We are currently seeking 1-2 panelists for the NWSA conference, "Decoloniality," which will be held November 10-13 in Montreal. Please note that we are looking for papers that will focus on a particular example to illustrate methodological arguments. The other papers currently in the panel focus on critical autobiography and creative visual representation - abstracts for these papers can be provided, if requested! If interested, please submit a 50-100 word abstract to email@example.com and firstname.lastname@example.org as soon as possible - we hope to assemble the final panel between February 18-20.
From film noir to sci-fi, Terry Gilliam to David Lynch, dystopian narratives continue to hold a prominent place in film across independent, Hollywood, and international film communities. In keeping with the theme of authorship and audience, we seek papers addressing writing, directing, visual style, and performance in dystopian films. Papers on the work of David Lynch or other directors of dystopian films are encouraged, and we especially welcome papers that incorporate close readings of films.
Paper proposals addressing the SAMLA 88 theme are especially welcome; further topic ideas are listed below.
The deadline for the submission of articles and book reviews is May 9, 2016.
The final decision of the AIC Editorial Board will be passed on before September 4, 2016.
Corrections (if required) and comments by the authors expected between September 5, 2016 and September 19, 2016.
The e-publication of the AIC 18th issue is planned for September 30, 2016.
May 27th 2016
University of Sussex
Keynote Speaker: Dr. Kate McLoughlin (Oxford)
This conference invites participants to think broadly about the term "hospitable" and the different ways that hospitality could be at work in modernist texts.
Roots and Legacies
A Cultures, Societies, Traditions Project
1st Global Meeting
Call for Participation 2016
Tuesday 13th September – Thursday 15th September 2016
Mansfield College, Oxford, United Kingdom
"A man finds room in the few square inches of the face for the traits of all his ancestors; for the expression of all his history, and his wants."
— Ralph Waldo Emerson
While in academia the notion of authenticity has been increasingly discredited, it thrives as a label within popular discourses and for the marketing of cultural artefacts. Considering both practice and theory of cultural production, the planned conference aims at analyzing the paradoxical status of authenticity as well as its role for the construction of collective identities in a globalizing world of ever-increasing cultural flux.
This MLA special session concerns the troubadour tradition across periods and geographies, with particular focus on pessimism as a philosophy, affect, and politics. From 12th century Occitan poetry to the Troubadour nightclub in Los Angeles, the proposed session assumes a creative or plastic approach to lyric poetry and the love song.
Papers might concern:
--Joni Mitchell, Arnaut Daniel, Arnaut Vidal, Beatritz de Dia, Carole King, Folquet de Romans, Waylon Jennings, 19th century French neo-troubadour architecture, George Carlin, and other members of the troubadour tradition.
--Troubadour poetics and gender politics, sexual violence, race and the nation-state, futurity, the environment, Afropessimism, etc.
Stanley E. Gontarski, Florida State University
Fábio de Souza Andrade, University of São Paulo
Almost unknown before the première of En attendant Godot in 1953, the immediate success of the play led to Samuel Beckett very quickly acquiring an international reputation. Since then, his works have been translated into numerous languages, and have exerted a considerable influence upon art and literature across the world. The award of the Nobel Prize in Literature in 1969 confirmed Beckett's status as a major figure in world literature.
MediAbility: Transforming Disability in the Media
Critical disability studies has been a continually growing field of academic study. Its intersectional approach is frequently used in political and philosophical theorizing. However, very few scholars have paid attention to how disability has been constructed by dominant media institutions in the 21st century. This is true even when scholars focus on the social model of disability since they very often ignore how the social is formed out of the discursive representations that surround society. This collection, designed for publication with McFarland Press, is meant as a correction to this absence.