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journals and collections of essays

FALL 2018 ISSUE: The Scattered Pelican - Matter(s) of Fact

Friday, July 27, 2018 - 9:29am
Official Graduate Journal of Comparative Literature, Department of Modern Languages and Literatures, Western University
deadline for submissions: 
Monday, September 24, 2018

For the next issue of The Scattered Pelican, we invite all graduate students in Comparative Literature or related fields to submit article-length contributions exploring the theme of the 20th Annual Graduate Student Conference of the Comparative Literature, Hispanic Studies and Theory & Criticism, which recently took place at Western University: Matter(s) of Fact. 

Teaching American Literature: A Journal of Theory and Practice; October 31, 2018

Thursday, July 26, 2018 - 9:07am
Patricia K. Bostian / Central Piedmont Community College
deadline for submissions: 
Wednesday, October 31, 2018

We seek intelligent critical articles written in a clear, readable style that offer our readers thoughtful, useful, pedagogically sound, and innovative ideas for teaching American literature. We are also interested in articles about new American authors or lesser known authors who haven't seen much study, particularly in ways that they could add to students' experiences of American literature. All articles go through a blind peer review process with editorial staff making all final publishing decisions.

cfp for monographic journal issue

Tuesday, July 24, 2018 - 9:59am
I-DLang Centre University Orientale Naples
deadline for submissions: 
Monday, October 15, 2018

Call for papers for the special issue: “Translating and Interpreting Linguistic and Cultural Differences in a Migrant Era”

The next monographic issue of the I-LanD Journal will be centred on exploring the role which translation and interpreting play as activities which potentially foster the recognition or misrecognition of, amongst others, sexual, ethnic, racial and class differences in an era of great waves of migrations, and will be edited by Eleonora Federici (University L'Orientale, Naples), and Rosario Martín Ruano and África Vidal Claramonte (University of Salamanca). Contributions should adhere to any of the following: 

Translating gender and sexualities; 

Translation and interpreting as cultural mediation; 

CFP: Capture Japan – Visual Culture and the Global Imagination from 1952 to the Present

Tuesday, July 24, 2018 - 9:51am
Loughborough University
deadline for submissions: 
Monday, October 1, 2018

Contributions are now being accepted for a new edited book titled ‘Capture Japan: Visual Culture and the Global Imagination from 1952 to the Present’. The book aims to analyse, deconstruct and challenge representations of Japan in a variety of different visual media such as cinema, documentary film, photography, visual art, anime, manga, comics, television or advertising. Through a series of case studies by an international group of experts in the field, the book will highlight the institutional framework that has allowed certain types of images of Japan to be promoted, while others have been suppressed.

Bridging the Gap? Digital Media in the Humanities Classroom (special issue of Interdisciplinary Humanities)

Tuesday, July 24, 2018 - 9:07am
Cameron McFarlane and Kristin Lucas, Nipissing University
deadline for submissions: 
Tuesday, January 1, 2019

Recent critical focus on media and technology maps efforts to create a dynamic classroom that at its best enriches the teaching and learning at the university. But the long-standing interest in media as a means to reach students and enhance delivery also points to an absence in current scholarship, which has not been attentive to that same media as content in the humanities classroom.


Special Issue 'American Literary Naturalism in the World'

Tuesday, July 24, 2018 - 9:01am
CR: The New Centennial Review (Michigan State UP)
deadline for submissions: 
Tuesday, October 30, 2018

Essays are invited for a forthcoming special issue of the CR on American literary naturalism in a global context. As Christopher Hill has argued in “The Travels of Naturalism and the Challenges of a World Literary History,” the history of nineteenth-century naturalist fiction points to disorderly patterns of circulation that suggest “multiple, overlapping histories, together forming a heterogeneous history on the scale of the planet.” Using the concept of “travel” as his point of reference, Hill sees naturalism as a paradigm for thinking about transnational literary, cultural, and economic transformations.