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War in the Whedonverses: Essays on Warfare and Military Studies in the Works of Joss Whedon

updated: 
Thursday, July 7, 2016 - 10:06am
Ensley F. Guffey and Samira S. Nadkarni
deadline for submissions: 
Friday, September 30, 2016

CFP for Edited Book Collection: War in the Whedonverses: Essays on Warfare and Military Studies in the Works of Joss Whedon

 

Editors: Ensley F. Guffey and Samira S. Nadkarni

Publishers: McFarland and Co.

Book Website: warinthewhedonverses.wordpress.com

 

Utopia and Race

updated: 
Wednesday, July 6, 2016 - 11:25am
Utopian Studies: The Journal for the Society for Utopian Studies
deadline for submissions: 
Wednesday, November 30, 2016

Utopia and Race
Special Issue of Utopian Studies--a peer-reviewed publication of the Society for Utopian Studies

Creativity and Knowledge Cultures

updated: 
Wednesday, July 6, 2016 - 11:25am
Knowledge Cultures
deadline for submissions: 
Monday, August 15, 2016

Creativity and Knowledge Cultures

Creativity is an object of study, a process of knowledge production, and a contemporary cultural obsession that crosses many disciplines. This special issue of Knowledge Cultures (http://www.addletonacademicpublishers.com/knowledge-cultures) seeks to generate new and potentially disruptive conversations about creativity by paying attention to the diversity – and, perhaps, even, incommensurability – of knowledge practices around creativity that exist across a broad range of disciplinary fields.

Spectatorship and Observation in the Medieval Arts (Kalamazoo 2017)

updated: 
Tuesday, September 6, 2016 - 2:11pm
The Medieval Studies Workshop at the University of Chicago - Sam Lasman, Carly Boxer
deadline for submissions: 
Friday, September 9, 2016

In contemporary studies of the Middle Ages, questions of visuality have increasingly dominated analyses of artistic production, in part because of the central role of vision in medieval theological and scientific discourse. This session seeks to broaden the conversation around medieval visuality by asking not only what it meant to see in the Middle Ages, but also what it meant to be seen, and how these networks of viewership could be depicted in the pictorial arts, literature, architecture, music, and drama.

Broadway & Media Studies (SCMS, Chicago, March 2017)

updated: 
Wednesday, July 6, 2016 - 11:25am
Pete Kunze (University of Texas at Austin)
deadline for submissions: 
Friday, July 29, 2016

I seek two other papers for a panel on the alternately symbiotic and antagonistic relationship between Broadway and Hollywood--as entertainment industries, cultural destinations, and/or aesthetics. The circulation of talent and content between Broadway and Hollywood obviously has a long and complex history, from Hollywood's poaching of Broadway talent during the early sound era to its bankrolling of Broadway shows as early as the 1930s.

"The End: Theories and Practices of narrative endings."

updated: 
Wednesday, July 6, 2016 - 11:25am
Department of German Studies, Cornell University
deadline for submissions: 
Friday, July 15, 2016

The End: Theories and Practices of narrative endings

Graduate Student Conference

Department of German Studies

Cornell University, Ithaca, NY

November 11-12, 2016

Keynote Speaker: Fritz Breithaupt, Indiana University Bloomington

“A whole is that which has a beginning and middle and end.” (Aristotle, Poetics)

CEDAW and religious texts: paving the way beyond gender oppression and misogyny.

updated: 
Wednesday, July 6, 2016 - 11:30am
Tapati Bharadwaj/ Bare Feet Theology.
deadline for submissions: 
Monday, October 31, 2016

CEDAW and religious texts: paving the way beyond gender oppression and misogyny.

 

The Convention on the Elimination of All Forms of Discrimination against Women (CEDAW) was adopted in 1979 by the UN General Assembly, and can be seen as an international bill of rights for women. All countries that have accepted the Convention are compelled to follow up with a series of measures that would end all forms of discrimination against women. Any country that has ratified or acceded to the Convention, is legally and morally obliged to ensure that women are not discriminated against, or oppressed.

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