Post-Hamlet: Shakespeare in an Era of Textual Exhaustion
Building on the increasing prominence of the 'animal turn' in the humanities in the last decade, and the recent publication of Laura Wright's 'The Vegan Studies Project: Food, Animals, and Gender in an Age of Terror' (University of Georgia Press, 2015), this conference we will seek to ask what kind of place veganism and/or 'the vegan' should occupy in our theorizations of human-animal relations, animal studies, and the humanities in general. An increasing number of individuals, particularly in the West, are now identifying as vegan, but the heterogeneity of reasons for doing so – animal suffering, the environment, health, anti-capitalism – suggests a broad, complex, and fertile place from which to rethink ways of being in the world.
In 1845, Rudolphe Töpffer published an essay about the aesthetic, rhetorical, and philosophical foundations of literature in prints (graphic novels) with a desire of making academic, intellectual, and scholarly works accessible to the public, advocating for an ethic of collective action and the common good—via critiques of social, cultural, and political issues of the day through amateur art. At the time, the most promising mode of composing such critiques was through figure drawing and distributing them using the then-recent emergence of lithographic printing technologies. More recently, Gregory L.
Boundaries and intersections -- two contrasting metaphors and yet not quite a binary. On the one hand, these words spatially remind us of Venn diagrams: two bound circles with a space of intersection where they overlap. On the other hand, intersections can be places of traffic, movement over time, streams of cars or pedestrians crossing boundaries. Spatial overlap or temporal crossing--the stability of categories or their rupture. The humanities are constantly defined and redefined by the churning of boundaries and intersections.
We invite manuscripts of scholarly articles (4000-6000 words) on any of the following: Bram Stoker, the novel Dracula, the historical Dracula, the vampire in folklore, fiction, film, popular culture, and related topics.
Submissions should be sent electronically (as an e-mail attachment in .doc or .rtf). Please indicate the title of your submission in the subject line of your e-mail.
Please follow the 2009 updated MLA style.
Contributors are responsible for obtaining any necessary permissions and ensuring observance of copyright.
Manuscripts will be peer-reviewed independently by at least two scholars in the field.
Copyright for published articles remains with the author.
Abstract Submission Deadline for Students, Faculty, and Staff: March 16, 2016
The Morehouse College English Department in collaboration with the Office of the Provost invites all students, faculty, and staff to participate in the Tenth Annual Symposium to be held on Tuesday, April 19, 2016, from 5:30 p.m. to 8:30 p.m.
Call for Papers
The International Video Dance Festival of Burgundy is pleased to announce that it is now accepting abstracts for short papers to be presented during the festival's fourth annual Screendance Conference to be held April 28-30, 2016. This year the conference will be dedicated to the theme: Les Danses Macabres: Death and the Moving Image. The conference is an international place of meeting for artists, scholars, curators, students and others interested in exploring the movement and choreography of moving images. The conference is composed of screenings, round tables, and moderated panel presentations. Select papers will be considered for a future publication of screendance essays.
23rd METU British Novelists Conference: Agatha Christie and Her Work
5-6 April 2016
METU Culture and Convention Centre
Department of Foreign Language Education,
Middle East Technical University,
Contact person: Asst. Prof. Dr. Dürrin Alpakın Martinez-Caro
Contact email: firstname.lastname@example.org
"23rd METU British Novelists Conference: Agatha Christie and Her Work" is a two-day conference organized by the Department of Foreign Language Education, Middle East Technical University, 5-6 April 2016. We invite proposals for 20-minute presentations on any aspect of Agatha Christie's life and work.
Special issue: Spatialities and Colonial Legacies/Locations in Postcolonial Literature
Space has been a central concern of postcolonial studies since the 1978 publication of Said's Orientalism and its exposition of the 'imaginative geographies' of colonial conquest. As Said, citing Gaston Bachelard's The Poetics of Space, writes, 'space acquires emotional and even rational sense by a kind of poetic process, whereby the vacant or anonymous reaches of distance are converted into meaning for us here' (54), indicating the potency of the imperial imaginary in the constitution of a broader conception of space in all of its workings.
It is an undeniable fact that indeed literature has moved from the realm of mere entertainment to one of commitment. Any survey of contemporary literature proves more than ever before that there can be no talk of "arts for art's sake". Hardly any writer who wishes to be taken seriously writes for the sake of writing or to entertain his readers. Entertainment has rapidly given way to commitment and today writers are interested in appraising the world in which they live and write and thereby imagine a better world for humankind. This has infused a political dimension into literature such that it is mainly concerned with a critique of the society. Thus literature today has come to occupy an important position as political discourse.
Postcolonial theory has been engaged in uncovering and castigating the legacies of the colonial contact on the colonized. This has seen a lot of discussions on postcolonial theory which focus on the material effects of colonialism such as the identity crisis occasioned by the loss of culture, the new boundaries created by colonialism and which continue to have far-reaching effects decades after the formal demise of colonialism, and the gross exploitation and humiliation of the colonized which has resulted in the inferiority complex and a loss of self- esteem. Postcolonial theory in a general sense therefore often involves the response of the colonized to the cultural and human consequences of colonial control.
XXII Graduate Colloquium of Iberian and Latin American Languages and Cultures
Call For Papers-"Borders, Borderlands, and Border Crossings"
Texts, Contexts, and Subtexts: Charlotte Perkins Gilman in Her Time
Charlotte Perkins Gilman's articles, letters, papers, and library underscore a central quality of her diverse and prolific career: her works were deeply engaged with the social and scientific milieus of her time. An avid reader, enthusiastic learner, and active member within her own intellectual communities, Gilman often reached out to those whose work she admired – as well as to those whose work she found lacking. Through her lectures, publications, and correspondence, Gilman impacted a broad cross-section of scholarly and literary discourses.
We are presently seeking submissions of art, poetry, fiction, and creative non-fiction for our third issue! We will also consider reviews of non-mainstream books and music. Frankly, if it's well-written, we want to read it; if it's visually intriguing, we want to see it.
In the covering e-mail, please include the author or artist's name, contact information (address, phone number, e-mail address), and a brief (2-4 sentence) bio. Simultaneous submissions are permitted, but please notify us if your work has been accepted for publication elsewhere.
Deadline for submissions for the next issue is 15 December 2015. (Please feel free to keep sending us wondrous creations beyond that date!)
What: Panel on Print, Public Readership, and Alternative Literary Modernities
Where: CCLA @ Congress 2016 in Calgary, Canada
When: May 28 to 30, 2016
How: Submit an abstract to email@example.com by December 15, 2015.
What happens after the panel: Select papers will be considered for publication in a scholarly outlet subject to peer review.
More info: Check out the CFP below/attached or click here and here! Or just write to firstname.lastname@example.org
CFP for panel at CCLA