AlterNative: An International Journal of Indigenous Peoples is a multidisciplinary internationally peer-reviewed journal published continuously online as well as in quarterly print issues. AlterNative presents scholarly research on Indigenous worldviews and experiences of decolonization from Indigenous perspectives from around the world. AlterNative publishes articles in English but also welcomes submissions in Indigenous languages, as well as ones that have been previously published in an Indigenous language and are translated into English.
For its 25th annual meeting, the British Women Writers Conference invites papers and panel proposals considering the theme of “Generations.” As we look back on a quarter-century of feminist scholarship and practice within British Studies, we want to celebrate those who have defined the British Women Writers Association’s past and nurture those who will shape its future. Of course, even within literary traditions or scholarly networks, generational transitions are rarely ever easy or smooth. Such transitions may be accompanied by paradigm shifts, struggles to be heard, or difficulty letting go. We therefore welcome investigations into the complexities of generational exchange and transition in women’s writing.
In honor of Walker Percy’s 100th Birthday Anniversary, proposals addressing any topic or area celebrating Walker Percy’s life, his fiction, or his non-fiction are welcome. Send 300-word abstracts, brief bio, and A/V requirements to Dr. Karey Perkins, University of South Carolina - Beaufort, at both firstname.lastname@example.org and email@example.com by June 7.
Much of Walker Percy’s fiction and non-fiction writing is social commentary. At least two novels - Love in the Ruins and The Thanatos Syndrome - may be called dystopian or post-apocalyptic. His numerous essays on race relations, on secular materialism, on misguided “self-help” books in a postmodern world seem to indicate that he suspected 20th century America was a dystopia itself. Additionally, Walker Percy’s personal life included social action in his local community and through the Catholic Church. Proposals addressing the SAMLA 88 theme "Utopia/Dystopia: Whose Paradise Is It?" in Walker Percy’s fiction, non-fiction, or life are welcome. Send 300-word abstracts, brief bio, and A/V requirements to Dr.
23-24 September 2016
A conference organised by the University of Brighton in association with the Royal Pavilion and Brighton Museum
Steve Bell, political cartoonist
Martin Rowson, political cartoonist
Professor Ian Haywood, University of Roehampton
This event will also include a curatorial introduction to the caricature collection held at the Brighton Royal Pavilion & Museum, and a talk by the curator of the Cartoon Museum, London.
We invite presentation proposals for the Queer Media in the 21st Century Conference, to be held at Texas Christian University (Fort Worth, Texas) November 4-5, 2016.
The conference organizers are seeking contributions that explore noteworthy 21st-century representations and social constructions of queerness and/or LGBTQ individuals in a wide range of media artifacts (e.g., intriguing films, television shows, comic books, video games, novels, newspapers, magazines, music, Internet sites, emerging media forms) as well as reception studies pertaining to such media offerings.
Please note that our deadline for submissions has been extended to September 1, 2016:
SGMS 2016 CALL: World-building in Asian Popular Cultures
The Call for Mechademia 10 states: “Japanese popular culture — manga, anime, games, and SF — abound in scenarios in which our contemporary reality appears to be but one possible outcome within an open situation.”
Call for Papers--Vignettes: Episodic Tales of in the Lives of Strangers full name / name of organization: Farris Lee Francis and Maj. Sylvia C. McPherson Ed.M (Ret) contact email: firstname.lastname@example.org
Vignettes: Episodic Tales of in the Lives of Strangers
Farris Lee Francis and Sylvia C. McPherson seek contributors for their first collection of essays centred on the struggles, pain, love, despair, and destruction which creates the human experience. The editors have extensive background in social science, women and gender studies, and African American studies.
An examination of cultural representations of breastfeeding that attends to diffuse discourses about infant feeding, ranging from medical and anthropological to socioeconomic and cultural, all the while utilizing feminist methodologies, can facilitate an interrogation of the feminist implications ofbreastfeeding advocacy, including essentializing discourses about women’s bodies as the “natural” choice for infant feeding and the complex considerations women and families navigate in making decisions about infant feeding.
Our initial deadline has passed but we still have room for one-three more chapters on PTSD and trauma in Clint Eastwood's directorial efforts.