Call for Proposals: Special Issue on Pauline E. Hopkins for New England Quarterly
Call for Proposals: Special Issue on Pauline E. Hopkins for New England Quarterly
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Call for Proposals: Special Issue on Pauline E. Hopkins for New England Quarterly
The Victorians Institute Journal (VIJ) is now accepting submissions for Volume 54. The VIJ is an award-winning scholarly journal of Victorian and Edwardian literary and cultural studies. We publish a variety of pieces, including articles, reviews, and rare texts. For further details, visit https://vijournal.org/.
Article submissions should be between 7K-9K words, and are welcome to address any aspect of Victorian and Edwardian literature, art, and culture. If you would like to submit a review for consideration, contact us directly through our email: victoriansinstitutejournal@gmail.com.
The special issue of our open access, Q2 journal explores how contemporary literary, artistic and cultural practices engage with, interrogate, and imagine decolonial ecologies. While decolonial ecology is best understood as a constellation of different ideas, schools, and disciplines, Malcom Ferdinand’s insistence on the politicization of ecology offers a useful point of departure. In his book, Decolonial Ecology: Thinking from the Caribbean World (2019; English trans. 2022), Ferdinand identifies a “double fracture” in modernity:the colonial fracture, which produces hierarchies among people, and the environmental fracture, which separates humans from nature, treating the latter as an object of exploitation.
Co(n)texts: Journal of Language, Literature and CultureVolume 1, Issue 1: Reimagining the Humanities: New Directions in Language, Literature and Culture
Submission Deadline: 31 October 2026
The inaugural issue of Co(n)texts: Journal of Language, Literature and Culture, a peer-reviewed, open-access journal of the Department of English, Central University of Punjab, Bathinda, seeks to explore emerging directions in humanities scholarship. We invite original and unpublished research that rethinks established paradigms, engages with contemporary theoretical debates, and offers innovative perspectives on language, literature, culture, and their intersections.
Journal of Medieval Worlds Call for Submissions
Call for papers
Stories of Collective Authorship in Architecture
Read Full Website:
https://www.sciencedirect.com/special-issue/335748/stories-of-collective...
Apologies for crossposting!
Call for New JCMS Editor(s)
Editor(s), JCMS: Journal of Cinema and Media Studies
The Society for Cinema and Media Studies (SCMS) seeks a new Editor or Co-Editors and a new institutional home for its scholarly publication, commensurate with the 5-year term of the Editor(s), for its scholarly publication, JCMS: Journal of Cinema and Media Studies.
Review the full Call for Editor(s) and apply by Friday, September 18, 2026: https://www.cmstudies.org/general/custom.asp?page=JCMSCallNewEditor
Call for Chapters
Body-Worn Cameras and the Visual Politics of Violence: Embodied Witnessing
Edited by Lewis Rarm (Victoria University of Wellington) and Federico Selvini (IULM University)
The special issue of our open access, Q2 journal explores how contemporary literary, artistic and cultural practices engage with, interrogate, and imagine decolonial ecologies. While decolonial ecology is best understood as a constellation of different ideas, schools, and disciplines, Malcom Ferdinand’s insistence on the politicization of ecology offers a useful point of departure. In his book, Decolonial Ecology: Thinking from the Caribbean World (2019; English trans. 2022), Ferdinand identifies a “double fracture” in modernity:the colonial fracture, which produces hierarchies among people, and the environmental fracture, which separates humans from nature, treating the latter as an object of exploitation.
We are all part of the body politic, and a wound to one is a wound to us all. In this spirit, we invite essays that excavate the less visible impact of ICE’s local mobilizations on Midwestern communities, the imprint on our bodies and spaces—not just on our streets, but in the quiet of our kitchens. Like the diversity of Midwestern landscapes, these essays will illuminate the varied physical, intellectual, spiritual, and artistic responses that arise from the violence of the state against its own people. Essays should be between 750 to 3000 words in length. Along with essays, we will consider poetry, photography, and graphic non-fiction.
The special issue of our open access, Q2 journal explores how contemporary literary, artistic and cultural practices engage with, interrogate, and imagine decolonial ecologies. While decolonial ecology is best understood as a constellation of different ideas, schools, and disciplines, Malcom Ferdinand’s insistence on the politicization of ecology offers a useful point of departure. In his book, Decolonial Ecology: Thinking from the Caribbean World (2019; English trans. 2022), Ferdinand identifies a “double fracture” in modernity:the colonial fracture, which produces hierarchies among people, and the environmental fracture, which separates humans from nature, treating the latter as an object of exploitation.
CR: The New Centennial Review Special Issue CFP
“Spirituality, Technology, and Artificial Intelligence”
CR: The New Centennial Review Special Issue CFP
“Spirituality, Technology, and Artificial Intelligence”
The Aesthetics of Mythmaking: Narrative, Culture, and Power
Editors-in-chief: Alyse Kaweng Fan and Thales Reis Alecrim
Deadline for abstracts: October 31, 2026
This special issue explores how contemporary literary, artistic and cultural practices engage with, interrogate, and imagine decolonial ecologies. While decolonial ecology is best understood as a constellation of different ideas, schools, and disciplines, Malcom Ferdinand’s insistence on the politicization of ecology offers a useful point of departure. In his book, Decolonial Ecology: Thinking from the Caribbean World (2019; English trans. 2022), Ferdinand identifies a “double fracture” in modernity:the colonial fracture, which produces hierarchies among people, and the environmental fracture, which separates humans from nature, treating the latter as an object of exploitation.
CALL FOR SUBMISSIONS: THE CITY IN THREE LINES An Urban Haiku Anthology
Fresh Words – An International Literary Magazine
Website:https://sites.google.com/view/freshwordsmagazine/announcements
Key Dates
Submission Deadline: September 30, 2026
Call for Papers: Journal of Wyndham Lewis Studies 13 (2026/2027 Issue)
The Journal of Wyndham Lewis Studies (JWLS) invites submissions of original articles and book reviews for its upcoming issue. As the pre-eminent peer-reviewed journal dedicated to the life, writings, and art of Wyndham Lewis (1882–1957), JWLS seeks contributions that make decisive, innovative interventions in Lewis scholarship and broader modernist studies.
Submission Guidelines
European Journal of American Culture *Open Call for Reviews*
The European Journal of American Culture (EJAC) is an academic, peer-reviewed journal for scholars, academics and students from many disciplines with a common involvement in the interdisciplinary study of America and American culture, drawing on a variety of approaches and encompassing the whole evolution of the country.
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Call for Papers | Chronologies
The Velvet Light Trap, Volume 100 (to be published fall 2027)
Submission deadline: September 20, 2026
This is a final call for papers for the Journal of Beat Studies' 14th volume, welcoming new and renewed contributions on any Beat Generation or Beat Generation-adjacent relevant subject (including the New York School, Black Mountain College, San Francisco Renaissance, Umbra Writers Workshop, etc.). The journal is interested in essays that reconsider familiar figures, recover overlooked ones, and explore the connections as well as any frictions between these overlapping scenes and their legacies.
West Coast Review (SDSU Press) is seeking art, flash fiction, short stories, and any creative prose that falls in-between. This includes creative non-fiction, memoires, craft essays and experimental prose pieces. We accept all genres--we just want pieces that are bold and embrace the diversity found on the west coast!
Guidelines:
We are currently accepting flash fiction, short stories, and any creative prose that falls in-between (this includes creative non-fiction, craft essays, and experimental work). Our maximum word count is 5000 words. For flash fiction, we accept up to three stories in a single submission.
We are seeking chapter proposals for a new edited collection entitled Modern Meta Myths, examining intersections of mythic adaptation/reception with critical self-awareness. The collection aims to bring together a diverse array of chapters, working through different methodologies, generic focuses, and analyzing adaptations/receptions of various world mythological traditions. We define “myth” broadly, to include legends, fairy tales, religious stories, even folk tales, in addition to more traditional bodies of mythology. In particular, we’re excited to read proposals about world mythic engagement beyond the Euro-American tradition.
The National Center for the Study of Collective Bargaining in Higher Education and the Professions' Journal of Collective Bargaining in the Academy, is an open-access, peer-reviewed, online periodical advancing research and scholarly thought related to collective bargaining and other issues in higher education, and making relevant and pragmatic peer-reviewed research readily accessible.
While the purpose-built playhouses of early modern London – such as the Globe, Rose, and Blackfriars – dominate histories of early modern performance, theatrical activity frequently spilled out into non-dedicated, non-purpose-built sites. Command performances often took place at the royal court or on country estates, while the evidence for London playing companies on tour compiled by projects such as Records of Early English Drama (REED) has unveiled a rich regional theatre history in guildhalls, chapels, inn yards, open streets, and even the deck of an East India Company ship. Performance in early modern England was profoundly adaptable.
~Call for FULL Chapter:
Update: The manuscript is nearly finished however a planned chapter has fallen through. Replacement chapter needed immediately. Please review the details below and contact me: maureen.fadem@gmail.com
This is a call for chapters for The Routledge Research Companion to Toni Morrison, a new companion volume intended for a scholarly audience, as support for newer Morrison scholars approaching their research, as well as graduate students working on Morrison.
Gender and Fragmentation in the Fin de Siècle
Nineteenth Century Gender Studies Special Issue – Summer 2027
Guest Edited by Emily Waller Singeisen and Ryan Carroll
Kids and Blue Humanities: Critical Frameworks for a Blue Children’s Culture [working title]
Edited by Sidney I. Dobrin and Kenneth B. Kidd, U of Florida.
Deadline for proposals: November 1, 2026, to both editors:
CALL FOR CHAPTER PROPOSALS
Article Collection: Writing in A Cage: Creativity Under Structural, Political, Religious Constraints
Journal: Cogent Arts & Humanities
Publisher: Taylor & Francis
Article Collection Guest Advisor: Dr. Natalia Morzhenkova, Huaqiao University (China)
Manuscript Submission Deadline: April 9, 2027
CALL FOR PAPERS: The Post-apocalypse in Cinema and Television (edited book)
Edited by Christina Lee (Curtin University)
I am soliciting contributions for a scholarly, edited book that will explore representations of the post-apocalypse on-screen, specifically in cinema and television. While the “apocalypse” denotes a cataclysmic finale, what is left in its wake is an equally provocative thought experiment. To borrow from the seminal work of James Berger: what comes “after the end”?
We are currently inviting abstracts for an upcoming Special Issue on “Reparation in Sinophone Literatures”. We are delighted that this issue will be guest-edited by Dr Tammy Lai-Ming Ho, Editor-in-Chief of Cha: An Asian Literary Journal, Honorary Researcher at the Richard Charles Lee Canada-Hong Kong Library at the University of Toronto, and former Senior Fellow at the Käte Hamburger Centre for Cultural Practices of Reparation (CURE), Saarland University.
The deadline for abstracts for this Special Issue is 15 October 2026, while full papers are expected by 28 February 2027.
Call for Papers