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international conferences

Unmade, Unfinished, Unseen: Shadow Histories of Cinema and Television

updated: 
Wednesday, October 23, 2019 - 3:38pm
Professor Ian Hunter (De Montfort University) and Dr James Fenwick (Sheffield Hallam University)
deadline for submissions: 
Friday, January 31, 2020

Proposals are invited for papers at Unmade, Unfinished, Unseen: Shadow Histories of Cinema and Television,  a two day international conference, 16 – 17 September 2020, at De Montfort University, Leicester.

Keynote speakers: Dr Shelley Cobb (University of Southampton), Professor Andrew Spicer (University of the West of England), and others to follow.

The Ancient Novel and Material Culture

updated: 
Wednesday, October 23, 2019 - 3:41pm
Society for Classical Studies
deadline for submissions: 
Friday, February 7, 2020

The Ancient Novel and Material Culture

Unmade, Unfinished, Unseen: Shadow Histories of Cinema and Television Conference, 16 - 17 September 2020, De Montfort University, Leicester, UK

updated: 
Wednesday, October 23, 2019 - 3:42pm
Professor Ian Hunter / De Montfort University, Leicester, UK
deadline for submissions: 
Friday, January 31, 2020

Unmade, Unfinished, Unseen: Shadow Histories of Cinema and Television

Two day International conference at De Montfort Unibversity, Leicester, UK, organised jointly by Cinem and Television History Research Institute (CATHI), DMU, and Sheffield Hallam University.

 

Keynote speakers: Dr Shelley Cobb (University of Southampton), Professor Andrew Spicer (University of the West of England), and others to follow.

Documentary Poetry, Popular Protest and Activism

updated: 
Wednesday, October 23, 2019 - 3:19pm
William Dow The American Univeristy of Paris
deadline for submissions: 
Wednesday, January 15, 2020

“Documentary Poetry, Popular Protest and Activism: An International Poetry and Poetics Seminar”

 

The American University of Paris.

Co-Directors: Geoff Gilbert and William Dow.

June 11-13, 2020.

 

 

The American University of Paris announces a call for papers for a documentary poetry conference to be held 11-13 June 2020 at the American University of Paris.

 

CfA: 2020 Penn State Global Asias Summer Institute REMAKING WORLDS:THE GEOGRAPHICAL IMAGINATION OF GLOBAL ASIAS THROUGH ART & VISUAL CULTURE

updated: 
Tuesday, October 22, 2019 - 4:50pm
Verge: Studies in Global Asias
deadline for submissions: 
Friday, March 6, 2020

 

 

 

Call for Applications 

 

2020 Penn State Global Asias Summer Institute 

REMAKING WORLDS:THE GEOGRAPHICAL IMAGINATION OF GLOBAL ASIAS THROUGH ART & VISUAL CULTURE

 

 

Penn State University invites applicants for its annual Global Asias Summer Institute, to be held June 15-19, 2020.  This year’s Institute, co-directed by Laura Kina (DePaul University) and Chang Tan (Penn State), focuses on the geographical imagination of Global Asias through art and visual culture. 

International Conference of the Portuguese Association for Anglo-American Studies (APEAA)

updated: 
Wednesday, October 23, 2019 - 3:23pm
Portuguese Association for Anglo-American Studies (APEAA)
deadline for submissions: 
Monday, January 20, 2020

The Department of Languages and Cultures at the University of Aveiro is very pleased to announce the 41st Conference of the Portuguese Association for Anglo-American Studies, which will take place between 26 and 28 March 2020.

Proposals for papers, panels and roundtables are welcome on a wide range of topics that fall within the field of English Studies (literary and cultural studies, postcolonial studies, performance, film and theatre studies, gender and sexuality studies, translation studies, linguistics, language teaching and methodology).

The Medieval Translator

updated: 
Wednesday, October 23, 2019 - 3:24pm
Università di Bologna - Italy
deadline for submissions: 
Thursday, October 31, 2019

The conference will focus on linguistic fragmentation as a means of cultural inclusion. In the passage from late antiquity to the high Middle Ages, a number of written translations in various vernaculars and dialects already appear – suffice it to think of the first attempts at translating the Bible, of the effect of Carolingian culture, or of King Alfred’s cultural policy, aimed at making vernaculars the vehicle of faith and knowledge. As we move towards the late Middle Ages, translation becomes an essential instrument for the transmission of literature, religion and science. The proliferation of translations, through the linguistic fragmentation represented by target languages, allowed the transferral of texts to an ever-wider audience.

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