"Let me tell you something. There's no nobility in poverty. I've been a poor man, and I've been a rich man. And I choose rich every time" – Leonardo DeCaprio as Jordan Belfort, The Wolf of Wall Street (2013)
Have you ever wondered, "How on Earth can I grade this poem? Can creativity even be quantified?" Or, "how should revision fit into the overall course grade?" In this roundtable, writing instructors from a variety of fields (rhetoric and composition; technical writing; creative writing; and more) will discuss their systems for assessing and evaluating student writing in the college classroom. Both conceptual and pragmatic concerns will be addressed for making the evaluation and feedback process an integral part of our writing pedagogy.
In this session, we review ways to approach the First Year Composition and other writing classrooms by focusing on the students as embodied writers, taking student-centered pedagogy to a new level. Areas of interest for papers include, but are not limited to, mindfulness, yoga, meditation, and disability studies. A combination of theoretical and practical perspectives will be employed to locate the student as embodied writer within the disciplinary tradition.
Abstracts should be submitted to the NEMLA database available at https://www.cfplist.com/nemla/User/ViewProposals
For the upcoming conference of the International Comparative Literature Association (ICLA), the Research Committee on Religion, Ethics, and Literature, invites submissions for the following panel, "The Text as Being: Ontologies of Redemption, Repair, and Regret." The conference will take place at the University of Vienna, Vienna Austria.
The Afghan American Artists and Writers Association (AAAWA) invites artists and writers from the Afghan diaspora in North America to participate in Distant Attachments: Unsettling Contemporary Afghan Diasporic Art, a three-day series of literary, visual, and performance art responding to the different relationships, connections, detachments, and dispositions one can have to "the homeland" in one's creative work. The program is designed to critically engage with the question of what kinds of expectations and creative freedom does being called upon as a member of a diaspora place on artists, writers, and intellectuals.
47th Annual NeMLA Convention
March 17-20, 2016 Hartford, CT
Abstract Submission Deadline: September 30, 2015
This panel welcomes papers that examine the treatment of race and racial relations in comic books, whether in superhero narratives, graphic memoirs, web comics, or other forms of sequential art both inside and outside the United States. How are comics used to document and represent racialized identities? How have the medium and its surrounding fan communities adapted earlier content to speak to current topics?
The editors of Barzakh Magazine are proud to present our new RAGE issue, featuring new work by Lydia Davis and other talented writers! Our writers approach the question of RAGE in its varied iterations and demonstrate that creative inquiries into the topic can be as diverse as the contentious history of the word.
We'd like to thank all UAlbany's faculty, our staff, and our contributors for helping us to put together the issue. You can find it at barzakh.net under the "Current Issue" heading!
The Editors at Barzakh Magazine
The Lehigh English Department's second annual Literature and Social Justice Graduate Conference will take place on Lehigh's campus in Bethlehem, PA, on March 4th-5th, 2016. We will be accepting proposals from Master's and Doctoral students on this year's conference theme, public humanities. Public humanities takes literature and social justice out of the confines of the classroom or academic publication by balancing theoretical concepts with practical actions and projects that benefit others in order to expand participation in and appreciation for the humanities.
The city is a frequent topos in the literature of modernism and post-modernism, traceable from T. S. Eliot's "Unreal City" of The Waste Land to the imagined Guadalajara of John Ashbery's "The Instruction Manual," and yet, our sense of urban space grows less certain after 1945, when both the city and its literature change rapidly in step with the new post-war world. These times of mounting anxiety over city space and its expanding limits--from suburbs and slums to the growing insularity of neighborhoods--also give rise to a problem of literary periodization: where does modernism end, and what succeeds it? Should we speak of a "long modernism" (Amy Hungerford 2008), or do the aesthetics of the period demand another name altogether?
In recent years, the critical discourse surrounding the personal narrative has increasingly recognized autobiography as an important literary genre that is developed within a continuously evolving framework. The recent inclusion of unconventional modes of personal writing within discussions on autobiography reflects the latest development in autobiography studies from a highly conventional genre to an open, changing, and ever-expanding practice that connects writing with other modes of representation.