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Jane Austen & the Arts: A Bicentenary Conference

updated: 
Friday, July 1, 2016 - 11:52am
Anna Battigelli, SUNY Plattsburgh
deadline for submissions: 
Thursday, September 1, 2016

CFP: Jane Austen & the Arts: A Bicentenary Conference

SUNY Plattsburgh

23-25 March 2017

SUNY Plattsburgh is hosting “Jane Austen & the Arts,” a bicentenary conference that explores Jane Austen’s engagement with the arts.  Discussions of the role of the arts, broadly defined, in structuring Austen’s novels, shaping her characters, or enriching her life are welcome. 

The conference website, https://janeaustenandthearts.com, provides additional information and will soon contain online registration links.

UPDATE: Immortal Austen

updated: 
Monday, September 19, 2016 - 11:42pm
Flinders University, Adelaide, Australia
deadline for submissions: 
Monday, October 31, 2016

Call for Papers

Immortal Austen

An International Conference

Hosted by the School of Humanities and Creative Arts, Flinders University

At Flinders University, Adelaide, South Australia

13-16 July 2017

 

Confirmed Keynote Speakers:

Devoney Looser (Arizona State), Kathryn Sutherland (Oxford) and Clara Tuite (Melbourne)

REMINDER: Material Monsters (Kalamazoo 2017)

updated: 
Tuesday, September 6, 2016 - 1:31pm
MEARCSTAPA - Asa Mittman
deadline for submissions: 
Thursday, September 15, 2016

CFP Kalamazoo 2017: Material Monsters

Sponsor: MEARCSTAPA

Organizers: Melissa Ridley Elmes (Lindenwood University), Ana Grinberg (East Tennessee State University), and Asa Simon Mittman (California State University, Chico)

‘For they are the abstract and brief chronicles of the time’: Negotiating Shakespearean Characters in Performance from Past to Present

updated: 
Tuesday, June 28, 2016 - 11:14am
One of the Seminars of Asian Shakespeare Association, Biennial International Conference, New Delhi, 1-3 December, 2016
deadline for submissions: 
Friday, July 15, 2016

In criticism, relying on character study or treating Shakespearean characters as real
people, has often been censured. But, in performance, where actors especially need to
get under the skin of the characters they portray, Shakespearean personae do exhibit
some kind of biographical reality.

Opening the Syllabus to the Other: Inclusiveness, Interdisciplinarity, and Collaboration in the Premodern Classroom: A Roundtable (Leeds 2017)

updated: 
Tuesday, June 28, 2016 - 11:14am
Heide Estes and Ana Grinberg
deadline for submissions: 
Friday, September 16, 2016

Call for Papers: International Medieval Congress, Leeds (July 3-6, 2017)
“Opening the Syllabus to the Other: Inclusiveness, Interdisciplinarity, and Collaboration in the Premodern Classroom: A Roundtable”
Organizers: Heide Estes (Monmouth University) and Ana Grinberg (East Tennessee State University)

Coldnoon: Travel Poetics (International Journal of Travel Writing): Call for Submissions

updated: 
Saturday, August 20, 2016 - 1:09am
Coldnoon: Travel Poetics (International Journal of Travel Writing)
deadline for submissions: 
Tuesday, September 20, 2016

Coldnoon: Travel Poetics (International Journal of Travel Writing) www.coldnoon.com

invites writings (prose/nonfiction/research/opinions/poetry/travelogues) on travel/space/geography/landscapes/cities/urbanism etc.

 

Submissions in this category would only be for our exlcusive online segments, Diaries and Dialogues. These are published daily. if you wish to consider submitting for the journal please follow the call for submissions here: coldnoon.com/mapping-the-metropolis-london-lahore-cairo-calcutta/.

Submissions are invited in two categories:

Philosophizing Performance, Performing Philosophy

updated: 
Monday, June 27, 2016 - 11:28am
The Apollonian: A Journal of Interdisciplinary Studies
deadline for submissions: 
Thursday, August 31, 2017

Performance philosophy has been in development for the past decade as an interdisciplinary approach to performance studies. The contemporary global reality and political-economic situations have called forth performances that operate within new frames of reference and use new technologies. Understanding the complex politics of these new performances requires a fresh theorizing, a specifically contemporary philosophy of performance. The ‘crossover’ of performance and philosophy hybridizes the spaces between and around the two ‘conceptual personae’ (Deleuze and Guattari). The present areas of conceptual interrogation include radical interventionist studies of existing philosophies to place performance into perspective.

Philosophical Ruptures: The Counter-hegemonic Mission of Africana Literature

updated: 
Monday, June 27, 2016 - 11:31am
LaRose T. Parris/LaGuardia Community College, CUNY
deadline for submissions: 
Friday, September 30, 2016

The literary productions of eighteenth-, nineteenth-, and twentieth-century African diasporic thinkers are widely acknowledged as the discursive corrective to African enslavement and colonization under Western hegemonic domination. Olaudah Equiano’s, David Walker’s, and Frederick Douglass’s works emphasize the significance of ancient African history and agitate for the abolition of chattel slavery; in the early twentieth-century, W.E.B. Du Bois’s Black Reconstruction (1935) and C.L.R. James’s The Black Jacobins (1938) contest the Eurocentricity of traditional Marxian thought by highlighting the import of enslaved African labor to the development of the modern Western capitalism.

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