Historic Libraries in Context
The Derry & Raphoe Diocesan Library: Past, Present and Future
The University of Ulster – Magee Campus
6-8 June, 2011
Historic Libraries in Context
Translation, Dramaturgy & Performance
'Invisible Presences' is presented under the aegis of Out of the Wings, an AHRC-funded project exploring Spanish theatre in English translation, in association with the Melbourne Dramaturgies Project, the Translation, Adaptation, and Dramaturgy Working Group of the International Federation for Theatre Research, and the Dramaturgs' Network
Drama and Film Centre
Queen's University Belfast
18-20 April 2011.
CFP DEADLINE: 1 OCTOBER 2010
This is the first of the biennial conferences planned for the newly founded Romantic Studies Association of Australasia (RSAA), to take place at the University of Sydney from Thursday to Saturday, 10-12 February 2011.
James Chandler (Chicago)
Deirdre Coleman (Melbourne)
Nicholas Roe (St Andrews)
Panel discussion with the assembled editors of 'The Oxford Companion To The Romantic Age' (1999):
Iain McCalman (Sydney)
Jon Mee (Warwickshire)
Gillian Russell (ANU)
Clara Tuite (Melbourne)
We invite submissions covering the full range of possible meanings of 'distance' in Romantic studies – including (but not limited to)
At our second annual Association of English Graduate Students Symposium, we wish to explore the many ways that identity manifests itself as an object for study. The concept of identity permeates every text, from its narrator's organizing gaze to the genre in which it is catalogued. Indeed, we invite you to question the term "text" itself, as "text" has come to be identified as anything from a novel to a Facebook page to a film.
Rubric is an online interdisciplinary journal centred around creative writing. It is a space in which to explore the nexus of text and subject, and critically consider the definition of these terms. We welcome contributions of fiction / poetry / fictocriticism / electronic literature / writing and critical theory / practice-based research and as yet undiscovered modes in-between. For critical non-fiction works, we suggest a length of 4,000 to 6,0000 words - feel free to contact us with queries if your project falls outside this scope.
This approved panel for the American Comparative Literature Association's annual meeting (Vancouver, Canada, 31 March - 3 April 2010) seeks papers that address aspects of the long debate over literary and intellectual engagement. Which types of texts are best suited to such a mission, and how does a text's activist agenda affect its form? How might realist or naturalist texts, whose aim is to "unveil [dévoiler]" (in Jean-Paul Sartre's words) for their readers the practical injustices around them, really make these readers feel responsible for ending those injustices? How do avant-garde texts accomplish what Theodor Adorno terms an altering of our "fundamental attitudes [Haltung]" or what Caroline Levine calls a needed provocation of democracy?
DEADLINE: THURSDAY, OCTOBER 14, 2010
SUBMIT proposals (250 words maximum) and one-page CV by e-mail attachment to Scott Enderle (firstname.lastname@example.org).
The Vampire in Literature, Culture and Film area of the Popular Culture Association/American Culture Association is seeking papers, presentations, roundtable discussions, and/or four-person panels on any aspect of the TWILIGHT series for the 2011 Joint National Conference in San Antonio, Texas, April 20-23, 2011. Please send a 250-300 word abstract to Mary Findley: email@example.com by December 15, 2010.
This graduate conference will explore the relevance of contact and contact zones for English Studies. As we move deeper into the twenty-first century, English Studies continues to see increasing discursive overlap. Understandings of identity and subjectivity have relied increasingly on syncretism and hybridity at the expense of rigid national, cultural, and periodic categories. As boundaries and concepts become more permeable, Mary Louise Pratt's definition of "Contact Zones" gains increasing relevance and currency.