'Revenant: Critical and Creative Studies of the Supernatural' is a peer-reviewed, online journal looking at the supernatural, the uncanny and the weird. Revenant is now accepting articles, creative writing pieces and book, film, game, event or art reviews for a themed issue on werewolves (due Autumn 2016), guest edited by Dr Janine Hatter and Kaja Franck.
We are seeking submissions for the February/March 2016 issue on the following theme:
Submissions must be received by January 15, 2016, and may approach this topic from any perspective. Papers and artwork need not explicitly cite #BlackLivesMatter in the body of the submission. Our editors are looking for works addressing #BLM as a social movement, as it relates to the civil rights movement, as related to police reform and accountability, and in any other context.
The ongoing events in Europe concerning the "migrant crisis" have made me rethink of the scope of my collection, "Transnational Narratives of Performed Exile and Englishness." The edited volume already has a solid number of contributors, but given the very urgent nature of millions of refugees who seek hope and a new life in Europe, as an editor and a scholar I would be remiss if this volume did not invite scholars to reflect on the current situation in Europe. I seek 3 chapters that address this issue. The approach could be from a journalistic point of view and/or a personal, reflective essay. Please contact me at firstname.lastname@example.org or email@example.com
Conference to be held on February 19, 2016 on the campus of La Sierra University (Riverside, CA, USA). 250 word abstracts due by October 19, 2015 to http://lasierra.edu/english/natures/abstract-submission-form/
CALL FOR PAPERS
The Folklore and Popular Culture Area Chair of the PCA/ACA invites interested scholars to submit papers on any aspect of folklore and popular culture. We seek to examine the connections between folklore and popular culture, and papers regarding any aspect of these intersections are encouraged. Full panel presentations are encouraged.
Possible themes for papers/panels include but are not restricted to:
Independent journal Lehigh Valley Vanguard seeks submissions to expand our ongoing narrative of subversion and resistance. Our suggested topics:
Updated September 27th, 2015
Submissions in PROSE
We accept editorial prose, traditional academic papers, book, film, and television reviews, memoir narratives, flash fiction, art reviews, and open letters.
-Ontology and identity
-The end of history and global capitalism
-Biopolitics and neoliberalism
-Critical race theory
Submissions can be 500-2,500 words. We welcome non-academic and even anti-academic writing.
Pacific Rim Conference on English Studies
Call for Papers
"The poet speaks on the threshold of being"—The Poetics of Space, Gaston Bachelard
Knowing One's Place: Understanding the Influence of Place in Language
Date: April 1-2, 2016
Please note that the deadline is fast approaching for submission of proposals for the NeMLA panel sponsored by the Dickens Society. Please see CFP below and note that proposals should not be sent to the panel organizer but instead, please post directly on the NeMLA site: https://www.cfplist.com/nemla/Home/cfp
If you search for "Dickens," our panel will come up, and you can easily upload your proposal.
Aristotle in his Poetics outlines his theory of tragedy and gives readers a framework for assessing and understanding the genre; his treatise providing the equivalent analysis of comedy has sadly been lost, and as a result, it is difficult to find a unified theory of ancient comedy. Perhaps the closest we have is Democritus' statement that "Laughter is a complete conception of the world." Centuries later, Bakhtin would elaborate upon this sentiment by claiming that the carnivalesque comedy allows for dialogue between multiple genres and voices in order to create a world in which societal structures are upended.
NJCEA invites you to attend our Annual Fall Roundtable for 2015 hosted by Seton Hall University.
Our topics of discussion are:
Knowledge Transfer in the Writing Classroom and Beyond
The first topic will be introduced by Dr. Gita Dasbender