journals and collections of essays

“Poets are the unacknowledged legislators of the world,” claims Percy Bysshe Shelley at the end of his well-known essay A Defence of Poetry, based on the idea that poetry is connatural with the origin of the human. Poetry is one of the most prestigious genres in the literary tradition, if not the most. Whether we go back to its public and ritual function in shamanic chants or in Homeric epic, or we think of its circulation in multimedia formats on digital consumption platforms on the internet, poetry has existed both as an artistic mode of verbal language and as a literary genre that encapsulates the virtues of literature.

The 2026 general article submission window will be open until the beginning of June 2026. Book review queries and submissions remain open throughout the year. If you passed your accessibility screening and are already in process of working with us for a creative think piece or essay, please remain in touch with the editor with whom you have been working.If you are submitting to JFA Presents: The Ruthven Literary Bulletin, follow issue-specific guidelines here or at the bottom of this page. Submissions for the focused issue will be open until June 2026 and acceptances will go out by September 2026.

Extended deadline for Re-thinking Trauma: Cinema, Performance, and Mediation International Conference

Ekphrasis Center for Transdisciplinary, Liberal Arts and Creative Technologies Research Department of Theatre and Film, Babeș-Bolyai University, Cluj-Napoca, Romania September 2–4, 2026

DEADLINE EXTENDED: May 1st, 2026

Since the international success of Aterrados and Cuando acecha la maldad, both directed by Demián Rugna, Argentine horror cinema has gained renewed global visibility and critical attention. This resurgence has sparked increasing scholarly interest in the field, positioning Argentine horror as a key site for the exploration of national anxieties, aesthetic innovation, and transnational circulation.

Who Is This For? The Access Illusion of XR

Immersive Impact Review — Issue 2 Call for Submissions

Open Date: 4/1/26

Closing Date:  5/15/26

The Immersive Impact Review invites submissions for its second issue around the theme of “Who Is This For? The Access Illusion of XR.” The Review is an open-access publication dedicated to advancing knowledge at the intersection of immersive technologies and social good.  It is published by the Immersive Experience Alliance with funding from Agog.  

Call for Papers

dialog, No. 46, Autumn 2025

dialog, a Peer-reviewed, Bi-annual International Journal of the Department of English and Cultural Studies, Panjab University, Chandigarh, India is open to submissions for its next issue, No. 46, Autumn 2025 (ISSN: 0975 - 4881) (final stages of publication). dialog provides a forum for interdisciplinary research on diverse aspects of culture, society and literature. For its 46th issue, Department of English and Cultural Studies, Panjab University specifically invites:

The volume Women's Autobiographies and Memoirs 1920-2025: Precarity, Resistance and Selfhood attempts to look into the dialectics of identity and writing - the compulsion to respond to the other inhabiting the self, which provokes in her something peculiar and singular - a text of one's own. The self-authenticated narratives are often haunted by many an unsubduable voice that breaks open the self-centred finitude of living and dying.

Call for Chapter Proposals: Tana French and Ireland Deadline for abstract submissions:May 1, 2026 Deadline for paper submissions:November 1, 2026 contact email:escheible@bridgew.edu Popular genre fiction offers an influential platform for the critique of Irish cultural containment and the victimization of women. Despite commercial dominance, genre fiction holds a complicated position in the literary marketplace, which carries over to scholarly appraisals.

Call For Proposals
The Upstart Crows: The Beatles and the British Literary Tradition
(Edited Volume)

Deadline for Submissions:
November 1, 2026

Contact email:
tpace@jcu.edu 

Apologies for crossposting.

Call for Papers: Fashion, Style & Popular Culture

Special Issue: ‘Muslim Fashion and Style’

View the full call here>>

https://www.intellectbooks.com/fashion-style-popular-culture#call-for-papers

Guest Editor

Sabah Firoz Uddin, Bowie State University

suddin@bowiestate.edu

This edited volume is an offshoot of a panel that I proposed and chaired earlier this year (https://call-for-papers.sas.upenn.edu/cfp/2025/12/08/infrastructural-flesh-the-plural-body-in-the-global-city). Due to the stellar response to that CFP, and from the conversations we had around the theme, it was decided that we will plan an edited volume around the theme.

Volume Rationale

We are inviting select chapters at this stage as majority of the entries for the volume have been finalised. Apart from the topics mentioned below, prospective contributors are free to propose other topics, but if we have already finalised paper/s on said area, we may have to decline such proposals. For details regarding the concept and theme of the volume, please visit the-handbook-of-bengali-cinema, the original CFP for the volume. Priority will be given to quality proposals in the below areas:

Thematic:

Nandan and the Politics of State Support for Culture

Bengal-isms in Cinema in Bengali

Genres/Movements:

SEXTANT: Masculinities, Sexualities & Decolonialities

ISSN 2990-8124

doi.org/10.65621/ITRF5506

Observatory of Masculinities

University College Dublin

sextant@ucd.ie 

Call for Contributions

Special Issue: Inclusion in Education: Practices, Politics, and Possibilities

The Editorial Team of Words & Silences | Palabras & Silencios is pleased to invite submissions for articles and reviews in our upcoming 2026 edition. 

Published by the International Oral History Association (IOHA), the journal is a peer-reviewed, open-access digital publication, freely available online, that welcomes contributions from all individuals engaged in oral history, whether in academia, community-based projects, creative practices, or activist contexts.

For this edition, we are accepting submissions in three sections:

1. Special Topic: (Re)Thinking Oral History