The study of trauma, Judith Herman points out, has a history of “episodic amnesia.” Knowledge gained is periodically forgotten and must be persistently reclaimed. After almost 15 years of combat in the Middle East and of rising attention to a broad range of stressful events, American culture, its media, academics and clinicians have become increasingly responsive to the diverse nature and complexity of traumatic experience.
Free States: 2016 American Conference for Irish Studies--Midwest
It would be difficult to disentangle fully the various strands of religious reform in early modern England from the educational, aesthetic, and philosophical movements that fall under the broad term 'humanism'. Nevertheless, the relationship between religious reform and new developments in various humanist projects was not always peaceful. The tensions between humanism and religious reform provoke many questions: Where were the lines of fracture in the symbiotic relationship between religious reform and the humanisms of the sixteenth and seventeenth centuries in England? Did religious reform restrict the development of humanism in England, or did it promote a new flourishing of humanism?
Confirmed keynote speakers:
David Kornhaber (University of Texas at Austin)
Martin Middeke (University of Augsburg)
Kerstin Schmidt (University of Eichstätt-Ingolstadt)
Digital Defoe is seeking papers for its next issue of the journal (Issue 8.1, Fall 2016). Articles that explore any area relating to Defoe and/or his contemporaries are welcome!
Please direct queries and submissions to Dr. Adam Sills (Adam.G.Sills@hofstra.edu) & Dr. Chris Loar (email@example.com). Full submission guidelines are available on the Digital Defoe website: http://digitaldefoe.org/submission/
James Madison University is hosting The 1st Annual Pulp Studies Symposium: Sensational Scholarship. The symposium will be held October 7th and 8th, 2016. Nestled in the Shenandoah Valley, James Madison University's Special Collections hosts one of the finest publicly accessible collections of pulp magazines in the United States, including a recent acquisition of over eighty issues of Street and Smith's romance pulp Love Story.
Film and media adaptations have frequently projected an alternate cinematic world on screen that re-imagines the past and future. Movies (Blade Runner, The Quiet American), TV shows (Sherlock, Agent Carter), and digital ‘new media’ series—increasingly streamed and ‘binge watched’ on Netflix (House of Cards) and Amazon (The Man in the High Castle)—have been inspired by a variety of fiction novels, short stories, plays, comics, graphic novels, and historical works of nonfiction, memoirs (Bridge of Spies) or documentary (Jazz on a Summer’s Day) cine-essays that mediate and reframe history to portray an alternate worldview which re-imagines the past and anticipates a vision of future events.
Polish Association for American Studies Annual Conference
American Studies Center, University of Warsaw,
27-29 October 2016
Transnational American Studies:
Histories, Methodologies, Perspectives
Rob Kroes, Utrecht University, Netherlands
Agnieszka Soltysik-Monnet, University of Lausanne, Switzerland
Call for Paper Proposals:
Universities Art Association of Canada / l’association d’art des universités du Canada
October 27-30, 2016 ; Université du Québec à Montréal, Montréal, QC
Proposals Due: June 24, 2016
HECAA Open Session (Historians of Eighteenth-Century Art and Architecture)
The frontier emerged as an important critical concept for an understanding of American history over a hundred years ago, and its status has changed from a celebrated catchphrase to explain away the perplexities of American identity, through an F-word not tolerated in the progressive circles, leading finally to a rehabilitated, more inclusive use. Its variations include terms such as periphery, edge, and borderland, and the very proliferation of the term suggests that its provocative character still inspires critics and artists in the Americas today. The purpose of this conference is to explore the borderlands between critical theory and other ways of interpretative thinking, such as art.