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Forgotten Lydgate (roundtable) @ ICMS 2019

updated: 
Tuesday, July 17, 2018 - 11:06am
Lydgate Society
deadline for submissions: 
Saturday, September 15, 2018

This is a roundtable sponsored by the Lydgate Society at the International Congress on Medieval Studies (at Kalamazoo) 2019.

(Re)sourcing the Fifteenth Century @ ICMS 2019

updated: 
Tuesday, July 17, 2018 - 11:03am
Lydgate Society
deadline for submissions: 
Saturday, September 15, 2018

This is a session sponsored by the Lydgate Society at the International Congress on Medieval Studies (at Kalamazoo) 2019.

The Emotional Life of Horror Films (SCMS panel)

updated: 
Tuesday, July 17, 2018 - 10:59am
University of California, Berkeley
deadline for submissions: 
Tuesday, August 7, 2018

For all the research that has been conducted into the ideological underpinnings of horror, ideology is not ultimately constitutive of the genre. Emotions are, as producers and fans well know. Yet there has been scant scholarly attention given to emotions (or affects) as such in the genre. Whether the defining generic emotion is taken to be art-horror (Carroll), a feeling of threat (Aldana Reyes), or a looser family of reactions like fear and suspense and disgust (Schneider), there is no escaping emotions.

Regarding Reygadas: The Cinema of Mexican Auteur Carlos Reygadas (NeMLA Panel)

updated: 
Monday, July 16, 2018 - 9:49am
Amanda McMenamin / NeMLA
deadline for submissions: 
Sunday, September 30, 2018

Carlos Reygadas is a twenty-first century Mexican auteur of international acclaim. His opera prima, Japón (2002), was awarded the Caméra d’Or Special Mention at Cannes. After his second and third features were nominated for the Palme d’Or, his latest feature, Post Tenebras Lux (2012), again nominated for the Palme d’Or, won the award for best director. Reygadas’s poetic and experimental use of images, along with his subversive approach to traditional cinematic representations of Mexican life, has opened up an array of possibilities of interpretation for audiences and critics alike.

Queerness and Television in the 21st Century (Turku, Finland, November 22-24, 2018)

updated: 
Monday, July 16, 2018 - 9:55am
Kylo-Patrick R. Hart, Film/TV/Digital Media, TCU
deadline for submissions: 
Friday, August 31, 2018

Present your research on queer television in the 21st century at the 2018 Finnish Gender Studies Conference, which will occur in Turku, Finland, from November 22-24, 2018. The language of these presentations will be English.

This workshop call for papers invites presentation proposals pertaining to any aspect(s) of queerness in contemporary television during the period from 2000 to the present. Topics pertaining to cultural and/or television studies at the intersection of gender/sexuality studies and/or queer theory are invited from scholars, educators, and students of various levels and disciplines. Contributors are encouraged to interpret and explore this topic broadly and innovatively.

Reading and Writing the World: Perception and Identity in the Era of Climate Change

updated: 
Monday, July 16, 2018 - 10:03am
EMMA & CECILLE
deadline for submissions: 
Thursday, November 1, 2018

Reading and Writing the World:  Perception and Identity in the Era of Climate Change

An International Conference organised by EMMA (Etudes Montpelliéraines du Monde Anglophone) in collaboration with CECILLE (Centre d'Etudes en Civilisations, Langues et Lettres Étrangères)

 

5-6 April 2019
Université Paul-Valéry Montpellier 3, France
Site Saint Charles

Keynote speakers:
Thomas Dutoit, Université de Lille 3, France (confirmed)
Sarah Wood, University of Kent, UK (to be confirmed)

Daphne du Maurier: A Critical Reassessment

updated: 
Friday, July 13, 2018 - 12:01pm
Le Mans Université, France
deadline for submissions: 
Sunday, January 6, 2019

Daphne Du Maurier: A Critical Reassessment – An Interdisciplinary International Conference

28-29 June 2019

Venue : Le Mans Université, Department of Anglophone Studies, Avenue Olivier Messiaen, 72085 Le Mans cedex 09, France

Key Words: Daphne du Maurier – Short fiction – Novels – Film adaptations – Didactics --Biography – Psychoanalysis – Local history

Questioning Italian Romanticism: Foscolo, Leopardi and Manzoni in debate (NeMLA)

updated: 
Friday, July 13, 2018 - 11:24am
Northeast Modern Language Association
deadline for submissions: 
Sunday, September 30, 2018

The classical-romantic debate (1816-1826) was a crucial moment for the definition of modern Italian literature. Ugo Foscolo, Giacomo Leopardi and Alessandro Manzoni, while taking part in the discussion, express some of the key aspects of their poetics. These three authors, some of the most important in Italian literature, were deeply influenced by the debate; at the same time, they claimed their original positions, which are not completely identifiable as either Classicist or Romantic. Indeed, sometimes scholars have, for example, unduly classified Leopardi as a Romantic, even though he thought of himself as a Classicist.

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