A reminder that the due date for abstracts for the edited collection on 'Authorship and Translation' is October 31, 2014.
"Laughter in the Digital Age"
Special Issue of Comedy Studies
Guest Editor: Peter C. Kunze, University of Texas at Austin
Websites, social media platforms, and YouTube and other video-sharing services make the dissemination of comedy easier than ever, yet studies of the implications of new media on comedy and humor is only beginning. This issue examines how the Internet as well as new technologies radically change how humor and comedy are produced, distributed, exhibited, and consumed in the digital age. I invite papers, broadly conceived, that consider these issues through either theoretical discussions or case studies of specific artists, texts, platforms, or sub-genres. Potential articles may cover:
Abstracts are requested for a proposed collection on the works of Carlos Ruiz Zafón. Intended to be the first academic collection about the author, abstracts regarding all topics of interest are welcome.
Suggested topics include, but are not limited to:
- the modern Gothic tale
- use of the Faustian pact in his novels
- the Cemetery of Forgotten Books as metaphor
- his use of classical theology
- "Marina" as a modern "Frankenstein"
Please understand that all abstracts (and later articles) will need to be written in English.
A short bio and abstracts of 300-500 words are due by December 1st, 2014.
Abstracts are requested for a proposed collection tentatively titled "'Come Away, O Human Child'": Children in Secondary Worlds." The collection will focus on literature that features children moving from their primary world (the known) into a secondary world (the unknown) or into Faerie.
The Graduate Association of French and Italian Students
Department of French and Italian, University of Wisconsin - Madison
announces the Call for Papers for its 28th annual Graduate Student Symposium
March 20-21, 2015
Keynote Speaker: Douglas Hofstadter, College of Arts and Sciences Distinguished Professor of Cognitive Science and Computer Science at Indiana University and Pulitzer Prize–winning author of Gödel, Escher, Bach
Rule 1. The road runner cannot harm the coyote except by going "beep-beep." (Chuck Jones)
"More Things Theory" continues the dialogue that began at the 2014 ACLA "Things Theory: Accumulation and Amassment" seminar to reflect on recent emergence of a marked cultural interest in hoarding. We will consider the contemporary invention of the hoarder within a broader literary and cultural context that encompasses other figures defined by their attachments to things (collectors, fetishists, misers), and/or by a horror of wasting and/or subsistence on waste (ragpickers, gleaners).
The Graduate Students of The Humanities Center are proud to announce a Graduate Student Conference on February 27 and 28, 2015. Keynote speakers will be Boris Groys (Global Distinguished Professor of Russian and Slavic Studies, NYU), Joshua Kotin (Assistant Professor, Department of English, Princeton), and Molly Warnock (Assistant Professor, Department of Art History and The Humanities Center, JHU).
"Community is given to us--or we are given and abandoned to the community: a gift to be renewed and communicated, it is not a work to be done or produced."
Jean-Luc Nancy, The Inoperative Community
Conference Call for Papers and Panels
Lines Between: Culture and Empire in the Eastern Mediterranean
European University Cyprus and The Richard Stockton College of New Jersey
3-6 June 2015
The International Journal of Literary Linguistics (IJLL) is an open-access, peer-review journal published by Johannes Gutenberg-Universität Mainz (Germany) that is dedicated to the publication of original research at the interface of literary studies and linguistics. The journal provides an innovative forum for articles participating in the recent reshaping of the field of literary linguistics under the influence of pragmatics, functional linguistics and cognitive studies. It aims at contributing to a new, dialogic understanding of literary production and reception. The journal invites contributions from scholars working on different languages and literatures.
Our seminar seeks to understand the multivalent ways in which militarism, war and state violence have informed cultural and social processes. While militarism may seem evident in cultural artifacts like war films, recruitment materials, memorials, or in the popularity of military-themed video games, we also want to examine how the wars of the past century have militarized the ways in which we produce, consume, and understand contemporary culture and social order. How might we, for instance, think of war not only as having material consequences but also as constituting "the secret motor of institutions, laws, and order" (Foucault, "Society Must Be Defended"). In what ways is the basis of social order and "perpetual peace" constituted by war and violence?
FIRST CALL FOR PAPERS
SEVENTH ANNIVERSARY SESSIONS OF THE SCIENCE FICTION, FANTASY, HORROR, AND LEGEND AREA
Online at NEPCA Fantastic: http://nepcafantastic.blogspot.com
2015 Conference of The Northeast Popular Culture/American Culture Association (NEPCA)
Colby-Sawyer College in New London, New Hampshire
Friday 30 October and Saturday 31 October 2015
Proposals by 1 June 2015
New Generation to Next Generation 2014: Three Decades of British and Irish Poetry
13-14 March 2015, Institute of English Studies, London
Call for Papers
I am looking for papers for multiple panels for the PCA/ACA Motherhood/Fatherhood Area on any aspect of motherhood and or fatherhood in popular culture.
Heteronyms and pseudonyms highlight the gaps between authorship and personal identity. Kierkegaard's imaginary personas, nineteenth-century British women writer's male pseudonyms, and Fernando Pessoa's literary alter egos are just a few prominent examples that illustrate the ways in which a work's reception is shaped by the creative mask through which it is published. The impact of such creative identities has recently been spotlighted in two events: During this year's Whitney Biennial, the Yams, a collective of black artists, withdrew their work in protest of the museum's inclusion of Joe Scanlan's Donnelle Woolford project.