The reputations of Hartford, Connecticut, residents Harriet Beecher Stowe and Mark Twain overshadow the city's antebellum authors. NeMLA 2016 seems ideally situated for a session to raise the academic appreciation and profile of earlier writers who contributed to Hartford's historical literary legacy, which includes Lydia Sigourney, Ann Plato, abolitionist ministers like Lyman Beecher and Amos G. Beman, and Hartford-born pamphlet writer Maria Stewart. Hartford was also a publishing center with a young Samuel G. Goodrich and later, Lewis Skinner, who printed Rev. James C. Pennington's book about African and African American history; lexicographer-journalist Noah Webster was of West Hartford, and The Charter Oak, was Hartford's anti-slavery newspaper.
The Evidence of Realism
[For the annual meeting of the American Comparative Literature Association at Harvard University, March 17-20 2016]
How do texts--and especially realist texts--and their plots use or complicate the idea of evidence? What sort of evidence do such texts seem to assume readers require in order to encounter the "effect of the real"? And how do contemporaneous ideas of evidence from philosophy, legal theory, or science provide context for the consideration of evidence in literary works?
This panel seeks to explore how and why did gender, especially within the context of sexual violence, courtship and marriage, citizenship and travel, function as transnational exchange and a prism for engaging reflection on national identity and difference in travel accounts, histories and fiction? Did such reflections assume some continuity across cultures about what was meant by "woman," "man,"? How might have "love" and "family," serve as modes of exchange across cultures? Were alternative accounts of these terms, particularly in narratives describing conflicts in cultural expectations, offer opportunities for reimagining gender roles?
With dynamic individual superhero/superhuman characters populating a world of complex, interwoven mythologies and origin stories, the films and television series of Marvel Comics Studios present an experiment with long-form transmedia storytelling that is at once both commercially successful and critically acclaimed. Given the ongoing debate in film criticism and media studies surrounding the degree to which analyzing films as literature is useful (or not), that such a commercially popular phenomenon also emphasizes artistic elements (e.g.
Deadline for abstract submissions: September 30th 2015
In worlds full of superhuman heroes, mythological imaginary creatures and battle narratives of epic scope, what is the role of the domestic? In the recently released film _Avengers: Age of Ultron_, the titular superheroes hide away not in a high-tech secured stronghold but in a farmhouse belonging to the archer Hawkeye, his wife, and their young children. Barton's presence as the film's only parent with a seemingly stable domestic lifestyle provides a temporary shelter for our heroes, illustrating how the domestic can function as a stable ground for the superhero narrative to withstand its otherwise fantastic, explosive elements.
This seminar will explore how national identities have been forged through the manipulation and deployment of animals and animality. How have animals, and ideas associated with such animals, been used to construct imagined communities? How have these constructions helped to strengthen or weaken national borders? How have assertions of imagined community, as expressed via relations with animals, overlapped with racial/ethnic identities?
Foundational texts, events, and people influence our cultural and national personas. In the United States, for example, people may look to the Constitution and patriotic songs or even the bible as foundational texts--texts that define (and limit?) national identity. We often see events such as the Salem Witch Trials, the Civil War, and the Civil Rights Movement as critical moments of national formation, while people such as George Washington, Abraham Lincoln, and Martin Luther King, Jr. represent quintessential "Americans.". These foundational texts, events, and people work their way into literature and pop culture in myriad ways as authors, writers, poets, filmmakers and playwrights incorporate, reify, or challenge them through their works.
The quint's twenty eigth issue is issuing a call for theoretically informed and historically grounded submissions of scholarly interest—as well as creative writing, original art, interviews, and reviews of books. The deadline for this call is 31st August 2015—but please note that we accept manu/digi-scripts at any time.
All contributions accompanied by a short biography will be forwarded to a member of the editorial board. Manuscripts must not be previously published or submitted for publication elsewhere while being reviewed by the quint's editors or outside readers.
Hard copies of manuscripts should be sent to Dr. Sue Matheson at the quint, University College of the North, P.O. Box 3000, The Pas, Manitoba, Canada, R9A 1M7.
Scholars working at the intersection of literary aesthetics and emotional experience are encouraged to submit to this Cultural Studies Caucus panel for ASECS 2016 in Pittsburgh, March 31 - April 3.
Geoffrey of Monmouth's 'Historia regum Britanniae' was one of the most popular versions of insular 'British' history in the medieval and early modern Britain. Over 200 extant manuscripts of the 'Historia' survive today (Crick, 1989), and there were also a number of re-writings of Geoffrey's text in a variety of languages, including Latin, Anglo-Norman, Middle Welsh, Middle English, and Old Scots.
THE "POETESS" IRL: The World, Work, and Performances of Nineteenth-Century Women Poets
What was the nineteenth-century woman poet like in real life? This panel seeks to unsettle current definitions by attending to her performing/reforming body and the work she did in the material world.
Literary studies finds itself today at a double crossroads: as trans-formative digital humanities practice becomes increasingly accepted and visible in our research and curricula, so, even in more traditional methods of inquiry, has the unit of the "trans-" gained traction. Transnational, transatlantic, trans-periodic, transgender, and translational issues, to name but a few, increasingly structure and energize our readings and re-readings of literary texts. With this panel, we seek to move beyond a ruptural understanding of DH, with its underlying anxiety about disciplinary change, and to explore instead the potential continuities between humanities computing and existing methods.
Working forward from Mary Carruthers' foundational work on the construction of memory structures, this panel seeks to understand medieval priorities of what to remember and what to forget. Its central goal is to explore the ways in which people created, consumed, and destroyed memories in order to communicate information and ideas. It responds to recent work on the manipulation of memories of the past, which was often involved in defining nationhood and group identity.
From sympathetic contagion to animal magnetism, nervous physiology to cell theory and germ theory, nineteenth-century medical theory and practice imagined human embodiment in open relation to the environmental, economic, religious, and political forces that shape historical experience. Often represented in both cultural and physiological terms, disease functioned as both sign and symptom of the irrevocable togetherness of mind and body, something to be combatted morally and technologically by prudence and enlightened reason.