international conferences

Medical Humanities in the Anthropocene: Indigeneity, Borders and Justice through Indo-Canadian Perspectives

updated: 
Thursday, September 3, 2026 - 7:00pm
Centre for Canadian Studies, Jadavpur University, India
deadline for submissions: 
Sunday, November 15, 2026

Call for Papers | International Conference on Canadian Studies

The Centre for Canadian Studies, Jadavpur University is delighted to invite papers for its upcoming International Conference:

"Medical Humanities in the Anthropocene: Indigeneity, Borders and Justice through Indo-Canadian Perspectives"

 3–4 February 2027

Deadline for abstract submissions: 15 November 2026

Revolutions & Revisions in Popular Culture (in Collecting)-PCA Annual Conference, March 24-27, 2027: Boston, Massachusetts

updated: 
Saturday, August 29, 2026 - 10:15pm
Popular Cultural Association/2027 PCA 57th National Conference
deadline for submissions: 
Saturday, October 31, 2026

PCA Annual Conference, March 24-27, 2027: Boston, Massachusetts

 

 

The Collecting and Collectibles Area invites proposals exploring how “collecting” has become an embodiment of the economic, political, environmental, and digital precarities that shape contemporary popular culture. Collecting now operates as a dynamic source for epistemic production, constantly redefining how popular culture is constructed, construed, mediated, valorized, historicized, and even contested. 

 

6th Singapore Literature Conference

updated: 
Friday, August 28, 2026 - 3:45pm
Poetry Festival Singapore
deadline for submissions: 
Friday, November 20, 2026

5th Singapore Literature Conference July 31, 2027

Poetry Festival Singapore (PFS) and the Singapore Literature Conference (SLC) are commemorating ASEAN's 60th anniversary with the theme "Common Ground."

#WeirdGirlLit: Why Do Girls Just Want to Be Weird?

updated: 
Tuesday, August 25, 2026 - 11:15pm
Kelly Ferguson/ Miami University
deadline for submissions: 
Tuesday, September 22, 2026

Although internet culture may have brought about the hashtag #WeirdGirlLit,” women authors have long used writing to explore taboo and forbidden topics deemed beyond the purview of polite/patriarchal society. While Heather Colley of Writers Digest has noted that “Women in literary fiction are becoming murderers, cannibals, psychopaths, and stalkers,” we contend that female protagonists have long been unhinged both across time and space. Historically, freaky (anti)heroines have served as a release through which women readers could escape the restrictive confines of ideal femininity and instead probe hidden desires and other illicit aspects of their identities. 

International Symposium on Exchanges and Mutual Learning Among Civilizations: Pearl S. Buck and the Future of Cross-Cultural Understanding

updated: 
Tuesday, August 25, 2026 - 2:15pm
Nanjing University
deadline for submissions: 
Monday, March 1, 2027

On the occasion of the  135th  birth anniversary of Pearl  S. Buck, the winner of the Nobel Prize in Literature (1938), this international symposium seeks to revisit her life and  writings   from   the   perspective   of  exchanges   and   mutual   learning   among civilizations. Hailed as “the most influential Westerner to write about China since the 13th  century’s Marco Polo”, Pearl  S. Buck not only introduced Chinese literature and culture to global readers through her literary writings, but also participated actively in transnational   cultural   dialogue,   humanitarian   engagement,   and   the   shaping   of international understandings of China.

The Posthuman Re-Turns: Literature, Culture, and the Futures of Being

updated: 
Friday, August 21, 2026 - 1:45pm
Department of English, Kamala Nehru College, University of Delhi
deadline for submissions: 
Thursday, September 10, 2026

In an era characterized by unprecedented technological advancements and escalating ecological crises, the fundamental assumptions of what it means to be human are undergoing a radical reassessment. The traditional framework of humanism, predicated on a singular, anthropocentric worldview, is increasingly challenged by the rise of artificial intelligence, biotechnologies, and global ecological interdependence. This interdisciplinary conference aims to explore how various forms of cultural production, including literature, film, and digital media, function not merely as reflections of the posthuman turn but as active agents in shaping and articulating it.

FIDN '26: Future Directions in Interactive Digital Narratives 2026

updated: 
Wednesday, August 19, 2026 - 2:15pm
Association for Research in Digital Interactive Narratives (ARDIN)
deadline for submissions: 
Saturday, September 19, 2026

Submission linkhttps://easychair.org/conferences/?conf=fidn26Submission deadlineSeptember 19, 2026Notification of AcceptanceOctober 3, 2026Presentation SubmissionOctober 31, 2026 The interdisciplinary field of Interactive Digital Narratives (IDNs) combines immersive technologies with the timeless art of storytelling. IDN offers transformative ways to engage audiences, preserve cultural heritage and address social and educational challenges. From branching narratives in video games, to immersive virtual reality experiences and interactive installations, IDNs push the boundaries of how stories can be created and experienced.

Medieval Ruins from Old English Motif to Modern Archaeology: Past, Present, and Future

updated: 
Tuesday, August 18, 2026 - 4:00pm
UNM Institute for Medieval Studies
deadline for submissions: 
Tuesday, September 15, 2026

The Institute for Medieval Studies at the University of New Mexico invites proposals for three
sponsored sessions for ICMS 2027. Proposals must be submitted through the ICMS Confex
Portal (https://shorturl.at/d05So) by 15 September 2026, including title, 300 word abstract and
50 word description.

Medieval Ruins from Old English Motif to Modern Archaeology:
Past, Present and Future

CFP_Seminar Paper Proposal _American Comparative Literature Association 2027 Meet

updated: 
Thursday, August 13, 2026 - 1:00pm
Dhanesh M., CHRIST University / ACLA
deadline for submissions: 
Tuesday, September 22, 2026
  • Event: This seminar is planned as part of the 2027 American Comparative Literature Association Annual Meet.
  • Mode: VIRTUAL
  • Event Dates: May 15 & 16, 2027
  • Seminar Title: Narrative Futures and the Politics of World-Making
  • All paper proposals are due by September 22,2026.
  • Final Decision: Status will be available after December 1, 2026

Concept Note:

Two-Day Online International Conference on Environmental Humanities, Literature, and Culture in the Twenty-First Century

updated: 
Friday, August 7, 2026 - 9:45pm
Creativitas: Critical Explorations in Literary Studies and Department of English, Serampore Girls' College
deadline for submissions: 
Friday, September 11, 2026

CALL FOR PAPERS

Ecologies of Tomorrow

Environmental Humanities, Literature, and Culture in the Twenty-First Century

A Two-Day Online International Conference

(7th & 8th October 2026)

Organised by Creativitas: Critical Explorations in Literary Studies (An International Journal of English and Cultural Studies)

in collaboration with

the Department of English, Serampore Girls’ College (Affiliated to the University of Calcutta)

 

Anglophone Literary Studies in Bulgaria: Philology to Theory and Everything In Between

updated: 
Thursday, August 6, 2026 - 9:15pm
American University in Bulgaria
deadline for submissions: 
Monday, August 31, 2026

Bulgaria-based (or Bulgarian-abroad) scholars of literature, reading and/or writing in English, are invited to a one-day conference in Blagoevgrad on October 10th 2026, to present projects-in-progress to an audience of interested peers from around the country. 

Hosted at the American University in Bulgaria, by the Department of Literature, Theatre, and Film, the conference will provide a hub for colleagues from across the nation to gather together, showcase and discuss each other’s work in progress, and chart the future of English-language literary study in Bulgaria. Papers will be combined into themed panels, with plenty of time in each panel dedicated for questions, discussion, and feedback.

Haunted Memory: Trauma and Spectrality Across the Globe

updated: 
Wednesday, August 5, 2026 - 9:15am
American Comparative Literature Association
deadline for submissions: 
Tuesday, September 22, 2026

Since the publication of Derrida's Specters of Marx (1993) and the resulting growth of Spectrality studies in the past twenty years, much attention has been devoted to literary works that portray a spectral entity that reconfigures the more traditional gothic vision of the ghost, especially in Western Literature. However, in recent years, literary works and scholars alike have responded to this Western bias by envisioning Hauntology as a method for recuperating the stories of marginalized groups. In this view, spectrality can also be employed as a metaphor for social invisibility, a model first expanded by Esther Peeren and Maria Blanco. 

History, Myth and Orality: Reconceptualizing the Past through the lens of Literary and Cultural Texts

updated: 
Monday, August 3, 2026 - 9:30pm
PANCHLA MAHAVIDYALAYA IN COLLABORATION WITH ICSSR-ERC (INTERNATIONAL CONFERENCE)
deadline for submissions: 
Tuesday, September 15, 2026

How does a society remember, preserve, and narrate its past? This proposed two-day
international seminar, “Myth, Orality, and History: Conceptualizing the Past through the Arts
and Cultural Texts,” organised by the Department of English, Panchla Mahavidyalaya in
collaboration with the IQAC, Panchla Mahavidyalaya is a scholarly expedition at exploring
this Daedalian phenomenon. As contemporary interdisciplinary studies have begun to move
beyond conventional archival approaches, this international seminar emphasizes the myriad
of ways in which the past of a nation, culture, group, etc. can be conceptualized, stored, and
reimagined through different mediums such as myths, oral narratives, scriptures, paintings,

Captivating Criminality 14: Methods of Murder

updated: 
Monday, August 3, 2026 - 12:15am
The International Crime Fiction Association
deadline for submissions: 
Sunday, January 31, 2027

Captivating Criminality 14: Methods of Murder The International Crime Fiction Association is delighted to announce the fourteenth Captivating Criminality conference, to be held at the conference’s home venue, Bath Spa University, Corsham Court, UK, from 24-26th June 2027. There will also be an Early Career and Postgraduate Research workshop on the afternoon of 23rd June – which this year is open to all. This conference marks ten years since the inception of the journal Crime Fiction Studies (Edinburgh University Press).

CALL FOR PAPERS: OBSCURA - INTERNATIONAL CONFERENCE ON HORROR AND CONTEMPORARY MEDIA CULTURE (EXTENDED SUBMISSION DEADLINE NOW OPEN)

updated: 
Wednesday, July 29, 2026 - 12:30pm
LIGAINCOM (SEJ694) and University of Seville
deadline for submissions: 
Thursday, September 10, 2026

CALL FOR PAPERS: OBSCURA - INTERNATIONAL CONFERENCE ON HORROR AND CONTEMPORARY MEDIA CULTURE (EXTENDED SUBMISSION DEADLINE NOW OPEN)Dear Colleagues,We are pleased to invite you to participate in Obscura: International Conference on Horror and Contemporary Media Culture, organized by the research group at the University of Seville.This conference aims to establish an international and interdisciplinary academic forum to analyze horror as a backbone of contemporary narrative (cinema, television, video games, and digital platforms), bridging academic theory with professional practice and the media industry.We are currently in the second submission period (extended deadline).

CFP - 2027 SAAS CONFERENCE: Speculative Ontologies: The Posthuman, the Eerie, and Cultural Memory in US Media and Narratives PANEL

updated: 
Tuesday, July 28, 2026 - 4:15am
SAAS (Spanish Association of American Studies)
deadline for submissions: 
Thursday, October 15, 2026

Call for Papers (CFP)18th SAAS Conference: Negotiating Identity and Power: Resistance, Rebellion, and Resilience in U.S. Literature and CultureUniversidad de Oviedo, Spain | March 15–17, 2027Panel Title:Speculative Ontologies: The Posthuman, the Eerie, and Cultural Memory in US Media and NarrativesPanel Chairs:

[SCMS 2027 CFP] High-Tech / Low-Tech: Rethinking Labor, Materiality, and Scale in Media Technologies

updated: 
Monday, July 27, 2026 - 8:19pm
University of California, Irvine
deadline for submissions: 
Thursday, August 20, 2026

Technological systems are routinely narrated through a rhetoric of the “high-tech”: futuristic, frictionless, dematerialized, and planetary in scale. Such rhetoric directs the attention of media technologies toward the newest platform, the most advanced infrastructure, the most spectacular feat of engineering. Yet every high-tech system is sustained by processes that are decidedly low-tech: extraction of raw materials, energy consumption at industrial scale, manual and low-wage labor, informal repair and maintenance, grassroots appropriation, and amateur practice operating at the margins of official technological narratives. The “high” is never self-sufficient; it is built on, and constantly obscures, the “low.”

Indian Council of Social Science Research (ICSSR) Sponsored TWO DAYS NATIONAL SEMINAR on From Ancient Wisdom to Present Knowledge: Relevance of Indian Knowledge Systems in the Modern Intellectual Landscapes of India

updated: 
Monday, July 27, 2026 - 12:45pm
Department of English Kashipur Michael Madhusudan Mahavidyalaya Kashipur, Purulia, West Bengal
deadline for submissions: 
Wednesday, September 30, 2026

Bhāratīya Jñāna Paramparā, another name for Indian Knowledge Systems (IKS), is a comprehensive body of knowledge which has been accumulated over millennia. Indian Knowledge Systems encompasses philosophy, mathematics, astronomy, medicine (Ayurveda), government, ecology, the arts, and sustainable living. It is based on books such as the Vedas, Upanishads, Puranas, and treatises like the Arthashastra, Charaka Samhita, and Sushruta Samhita. This Knowledge systems place a strong emphasis on interconnection, moral behaviour, and harmony with the natural world - principles embodied in ideas such as Vasudhaiva Kutumbakam (the world is one family).

'Ugly Feelings': Hope and Anger in Contemporary Theatre

updated: 
Monday, July 27, 2026 - 1:34am
German Society for Contemporary Theatre and Drama in English (CDE)
deadline for submissions: 
Wednesday, September 30, 2026

35th Annual CDE Conference, Frankfurt/Bad Homburg, 27-29 May 2027

 

The German Society for Contemporary Theatre and Drama in English (CDE) is pleased to announce its 35th Annual Conference (27-29 May 2027). It is organized by the Institute of English and American Studies at Goethe University Frankfurt with the assistance of the University of Bamberg and will be held as a residential conference at Goethe University’s Forschungskolleg Humanwissenschaften in Bad Homburg.

‘Ugly Feelings’: Hope and Anger in Contemporary Theatre

Indian Council of Social Science Research (ICSSR) Sponsored TWO DAYS NATIONAL SEMINAR on From Ancient Wisdom to Present Knowledge: Relevance of Indian Knowledge Systems in the Modern Intellectual Landscapes of India

updated: 
Saturday, July 25, 2026 - 11:45am
Department of English Kashipur Michael Madhusudan Mahavidyalaya Kashipur, Purulia, West Bengal
deadline for submissions: 
Wednesday, September 30, 2026

Bhāratīya Jñāna Paramparā, another name for Indian Knowledge Systems (IKS), is a comprehensive body of knowledge which has been accumulated over millennia. Indian Knowledge Systems encompasses philosophy, mathematics, astronomy, medicine (Ayurveda), government, ecology, the arts, and sustainable living. It is based on books such as the Vedas, Upanishads, Puranas, and treatises like the Arthashastra, Charaka Samhita, and Sushruta Samhita. This Knowledge systems place a strong emphasis on interconnection, moral behaviour, and harmony with the natural world - principles embodied in ideas such as Vasudhaiva Kutumbakam (the world is one family).

NEMLA 2027 “From Kitchen to Canon: Women, Food, and American Cultural Memory”

updated: 
Friday, July 24, 2026 - 4:30pm
North East Modern Language Association (In-person but accepting few hyrbid presentations)
deadline for submissions: 
Wednesday, September 30, 2026

In the Joy Luck Club, Amy Tan redefines the domestic space and the feminine laborassociated with it as a dynamic space where Chinese-American women reshape their identities, preserve their cultures, and share their stories of traumas. bell hooks’ assertion that “homeplace" was the one site where one could freely confront the issue of humanization” provides a productive framework for understanding how kitchens and acts of cooking become spaces of healing, survival, and female agency in women’s writing. By doing these, they try to assert a form of power, and agency that subverts the traditional notion of the domestic space(as an inferior space that is away from history), and the feminine labor associated with it.

The Hidden Faces of Violence II: Interdisciplinary Perspectives on Abuse, Trauma and Resistance

updated: 
Friday, July 24, 2026 - 8:45am
KN: F.L.A.ME.S. by Konstantina Kliagkona
deadline for submissions: 
Sunday, September 27, 2026

Dates of Conference: 4-8 November 2026

Format: Hybrid – Online (via Zoom) & In-Person (Thessaloniki, Greece)

Note: The onsite/in-person conference will take place exclusively on 6-7 November, 2026 and be streamed live on Zoom.

Organizer: KN: F.L.A.ME.S. by Konstantina Kliagkona (www.knflames.gr)

 

International, interdisciplinary conference titled:

 

The Hidden Faces of Violence II: Interdisciplinary Perspectives on Abuse, Trauma, and Resistance

 

Constructing the Self in Romance-Language Epic

updated: 
Wednesday, July 22, 2026 - 8:58am
62nd International Congress on Medieval Studies (May 13 - 15, 2027)
deadline for submissions: 
Friday, September 4, 2026

The Société Rencesvals, Pan-American Branch, invites proposals from scholars whose research examines Romance-language epics as sites of social discourse. Far from being merely “songs of deeds,” these texts were critical commentaries on contemporary ideologies. They thus speak profoundly to processes of self-conceptualization in far-ranging topics including –but not limited to– regional/national identity, faith, gender, and race. We are interested in the examination of how Romance-language epics use discourse to construct value systems that contribute to conceptions of the self, situating this literature in the larger study of the production of ideologies in the Middle Ages.

Rereading Christian, Saracen, and Genre in Medieval French Literature (2001): Papers in Honor of Lynn T. Ramey

updated: 
Wednesday, July 22, 2026 - 8:56am
62nd International Congress on Medieval Studies (May 13 - 15, 2027)
deadline for submissions: 
Friday, September 4, 2026

The Société Rencesvals, Pan-American Branch, wishes to honor Lynn T. Ramey in celebration of 25 years since the publication of her first monograph, Christian, Saracen, and Genre in Medieval French Literature. We invite proposals that engage directly with the central ideas, arguments, and/or methodologies explored by Ramey in her work, and which discuss the representation of Muslims by Romance language authors c. 1100-1500 (Italian, Old Occitan, Old French, Medieval Castilian, for instance). We are especially interested in papers that give particular attention to themes of gender and race as they relate to epic depictions of Muslim-Christian relations in chansons de geste, chivalric romances, and lyric poetry.

Renaissance Texts and the Human (RSA 2027)

updated: 
Tuesday, July 21, 2026 - 11:05pm
Hayley Cotter
deadline for submissions: 
Wednesday, July 29, 2026

Workshop at the Renaissaince Society of America's annual meeting (Philadelphia. March 11-13, 2027)

JMMLA CFP Spring 2027: Computation, Interdisciplinarity, and the Humanities

updated: 
Tuesday, July 21, 2026 - 11:01pm
Midwest Modern Language Association
deadline for submissions: 
Tuesday, July 28, 2026

The advancement of artificial intelligence has transformed humanities research and education, deepening computation’s influence on scholarly practice and everyday life. From the early era of “humanities computing” in the 1970s to the rise of “computational humanities” over the past decade, this trajectory highlights the enduring—and expanding—role of computation in shaping inquiry across the humanities. These intersections are especially visible in interdisciplinary work. As T. S. Eliot observes, “Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.” The same spirit can illuminate how methods and tools migrate across fields.

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