In recent years, live-streamed theatre broadcasts have emerged as a significant cultural phenomenon, aiding public access to - and representing a new practice for - key international, national and regional institutions, such as the National Theatre, the Royal Shakespeare Company, Pilot Theatre, Forced Entertainment, and cinema distributors around the world. How do such broadcasts change the experience of live events, and how do they alter the spectrum of media through which performances occur? This emerging hybrid medium introduces challenges for practitioners, critics and institutions for the creation, reception and funding of live theatre and events, yet suitable approaches to frame academic discussion of it are underdeveloped.
This new Palgrave Macmillan book series addresses how adaptation functions as a principal mode of text production in visual culture. What makes the series distinctive is its focus on visual culture as both targets and sources for adaptations, and a vision to include media forms beyond film and television such as videogames, mobile applications, interactive fiction and film, print and nonprint media, and the avant-garde. As such, the series will contribute to an expansive understanding of adaptation as a central, but only one, form of a larger phenomenon within visual culture.
"Hera, give me strength!" Wonder Woman can do a lot of things, but writing your proposal for this panel isn't one of them.
The early twenty-first century saw Young Adult (YA) fiction rise to become the world's fastest growing literature category. The diverse narratives are rich with mature themes, often throwing the reader's world and experiences into sharp clarity, but they are also capable of light-heartedness, irreverence and suspension of reality. YA fiction explores identity, growing up, and environmental, social and political concerns, often portraying violence and sexuality with startling precision and empathy. Australasian YA fiction, in particular, frequently draws on the relative isolation of the setting to bring issues of identity and belonging into sharper clarity.
Topics include any aspect of Joss Whedon's television and web texts (Buffy the Vampire Slayer, Angel, Firefly, Serenity, Dr. Horrible's Sing-Along Blog, Dollhouse, Marvel's Agents of S.H.I.E.L.D); his films (Marvel's Avengers: Age of Ultron, Serenity, The Cabin in the Woods, Marvel's The Avengers, Much Ado About Nothing, In Your Eyes); his comics (e.g. Serenity: Those Left Behind, Serenity: Better Days, The Shepherd's Tale, Fray, Astonishing X-Men, Runaways, Sugarshock!, Tales of the Slayers , Tales of the Vampires, Angel: After the Fall, Buffy the Vampire Slayer Season Eight, Season Nine, and Season Ten); or any element of the work of Whedon and his collaborators (Marti Noxon, Tim Minear, David Fury, Jane Espenson, Jed and Zack Whedon, etc.).
Abstract due date, May 31, 2015
The Shakespearean Performance Research Group
Conveners: Catherine Burriss (California State University, Channel Islands), Franklin J. Hildy (University of Maryland), Rob Ormsby (Memorial University of Newfoundland), Don Weingust (Southern Utah University / Utah Shakespeare Festival), and W. B. Worthen (Barnard College, Columbia University)
American Society for Theatre Research 2015 Conference
Portland Marriott Downtown Waterfront Hotel
November 5-8, 2015
The Shakespearean Performance Research Group of the American Society for Theatre Research (ASTR) provides an ongoing home for the study of Shakespearean performance within ASTR.
Call for Reviews
Queer Studies in Media and Popular Culture seeks reviews of recent books, films, television series, musical recordings, theatrical performances, art exhibits and other media that make a queer contribution to media and popular culture and/or to academic scholarship on media and popular culture.
Reviews are accepted on an ongoing basis. The deadline for submission for the Fall 2015 issue is June 15, 2015.
If you have a work you would like reviewed, have a review to submit or would like to be added to our reviewer database, contact firstname.lastname@example.org
The first biannual conference for LACK, a new organization devoted to the promotion and development of Lacanian psychoanalytic theory, will be held at Colorado College in Colorado Springs, Colorado, on April 22-23, 2016. This conference hopes to bring together those interested in exploring the philosophical, political, and cultural implications of psychoanalytic theory, especially as it relates to the question of freedom. Though practitioners are welcome, the focus of the conference is psychoanalytic theory rather than practice, and theoretical papers will be privileged.
Special Issue "Contested Terrains: Third World Women, Feminisms, and Geopolitics"
Volume 32 Issue 3, 2017
Guest Editors: Ranjoo Herr (Bentley University) and Shelley Park (University of Central Florida)
In The Global Eighteenth Century, Felicity Nussbaum and her contributors urged scholars to see the eighteenth century as "wide": a period with a geographical as well as temporal sweep. Such a perspective, Nussbaum contended, would require different, more complex narratives of the people, events, systems, and discourses of the age.
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International Creative Writing Conference (UK)
Imperial College, London
Saturday 20 June – Sunday 21 June 2015
Proposals are invited for the 18th Annual Great Writing International Creative Writing Conference. Creative or critical presentations are welcome.
In this, the 18th year of the conference, we look to celebrate creative writing in all its forms and to explore topics in creative writing teaching and learning.
Proposals are peer-reviewed. The conference also features the Annual New Writing International Creative Writing Lecture.
CFP 'War and Peace in Early Modern Literature and Culture'
War and Peace in Early Modern Literature and Culture is a three-day conference to be held on the 26th – 28th November 2015 in association with the School of English at Queen's University Belfast, exploring 'war and peace' in early modern Europe across literary and historical perspectives. Our aim is to engage with contemporary literary texts, historical analysis and more recent representations and appropriations of the period's numerous conflicts.
Advertising draws upon literary culture in many ways: it borrows quotations for its slogans, enlists the services of aspiring and established writers and, more in generally, it uses many stylistic and rhetorical practices from the literary toolbox to ensnare customers and consumers. Far from being a new development, these practices can be traced back to the nineteenth century. In literary criticism, however, this commercial borrowing of literature has not received a lot of attention. If the interactions between literature and advertising are studied at all, it is mostly with regard to the uses of advertising strategies and slogans in literary, especially modernist, texts.
During his varied and prolific career, William Faulkner worked across diverse media. For SAMLA 87, this panel, co-sponsored by The Faulkner Society, seeks papers that address the multimedia influences of Faulkner in print, on film, and beyond. This panel invites new perspectives on William Faulkner, his work, and his influences from and on other media. Topics may include but are not limited to Faulkner and/on film; Faulkner and mass media; folk art and culture in Faulkner's work; musical and epic influences in and on Faulkner; and the continuing influences of Faulkner on high and low cultures around the world.
The Discipline of Comparative Literature will be sponsoring four panels at RSA 2016 (Boston). Full details are to be found on the CFP pages at www.rsa.org. Due dates for individual submissions range from 1 June to 7 June 2015.
Panel topics are:
1. Brief epics
2. Renaissance oxymorons
3. Lost and Found (lost texts as well as the rediscovery, actual or contrived, of lost texts)
4. Dubia and Spuria
For questions and submissions, please follow the directions on the RSA website or contact Prof. Jessica Wolfe (email@example.com)