brunswick
Host Institution: Rutgers University
From John Milton to Aphra Behn to Oscar Wilde to Angela Y. Davis, a striking number of writers have experienced some sort of imprisonment. This panel seeks papers on the role of prisons in textual and literary creation. Some of the questions we wish to address include: What are the various prison experiences across time periods--the gaol, the bridewell, the convent, the workhouse-prison, the psychiatric hospital--and how does each serve as a site of cultural production? How does the prison intersect with issues of gender, class, and nation? How does prison writing fit with other generic forms? Which genres of writing emerged from imprisonment? How do writers figure their incarceration--as periods of dispossession, withdrawal, renewal, or triumph?
Registration for the GLITS Goldsmiths Literature Seminar Interdisciplinary Postgraduate Research Conference, is open. Admission is free.
The second annual conference is to be held at Goldsmiths College in London, UK, Saturday 26 June 2010. The keynote speaker is Christopher Norris.
The focus of the event this year is paradox, the strange territory between reason and intuition, involving the simultaneous processes of grasping and letting go of the doxa.
I am pleased to announce the publication of the third volume of "Ravenna", an online interdisciplinary journal devoted to the relationship between nineteenth-century Britain and Italy. "Ravenna" is edited by Elisa Bizzotto and Luca Caddia and published by Steven Halliwell at The Rivendale Press as one of THE OSCHOLARS group of fin de siècle journals under the general editorship of David Charles Rose.
This issue includes the following articles:
- Fabio Camilletti, "Veils. A Reading of Dante Gabriel Rossetti's 'St. Agnes of Intercession'";
Teaching literature censored by governments or self-censored means engaging with social, religious, political, and sexual taboos dialectically related to the courage of writers. This panel will explore pedagogical methods appropriate for this topic, with the objective of exploring the secrets of other cultures and discovering our own biases. From Ulysses and Lolita to Satanic Verses and Children of Gebelaawi (or the Alley), what is the best way to explore these forbidden fruits? Please send proposals to Dr. Julia Keefer, email@example.com.
Creator of Tracy Beaker and one of Britain's top writers for children, there's hardly a young person in the UK that hasn't heard of Jacqueline Wilson. The most borrowed author in Britain's libraries, over 30 million copies of Wilson's books have been sold in the UK alone and they have been translated into 34 different languages. Amongst her awards are the Smarties Prize, the Guardian Children's Fiction Award and the Royal TV Society Best Children's Fiction Award. Jacqueline was Children's Laureate from 2005-07 and was awarded an OBE in 2002 for services to literacy in schools. In 2008 she became Dame Jacqueline Wilson when she was awarded a DBE.
From its very inception the relation between cinema and masses is somewhat a concern among any scholar who takes cinema seriously. Whereas Kracauer underlines cinema's performance in fulfilling mass desires, Benjamin inaugurates the birth of a new subject who is simultaneously a critique and an actor. For Balazs and Munsterberg, the control of the production of cinema and preventing the mis-distribution of its meaning are of primary importance. Hence, from the very first moments, cinema has been conceptualized as a pharmakon even though critics have not put it in those terms explicitly.
The American Name Society (ANS), a professional organization devoted to the study of names and their role in society, invites précis and abstracts for papers and program suggestions for its annual meeting to be held in conjunction with the Linguistic Society of America (LSA), the American Dialect Society (ADS), and other allied, professional organizations. The 2011 meeting will be at the Hilton Pittsburgh, January 6-9, 2011.