Shakespeare's Music in France in the 19th-21st centuries
This panel seeks participants interested in exploring the complex and multi-faceted relationship between Shakespeare and Italy. Key areas of focus will be, among other things, the impact of the Italian Renaissance on England; early modern English translations of Italian works; Shakespeare's use of Italian texts for both direct source and indirect inspiration; Italian settings and characters in Shakespeare's plays; the influence of Italian genres, such as tragicomedy, in Shakespeare's drama; early modern English attitudes towards Italy in general and certain Italians (such as Machiavelli) in particular; and later Italian adaptations of Shakespeare, particularly for the opera and for the cinema.
This panel seeks participants interested in exploring the many different ways that the City of Light has been captured in films from a variety of countries. With the possible exception of New York, no city has been used as a setting as frequently as a setting as has Paris. However, the French capital is unique in that it has been featured not only in French films but in films from around the world. This transnational element will be emphasized by the panel, a panel that seeks to explore the contradictions inherent in filming such a contradictory city. For example, how can a city be seen as both the birthplace of the modern while also being so frequently being filmed - particularly in terms of its bohemianism - in such a nostalgic light?
Object Emotions: Polemics
(April 15-16, 2016, Cambridge University)
Organizing Committee: Padma Maitland (UC Berkeley); Christopher P. Miller (UC Berkeley); Marta Figlerowicz (Yale U); Hunter Dukes (U Cambridge); Hannah Rose Woods (U Cambridge).
The editorial team at Studies in the Novel is seeking content for its online archive of indexed teaching tools on the journal's affiliate website. I am seeking pedagogical content that addresses teaching novels using digital humanities tools/perspectives. Please consider submitting sample course syllabi, specific assignments, short narrative descriptions of your own experiences, or other appropriate content. The next deadline for submission is October 26.
The conference hopes to broaden the scope of American literature, opening it to more complex geographies, and to a variety of genres and media. The impetus comes partly from a survey of what is currently in the field: it is impossible to read the work of Junot Diaz and Edwidge Danticat, Robert Hass and Jorie Graham, Dave Eggers and Jhumpa Lahiri without seeing that, for all these authors, the reference frame is no longer simply the United States, but a larger, looser, more contextually varied set of coordinates, populated by laboring bodies, migrating faiths, generational sagas, memories of war, as well as the accents of unforgotten tongues, the taste and smell of beloved foods and spices.
The 6th annual College of Liberal Arts Graduate Symposium (CLAGS)
Conference Date: February 26-27, 2016
Conference Location: University of Nevada, Reno
Submission Deadline: December 1st, 2015
Submission Address: CLAGS2016@gmail.com
Keynotes: Beauvais Lyons, "Prank Theory"
Call for Papers:
The Forty-Second Annual Sewanee Medieval Colloquium: Medieval Natures
April 1-2, 2016
The University of the South, Sewanee, TN
The following will be a panel at next year's NeMLA Conference, set to take place between March 17 and March 20 in Hartford, Connecticut.
Please be aware that all papers on this panel will be considered for publication in a book by an international, peer-reviewed source.
Submit abstracts by the extended deadline of October 6, 2015.
Any questions concerning this panel should be directed to the chair, Dr. Jonathan Dickstein at Jonathan.Dickstein@alumni.cgu.edu.
**Deadline extended until October 5th**
This roundtable proposal seeks to expand the conversation on sound studies in literature. Instead of focusing on one time period or geographical area, this roundtable brings scholars of all different types of literature together to discuss sound in literature.