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journals and collections of essays

M/C Journal: 'Walking' issue

updated: 
Thursday, November 23, 2017 - 9:47pm
Amy Mead and Melanie Pryor
deadline for submissions: 
Friday, August 10, 2018

M/C: A Journal of Media and Culture Call for Papers for 'walking' issue

Why do we walk? Walking traverses boundaries of the physical, political, artistic, narrated, literary, and psychological, and can be deployed as a complex practice in an increasingly digitised world. In this issue, we examine the contemporary practices and representations of walking. We encourage work with an interest in the hybrid, the interdisciplinary, the intersectional; that looks to fields as diverse as feminist studies, life writing, nature writing, anthropology and fictocriticism.

We think walking can be an act, a response, a methodology, a transgression. Areas of investigation may include, but are not limited to:

South of the River

updated: 
Thursday, November 23, 2017 - 9:47pm
University of Greenwich
deadline for submissions: 
Wednesday, March 1, 2017

South of the River 

Second International Conference of the South of the River Research Group (SRG

17-18thMay 2018, University of Greenwich

Keynote speakers:

Brycchan Carey (University of Northumbria);

John Williams (University of Greenwich).

Digital Media and Sociality

updated: 
Thursday, November 23, 2017 - 9:47pm
TransScripts: A Graduate Student Journal for the Humanities & Social Sciences
deadline for submissions: 
Friday, January 5, 2018

TransScripts Volume 7, Spring 2018

“Digital Media and Society”
Submission deadline: January 5, 2018

TransScripts—the interdisciplinary online graduate student journal based at the University of California, Irvine—invites graduate students to submit their work for publication. The theme of our seventh volume is “Digital Media and Society.”

REMINDER CFP ReFocus: The Films of Pablo Larraín

updated: 
Thursday, November 23, 2017 - 9:43pm
Laura Hatry, Universidad Autónoma de Madrid
deadline for submissions: 
Thursday, November 30, 2017

One of the central figures in contemporary Chilean film, director Pablo Larraín (b. 1976), presents a harsh portrait of his country’s current reality and of its tortured history in a direct, sometimes surprising, and often controversial oeuvre, never demurring in the face of violence or painful truths about the past. His first feature film, Fuga (2006), which was poorly received by critics, focuses on a composer’s mental health issues; his striking trilogy about Chile’s recent history covers the Pinochet dictatorship in Tony Manero (2008), the last days of the Allende presidency in Post mortem (2010), and the democratic downfall of Pinochet in 1988 in NO (2012).

How We Make - Special Issue of Trace: Journal of Writing, Media, and Ecology

updated: 
Thursday, November 23, 2017 - 9:43pm
University of Florida
deadline for submissions: 
Friday, December 1, 2017

How We Make Deadline for submissions: December 1, 2017 full name / name of organization: Trace Journal - Special Issue 

Trace: Journal of Writing, Media, Ecology is an online, refereed, open-access journal that publishes interdisciplinary research at the intersections of writing studies, media studies, cultural studies, and ecocriticism. We welcome scholarship about digital technology, art, literature, maker culture, rhetoric, composition, environments, and writing. Trace considers the ethical and material impact of technology, and encourages submissions in a variety of media that “trace” connections across and within various ecologies.

Rock and Romanticism: Women in Rock / Women in Romanticism

updated: 
Monday, November 20, 2017 - 12:10pm
James Rovira
deadline for submissions: 
Thursday, March 15, 2018

CFP: Rock and Romanticism: Women in Rock / Women in Romanticism

Of the 605 proposals received by Bloomsbury for their 2015 33 1/3 Series call for papers, only 18% of contributors and 11% of artists covered were women, even though the female series editor was aggressively soliciting contributions by and about women. Rock and Romanticism: Women in Rock / Women in Romanticism seeks to address a visible shortcoming in scholarship about women in both popular music and in English Romanticism by bringing the two together in this collection.

Edited Volume on George Orwell's Animal Farm

updated: 
Monday, November 20, 2017 - 12:10pm
Thomas Horan, Associate Professor of English, The Citadel
deadline for submissions: 
Wednesday, December 20, 2017

I need a few 5,000-word articles to complete a forthcoming Critical Insights volume on George Orwell’s Animal Farm. Authors are invited to propose specific topics. If you are interested in contributing to this collection, please submit a 300-word abstract by 20 December to tom.horan@citadel.edu. Initial drafts will be due by March 31, 2018. I will review them and as needed return them to you for revision. When the book is published, authors will receive an honorarium of $250 and a complimentary copy.  

Special Issue: "New Feminist Voices in the Heroic Age"

updated: 
Monday, November 20, 2017 - 12:08pm
The Heroic Age: A Journal of Early Medieval Northwestern Europe
deadline for submissions: 
Friday, March 30, 2018

CFP: The Heroic Age special issue (2018): “New Feminist Voices in the Heroic Age”

Guest Editors: Melissa Ridley Elmes (Lindenwood University) and Mary Kate Hurley (Ohio University)

The Heroic Age, a digital peer-reviewed scholarly journal, seeks submissions for a special issue on “New Feminist Voices in the Heroic Age” which will run from 1 January 2018 through 31 December 2018.

Call for Papers for Trauma; 12th Issue of Watermark

updated: 
Wednesday, January 10, 2018 - 7:37pm
California State University, Long Beach
deadline for submissions: 
Tuesday, February 13, 2018

Watermark, the annual, peer-reviewed scholarly journal published by graduate students in the English Department at California State University, Long Beach is seeking submissions for the twelfth volume. The journal is dedicated to publishing original, critical, and theoretical papers concerned with literature of all genres and periods, as well as representing current issues in the field of rhetoric and composition. As this journal is intended to provide a forum for enlarging voices, only student work will be considered. 

 

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