Journal of Humanities and Social Sciences, an open-access and peer-reviewed international journal published by Çankaya University in Ankara, is currently accepting submissions of articles and book reviews for its forthcoming issues.
journals and collections of essays
We would like to invite contributions exploring an intellectual meeting ground between new feminist and queer materialisms and affect theory, environmental humanities, science studies, and many more inter- and transdisciplinary fields. New/feminist materialisms and the affective turn are emerging at a time in need for alternative visions of the world threatened by human exceptionalism, ecological terror(ism), and devastating, extinction-fostering capital flows: they pose the question of how to theorize and practice ethical and decidedly posthuman or rather nonanthropocentric feminisms in the geological era of the (late capitalist) Anthropocene.
QED: A Journal in GLBTQ Worldmaking (published 3 times/yr.) brings together scholars, activists, public intellectuals, artists, and policy and culture makers to discuss and mobilize issues and initiatives that matter to the diverse lived experience, struggle, and transformation of LGBTQ peoples and communities wherever they may be. With an emphasis on worldmaking praxis, QED welcomes theory, criticism, history, policy analysis, public argument, and creative exhibition, seeking to foster intellectual and activist work through essays, commentaries, interviews, roundtable discussions, and book and event reviews. Our use of the term “worldmaking” is much more deliberate in its derivation.
The Global English Department
Ashley Squires, New Economic School
Myles Chilton, Nihon University
Adaptation, like nostalgia, is inextricably linked to the past. Both must grapple with the politics, pragmatics, and poetics of bringing the past into the present; and, in so doing, adaptation and nostalgia must also wrestle with one another.
Montesquieu's assertion that the fall of the Roman Empire could be attributed to a decline in morality and deviation from Classical ideals redefined the term “décadence.” From a neutral term for “decline,” decadence transformed into a laden pejorative signifying perversity and decay, as well as a warning against the dangers of excess and the pursuit of pleasure. Perceived as a disruptive force, dangerous to social order and bourgeois normativity, the threat of decadence is still invoked in modern political rhetoric to stoke anxieties over shifts in traditional values and social mores, as well as the looming threat of an irretrievable loss of geopolitical power.
Joyce Writing Disability is a proposed volume of essays on the history, theory, and depiction of disability as it relates to the life and work of James Joyce. Though disability is increasingly a popular topic in modernist studies, there is as yet no book dedicated to disability and/in Joyce. As such, Joyce Writing Disability will seek not to be the last word on the topic, but the first. We seek essays on a variety of topics and intersections, and are especially interested in readings that open novel and unexplored avenues for disability studies and Joyce criticism. Two major university presses have expressed an interest in the volume, and we are looking for contributions from scholars both established and new.
I am seeking proposals for chapters to complete an edited collection on treatments of Donald Trump in literature, film, and television, tentatively titled Trump Fiction, under contract for publication with Lexington Books, a division of Rowman & Littlefield.
Contributors must have a PhD.
We invite contributions focusing on early modern theater, including but not limited to Shakespeare’s plays. The Hare is an online, peer-reviewed journal, publishing untimely reviews of books, articles, and performances in early modern theater.
This journal provides a venue for the contention and reevaluation of old scholarly work in contemporary scholarly debate. We invite you to interpret “old” creatively, though traditional reviews of recent publications will not be considered. We welcome:
Jim Thompson, a writer of hard-boiled crime fiction, was born in Anadarko, Indian Territory (Oklahoma), in 1906. Thompson’s literary achievements were little-recognized during his lifetime; however, many of his works were re-discovered and re-published in the 1980s. His work is often lauded, noting his ability to understand the criminal mind. His work is largely critiqued and categorized as only hard-boiled fiction, but his work defies such a simple genre classification. Thompson combines the genres of crime fiction and Westerns and in doing so, his works read as critiques of American history and culture. Certainly much of Thompson’s work can be read as a critique of post-WWII America. As David Cochrane points out Thompson’s works serve as “portrait