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Feminist Iconography III Exhibition

updated: 
Tuesday, August 9, 2016 - 3:30pm
University of West Florida's Women's Studies Collective
deadline for submissions: 
Friday, October 21, 2016

Feminist Iconography III

Call for Artists

 

Exhibition Dates: Novermber Dates TBA

Opening Reception: TBA

Submission Deadline: 10/21/16

Notification of Selection: 10/24/16

Deadline for Artwork Arrival: TBA

 

Prospectus

ACLA 2017: Queering the Law: Dialogues on Justice, Transgression and Optimism

updated: 
Tuesday, August 9, 2016 - 3:30pm
Looi van Kessel and Tessa de Zeeuw, Leiden University
deadline for submissions: 
Friday, September 23, 2016

In the context of events such as the recent upsurge in police violence in the US, the rhetoric surrounding the influx of refugees in Europe, and ongoing violence that targets queer communities, this seminar poses the question of justice in relation to the concept of queerness. What questions do alternative structures of political, social and romantic organizing pose to normative social forms? Does justice reside in forms of re-, and counter-alignment, or in the very questioning of the idea of alignment? In other words, how can we read performances and experiences of eccentricity as modes of destabilizing the L/law?

Intersecting Global Modernism and World Literature

updated: 
Tuesday, August 9, 2016 - 3:46pm
ACLA 2017: Utrecht University, July 6-9
deadline for submissions: 
Friday, September 23, 2016

The recent global turn in modernist studies prompts timely questions about the intersections between global modernism and world literature, and the role that global modernism plays within the study of world and comparative literature. In their article “The New Modernist Studies,” Douglas Mao and Rebecca Walkowitz argued for an “expanded” vision of modernism that reconsiders canonical figures and texts, contests canonicity’s traditional limits, and redefines temporal and geographical coordinates beyond Anglophone traditions and Eurocentric frameworks.

"Interdisciplinary Dickens" -- 22nd Annual Dickens Society Symposium

updated: 
Tuesday, August 9, 2016 - 3:23pm
Co-Sponsored by the Dickens Society and The Center for Interdisciplinary Teaching & Learning at CGS, Boston University
deadline for submissions: 
Tuesday, November 1, 2016

Call for Papers for the 22nd Annual Dickens Society Symposium
Theme: “Interdisciplinary Dickens”
July 14-16, 2017, College of General Studies, Boston University

Co-Sponsored by the Dickens Society and The Center for Interdisciplinary Teaching & Learning at CGS, Boston University

Children in American Television: A Changing Landscape

updated: 
Friday, August 5, 2016 - 4:36pm
Adrian Schober/Monash University, Debbie Olson/Missouri Valley College
deadline for submissions: 
Thursday, September 15, 2016

Call for submissions to a collection that interrogates the child image in popular post-WWII American television programming.  This collection seeks to trace the American cultural landscape and its impact on the ways popular television (re) imagined childhood and children during each decade.  We invite submissions that examine either children’s programming or programs that prominently feature children. These submissions will explore how US television has been a significant conduit for the public consumption of changing ideas about children and childhood, and will connect relevant events, attitudes, or anxieties in American culture to an analysis of children or childhood in American television programs.

Levering Expectations: Young People and Popular Arts Culture in Africa

updated: 
Friday, August 5, 2016 - 4:36pm
Paul Ugor and Esther de Bruijn
deadline for submissions: 
Monday, September 19, 2016

Since Karen Barber theorized the notion of “African popular arts” nearly thirty years ago (1987), a rich field of scholarship has developed around the term, exploring forms of local African expression by the people, for the people, and most often, about the people. The concept of African popular culture has been applied to a vast array of cultural forms in Africa ranging from Onitsha pamphlet literature to Kenyan matatu minibus inscriptions, Ghanaian Concert party theatre, Angolan hip-hop, Nollywood video films, Cameroonian detective fiction, Congolese Sapeur fashion, South African cartooning, trans-continental TV shows like Big Brother Africa, and much more.  

Essays on the Evil Dead

updated: 
Friday, August 5, 2016 - 4:37pm
Ron Riekki / Jeffrey Sartain (contracted anthology)
deadline for submissions: 
Sunday, January 15, 2017

CFP: Essays on the Evil Dead Anthology

Call for chapter contributions to an edited anthology

Abstracts of 400 words may be submitted any time before September 30, 2016.

Chapters of 3000-7000 words will be due January 15, 2017.

Something Stirs in the Shadows: Textualizing Horror and Theorizing the Indian (edited volume)

updated: 
Friday, August 5, 2016 - 4:37pm
Dibyakusum Ray and Sudipto Sanyal
deadline for submissions: 
Saturday, October 15, 2016

There is a metaphysical gravity that pulls consciousness towards the incomprehensible darkness of ‘dread,’ like the impulse to willingly dive into the abyss, as into something utterly unknown - an analogy made famous by Kierkegaard in The Concept of Dread. But what is dread, exactly, and what are the cultural, philosophical and physical significances of a genre that uses dread as its primary structure of feeling? Is ‘horror’ even a genre? Can it be encompassing of dread, terror, angst or revulsion?

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