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journals and collections of essays

Essays on T. S. Eliot Complete Prose

updated: 
Thursday, January 17, 2019 - 2:03pm
Jayme Stayer, John Carroll University
deadline for submissions: 
Monday, April 1, 2019

For a proposed volume celebrating The Complete Prose of T. S. Eliot, co-editors Jayme Stayer and Anthony Cuda are soliciting abstracts for original essays on aspects of Eliot’s work that pertain to his non-fiction prose. The volume will be dedicated to the General Editor of The Prose, Ronald Schuchard, to honor his influence in the fields of Eliot studies and modernism. Essays may fall into the following categories, but are not limited to what is described here:

Poetry and Visual Arts Journal--Submit to The Tau!

updated: 
Thursday, January 17, 2019 - 1:58pm
The Tau/Lourdes
deadline for submissions: 
Thursday, February 28, 2019

SUBMISSION GUIDELINES AND FORM

2017-2018 Tau Deadline: February 28, 2019
Submission dates: September 1–February 28

Submissions to the Tau can include poetry (up to 5 poems per author), short stories, and creative non-fiction (up to 3,000 words per entry). All submissions will be considered through a blind review process.

Please use the form found on the following website for submissions:

http://www.lourdes.edu/academics/college-of-arts-and-sciences/publications/the-tau/

Written entries:

Call for papers: BROLLY. Journal of Social Sciences (London, UK)

updated: 
Wednesday, January 16, 2019 - 10:57am
London Academic Publishing
deadline for submissions: 
Monday, March 25, 2019

Call for papers: BROLLY. Journal of Social Sciences (London, UK)

Vol. 2, No. 1, April 2019

London Academic Publishing

 

Submission Deadline: March 25, 2019

 

ISSN 2516-869X (Print)

ISSN 2516-8703 (Online)

 

No publication fee will be charged.

Open Access

 

Contact:

brolly@journals.lapub.co.uk

 

Web:

www.journals.lapub.co.uk/index.php/Brolly

www.lapub.co.uk

 

REMINDER: CFP: Special Issue of The International Journal of the History of Sport on Fantasy Sport

updated: 
Wednesday, January 16, 2019 - 10:37am
The International Journal of the History of Sport
deadline for submissions: 
Friday, February 15, 2019

Since its creation in the mid-20th century, fantasy sport has become a significant part of international sport and its history. Once an obscure subculture of statistics-obsessed sports fans, fantasy sport now constitutes a cultural phenomenon with 59.3 million North American participants in 2017 and with tens of millions more throughout the world. According to the Fantasy Sports Trade Association, North American participants alone spend an average of $556 a year on fantasy sport and related materials, amounting to almost $33 billion in annual revenue. With this level of fan interest and earning capacity, fantasy sport is now a major force within the global sport industry.

Neo-Victorian Madness

updated: 
Wednesday, January 16, 2019 - 10:37am
Sarah E. Maier UNB
deadline for submissions: 
Thursday, January 31, 2019

CFP: Neo-Victorian Madness

REVISED DATE FOR SUBMISSIONS: 31 January 2019

deadline for submissions:
31 January 2019
full name / name of organization:
Sarah E. Maier University of New Brunswick, Canada
contact email:
smaier@unb.ca
Call for Papers:

 

Neo-Victorian Madness

 

 

Call for Articles: Memory Studies and Latinidad

updated: 
Wednesday, January 16, 2019 - 1:01pm
Journal of Latino-Latin American Studies (JOLLAS)
deadline for submissions: 
Friday, February 15, 2019

How does latinidad rely on personal memory? ¿Cómo es el concepto de « latinidad » a la vez un producto de memoria cultural? ¿Qué pasa cuando olvidamos? Do we learn latinidad from lessons that value the truths of memory? Across specialties of the disciplines and in a variety methods, recent scholarship is addressing the distance between the historical and the remembered. The authority of history measured against the validity of memory (both individual and collective) reveals that how we remember has become as important as what we remember.

Alterglobal Politics: Postcolonial Theory in the Era of the Anthropocene and the Nonhuman

updated: 
Wednesday, January 16, 2019 - 10:42am
Amit Baishya
deadline for submissions: 
Monday, July 1, 2019

Although they are often spoken of in the same breath, theories of the Anthropocene and the nonhuman turn vary in their emphases. The Anthropocene introduces a new ‘universal’ subject – the human species as a global geophysical agent. Theories of the nonhuman, however, seek to displace anthropocentric foci – the ‘human’ is viewed as a part of a complex assemblage co-constituted by many others. Postcolonial theory has, in general, been sceptical of both trajectories. On the one hand, postcolonial theory and theorists remain generally suspicious of the putative universal subject (the ‘human species’) that purportedly impacts this era of anthropogenic climate-change catastrophically.

Critical Approaches to Youth Horror

updated: 
Wednesday, January 16, 2019 - 9:21am
Kyle Brett and Ethan Robles/Lehigh University
deadline for submissions: 
Monday, June 17, 2019

Most of us remember what scared us as children: the bumps in the night, the dark alleys, and the monsters, ghouls, and ghosts brimmed with the potential to terrify. The thrill of dodging the terror that waited in the shadows fuels many horror fanatics to return to the theatres, bookstands, and now podcasts to relive youthful feelings of dread. It should be no surprise, then, that youth horror media is pervasive. From Goosebumps and the upcoming release of Scary Stories to Tell in the Dark to Nickelodeon’s Are You Afraid of the Dark? and the CBBC’s Creeped Out, there is an abundance of media that introduces children to the horror genre.

Wreck Park Journal Seeks Submissions

updated: 
Wednesday, January 16, 2019 - 10:36am
Wreck Park
deadline for submissions: 
Tuesday, February 5, 2019

Wreck Park

A Journal of Interesting Literatures and Interested Criticism 

A literary journal run out of Binghamton, New York, Wreck Park publishes original work in cultural studies, poetry, and the visual arts. The journal is committed both to critical-theoretical and historically engaged analysis, and it seeks work that contemplates in creative ways contemporary debates in and around the humanities. Contributions that tie together past and present, that resonate with our current social and political maelstrom, are especially encouraged. 

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