Building on the increasing prominence of the 'animal turn' in the humanities in the last decade, and the recent publication of Laura Wright's 'The Vegan Studies Project: Food, Animals, and Gender in an Age of Terror' (University of Georgia Press, 2015), this conference we will seek to ask what kind of place veganism and/or 'the vegan' should occupy in our theorizations of human-animal relations, animal studies, and the humanities in general. An increasing number of individuals, particularly in the West, are now identifying as vegan, but the heterogeneity of reasons for doing so – animal suffering, the environment, health, anti-capitalism – suggests a broad, complex, and fertile place from which to rethink ways of being in the world.
In 1845, Rudolphe Töpffer published an essay about the aesthetic, rhetorical, and philosophical foundations of literature in prints (graphic novels) with a desire of making academic, intellectual, and scholarly works accessible to the public, advocating for an ethic of collective action and the common good—via critiques of social, cultural, and political issues of the day through amateur art. At the time, the most promising mode of composing such critiques was through figure drawing and distributing them using the then-recent emergence of lithographic printing technologies. More recently, Gregory L.
Boundaries and intersections -- two contrasting metaphors and yet not quite a binary. On the one hand, these words spatially remind us of Venn diagrams: two bound circles with a space of intersection where they overlap. On the other hand, intersections can be places of traffic, movement over time, streams of cars or pedestrians crossing boundaries. Spatial overlap or temporal crossing--the stability of categories or their rupture. The humanities are constantly defined and redefined by the churning of boundaries and intersections.
Abstract Submission Deadline for Students, Faculty, and Staff: March 16, 2016
The Morehouse College English Department in collaboration with the Office of the Provost invites all students, faculty, and staff to participate in the Tenth Annual Symposium to be held on Tuesday, April 19, 2016, from 5:30 p.m. to 8:30 p.m.
Call for Papers
The International Video Dance Festival of Burgundy is pleased to announce that it is now accepting abstracts for short papers to be presented during the festival's fourth annual Screendance Conference to be held April 28-30, 2016. This year the conference will be dedicated to the theme: Les Danses Macabres: Death and the Moving Image. The conference is an international place of meeting for artists, scholars, curators, students and others interested in exploring the movement and choreography of moving images. The conference is composed of screenings, round tables, and moderated panel presentations. Select papers will be considered for a future publication of screendance essays.
23rd METU British Novelists Conference: Agatha Christie and Her Work
5-6 April 2016
METU Culture and Convention Centre
Department of Foreign Language Education,
Middle East Technical University,
Contact person: Asst. Prof. Dr. Dürrin Alpakın Martinez-Caro
Contact email: firstname.lastname@example.org
"23rd METU British Novelists Conference: Agatha Christie and Her Work" is a two-day conference organized by the Department of Foreign Language Education, Middle East Technical University, 5-6 April 2016. We invite proposals for 20-minute presentations on any aspect of Agatha Christie's life and work.
XXII Graduate Colloquium of Iberian and Latin American Languages and Cultures
Call For Papers-"Borders, Borderlands, and Border Crossings"
Texts, Contexts, and Subtexts: Charlotte Perkins Gilman in Her Time
Charlotte Perkins Gilman's articles, letters, papers, and library underscore a central quality of her diverse and prolific career: her works were deeply engaged with the social and scientific milieus of her time. An avid reader, enthusiastic learner, and active member within her own intellectual communities, Gilman often reached out to those whose work she admired – as well as to those whose work she found lacking. Through her lectures, publications, and correspondence, Gilman impacted a broad cross-section of scholarly and literary discourses.
We are presently seeking submissions of art, poetry, fiction, and creative non-fiction for our third issue! We will also consider reviews of non-mainstream books and music. Frankly, if it's well-written, we want to read it; if it's visually intriguing, we want to see it.
In the covering e-mail, please include the author or artist's name, contact information (address, phone number, e-mail address), and a brief (2-4 sentence) bio. Simultaneous submissions are permitted, but please notify us if your work has been accepted for publication elsewhere.
Deadline for submissions for the next issue is 15 December 2015. (Please feel free to keep sending us wondrous creations beyond that date!)
What: Panel on Print, Public Readership, and Alternative Literary Modernities
Where: CCLA @ Congress 2016 in Calgary, Canada
When: May 28 to 30, 2016
How: Submit an abstract to email@example.com by December 15, 2015.
What happens after the panel: Select papers will be considered for publication in a scholarly outlet subject to peer review.
More info: Check out the CFP below/attached or click here and here! Or just write to firstname.lastname@example.org
CFP for panel at CCLA