The MOSF Journal of Science Fiction (http://publish.lib.umd.edu/scifi/index)is soliciting manuscripts to be featured in Vol. 2, No. 2 (due 31 March 2017). We are particularly interested in works that offer insight into the myriad facets of science fiction in all media as well as works emphasizing the interdisciplinary and innovative history of science fiction.
The MOSF Journal of Science Fiction (http://publish.lib.umd.edu/scifi/index)is soliciting manuscripts to be featured in Vol. 2, No. 1 (due 31 January 2017). We are particularly interested in works that offer insight into the myriad facets of science fiction in all media as well as works emphasizing the interdisciplinary and innovative history of science fiction.
Due to unforseen circumstances, I am unable to attend MSA 19 in Amsterdam this year (8/10-13). I'm looking for someone to replace me on my panel. Below is the original cfp. If your work is a good fit, please email 1-2 sentence description of your paper and a short scholarly bio to email@example.com by July 14.
Queen City Writers is a refereed journal that publishes essays and multimedia work by
undergraduate students affiliated with any post-secondary institution. We seek faculty
reviewers to complement our current staff. Graduate students, contingent faculty, and
tenured faculty are welcome. Reviewers for our journal need two characteristics: 1. A
commitment to undergraduate writing, digital composing, and publication; 2. A
professionalism that means submitting thorough reviews that meet our journal’s guidelines by
deadlines. We ask that our reviewers offer rigorous feedback aimed at facilitating
publication-quality work, but also show sensitivity and an encouraging attitude toward
Non-guaranteed session for ASA (American Studies Association) 2017. From the hermit’s tales of the eighteenth century through the writings of transcendentalists in the nineteenth and expatriates in the twentieth (to name only a few), American writers and cultural producers have long represented separation from society as a form of political, social, and/or cultural dissent. This panel seeks to examine such representations with an eye toward their inherent ambiguities. To what degree and under what conditions can dissent, a form of oppositional political engagement, stem from what is ostensibly a strategy of disengagement—i.e., separation and withdrawal?
29th June – 1st July 2017
Corsham Court, Bath Spa University, UK
The Captivating Criminality Network is delighted to announce its fourth UK conference. Building upon and developing ideas and themes from the previous three successful conferences, Crime Fiction: Detection, Public and Private, Past and Present will examine what is arguably the very heart of this field of critical study.
M. Wynn Thomas Prize 2017
CALL FOR PAPERS: Performing Epic/Epic Performance
A panel at the Tenth Celtic Conference in Classics
19-22 July, 2017 in Montreal, Canada
Co-Hosted by McGill University and Université de Montréal
This panel invites participants to a conversation at the intersection of theory and practice on Homeric epic performance. We are interested in how diverse contemporary performance practices, especially "durational" performances, can help enliven our understanding of Homeric performance.
In her 2014 A Cultural History of the Irish Novel, 1790-1829, Claire Connolly declares that a major aim is, and must be, ‘to restore seriousness and nuance to our understanding of the Irish fiction of the romantic period’, which her criticism seeks to achieve by ‘refus[ing] or at least redirect[ing] readings that treat the novels as so many failed efforts to contain the hectic world of early nineteenth-century Ireland’ (Connolly 1).
A Joint Panel for NAVSA (North American Victorian Studies Association) at ACCUTE (Association of Canadian College and University Teachers of English)
27-30 May 2017 at Ryerson University, Toronto, Ontario