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Timescales: An Interdisciplinary Environmental Humanities Conference, October 20-22 2016 (abstracts due May 2)

updated: 
Monday, April 4, 2016 - 5:01pm
Penn Program in Environmental Humanities

Call for Papers:
The Penn Program in Environmental Humanities
TIMESCALES

University of Pennsylvania
October 20-22, 2016

The Penn Program in Environmental Humanities is pleased to announce Timescales, an interdisciplinary environmental humanities conference to be held on October 20-22, 2016 at the University of Pennsylvania. Timescales explores the question of temporality in ecological crisis.

[UPDATE] Works in Progress, 7th July

updated: 
Monday, April 4, 2016 - 4:13pm
GradCATS / De Montfort University

Keynote speakers: Professor Julie Sanders, Newcastle University, and Dr Adam Smyth,University of Oxford.
Abstract Deadline: 15th April 2016

All texts and artworks will have at one stage been a work in progress, despite the tendency to value them as cultural artefacts once they are deemed finished and made available for consumption. Redrafting and editing are processes which strive towards a "final" product, meaning their publication often results in the loss or occlusion of multiple ancillary versions. Such materials are important to our understanding of how texts and works are shaped and reshaped, and by whom.

CFP: Long Beach Indie Film, Media and Music Conference (Deadline May 6, 2016)

updated: 
Monday, April 4, 2016 - 1:57pm
Long Beach Indie International Film, Media and Music Festival

Celebrating global diversity, the Long Beach Indie International Film, Media, and Music Festival (August 31-September 4,2016) is looking for scholars and entertainment industry professionals to bring their ideas and energy to our 2016 Film, Media and Music Conference.

We invite individual papers and full panels representing any topic (e.g. theory, production, history, criticism, preservation, etc.) related to film, television, music, mass communication, digital media and/or the entertainment industry broadly defined.

Journal: Archivation Exploration

updated: 
Monday, April 4, 2016 - 1:40pm
Texas Tech University Libraries

Archivation Exploration, an interdisciplinary, peer-reviewed, open access journal from Texas Tech University Libraries and TTU Press, invites both scholarly and creative submissions for two thematic issues: Sports (Fall 2016) and Weather (Fall 2017).

Both themes are intentionally broad. Sports and Weather: From baseball to fly fishing; from tornadoes to fog; history, biography, new (or old) technology; famous games, infamous storms; in literature, song, and film. Submissions using archival or special collections primary resource material will be given preference. Because this is an on-line journal, submissions using images and other media, both audio and visual, are encouraged.

The Encyclopedia of Queer Cinema

updated: 
Monday, April 4, 2016 - 1:15pm
Brian Bergen-Aurand and Andrew Grossman, eds.

We are soliciting contributors for our edited volume, The Encyclopedia of Queer Cinema, currently under contract with Rowman & Littlefield. This volume attempts to be the most inclusive, comprehensive single volume ever produced on the subject of queer, LGBT, and sexually transgressive cinema, encompassing not only commercial narrative features but shorts, avant-garde and experimental films, documentaries, and animation from all countries, from the beginning of cinema to the present day.

WHAT DO PICTURES DO? "REMEDIATING IMAGES" June 1 and 2, 2017

updated: 
Monday, April 4, 2016 - 12:47pm
Helena Lamouliatte-Schmitt (Université de Bordeaux Montaigne)

The term "remediation" was first introduced in 1999 by Jay David Bolter and David Grusin in their now classic Remediation: Understanding New Media (MIT Press). They adopted the term in order to describe the way new media refashion visual content initially created within "traditional" media such as photography, painting, film and television, a content which often itself turned out to have been a product of successive repurposings or "remediations". According to the authors, central to Western art history and to the very circulation of cultural objects is the project of offering a rival illusion of the real by playing against the differential opacity intrinsic to media:

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