Since the term was coined by Serge Doubrovsky in 1971, autofiction has become established as a recognisable genre within the French literary pantheon. Over the same period, it has attracted increasing critical and theoretical scrutiny so that it has developed into a dynamic field of scholarly research in France. Indeed, the increase and variety of autofiction scholarship has had the effect of placing the characteristics of the genre itself in question.
ASLE-UKI POSTGRADUATE CONFERENCE
31ST August – 2nd September 2016
A change of (s)cene: reviewing our place in a new geological epoch
ASLE-UKI (Association for the Study of Literature and the Environment, UK and Ireland - www.asle.org.uk) invites proposals for its Postgraduate Conference to be held from 31st August – 2nd September 2016 at the University of Lincoln (www.lincoln.ac.uk) on the theme of 'A change of (s)cene: reviewing our place in a new geological epoch'.
Confirmed Keynote Speakers:
Adeline Johns-Putra - Reader in English (University of Surrey)
May 2016 marks the 50th anniversary of the launching of China's "Great Proletarian Cultural Revolution." Historiography continues to debate the periodization of the Cultural Revolution, its impact among the urban elite, the political incentives of the Red Guard movement, the long-term influence of the rustication movement, and the mass violence that took place in the countryside.
Monsters and Monstrosity in 21st-Century Film and Television
Cristina Artenie (Universitas Press) and Ashley Szanter (Weber State University)
Call for Papers
Annual Conference of the CSSA at Florida Atlantic University
Crossings & Intersections
April 08 – 09, 2016
(submission deadline extended: February 29, 2016)
Seeing paper proposals for a panel entitled "(De)Colonizing Digital Gamespaces: Games, Gender, and (De)Colonial Praxis" at the NWSA 2016 Meeting in Montreal, Canada Nov. 10-12, 2016. Proposals due to firstname.lastname@example.org by 15 Feb. 2016.
Digital spaces are frequently referred to as a "new frontier," discourse which explicitly links digital media and colonial praxis. Similarly, digital games are encoded by deeply colonial—and imperial—ideologies which marginalize and often victimize women and people of color. Although the games industry has, in recent years, begun to be more inclusive of women and people of color in roles other than that of victim, most digital games and gaming spaces remain colonized.
"It is as reasonable to represent one kind of imprisonment by another, as it is to represent anything that really exists by that which exists not." (Daniel Defoe, epigraph to Camus, La Peste)
Association of Art Historians (AAH) Summer Symposium 2016
Gender in art: production, collection, display
8-9 June 2016
Keynote speaker: Professor Marsha Meskimmon (Loughborough University), more tba.
Call for Papers
Feasting, Fasting, Famine: Representations of Hunger in South Asian Literatures and Culture
The South Asian and South Asian Diasporic Forum of the MLA invites proposals on theorizing the politics, aesthetics, ethics, affect, of figurations of hunger in South Asian literatures and cultures. Presentations may focus on hunger in a range of contexts including food insecurity and globalization; class, gender, imperial, postcolonial contexts; on memory, and memorialization, and the historiography of hunger. Among other contexts/aspects, papers may focus on hunger and the state; hunger and violence; hunger and migration; philanthropy/famine relief: a fundamental right or charity? Visual representations of hunger.
Professor Jonathan Flatley, Wayne State University
Professor Steven LaValle, University of Illinois at Urbana-Champaign
The British Modernities Group (BMG) at the University of Illinois at Urbana-Champaign invites graduate students to present papers at its eleventh annual interdisciplinary conference, "'Feeling Real': Affect, Literature, and Reimagined Realities," on May 5-6, 2016.