As proven by the popularity of this year's San Diego Comic Con, fan spaces are increasingly important culturally and financially. Media creators and producers have come to acknowledge the significance of their fans and the need to communicate with them, particularly through social media. Fans, however, also insist upon their own self-contained spaces where they can share their opinions and observations, as well as their transformative works, metatexual analyses, and cosplay. These spaces exist both physically (as, for example, fan run or commercial conventions, fan meet ups, and pilgrimage sites) and virtually through social media platforms such as Tumblr, twitter, and Archive of our Own.
Medieval European literature played a defining role in the development of modern fantasy fiction, and genre fantasy has already received a great deal of critical attention in the academic study of medievalism. By comparison, the complex relationship of genre science fiction to the Middle Ages has been sorely understudied, and this session will include papers that consider either or both of the topics in its title, that is, on the one hand, the appearance or influence of "the medieval," broadly conceived, in modern science fiction.
The editorial team at Studies in the Novel is seeking content for its online archive of indexed teaching tools on the journal's affiliate website. I am seeking pedagogical content that addresses teaching novels using digital humanities tools/perspective. Please consider submitting sample course syllabi, specific assignments, short narrative descriptions of your own experiences, or other appropriate content. The next deadline for submission is July 25.
The dispositif of the moving and projected image, defying its ossification under the weight of seventies-era apparatus theory, has returned to prominence. Screen architectures and moving-image installations have characterized a large-scale reconfiguration and reimagination of the dispositifs of cinema in the decades leading from the late twentieth into the early twenty-first century. The architecture of the moving and projected image has been at the center of this renewed focus on the dispositif.
Wharton in Washington:
A Conference Sponsored by
the Edith Wharton Society
June 2-4, 2016
Extended Deadline: Proposals due September 1, 2015
To what degree can we position historically the ongoing resurgence of barebacking or "breeding" in the gay porn industry? This panel seeks papers that historiographically and unabashedly interrogate the act of barebacking or "breeding" between queer men. Potential areas of excavation include: the visual depiction of barebacking in pre-1981 gay porn; alternatively, barebacking at the height of the AIDS crisis; current literary or filmic representations of barebacking; the relationship between barebacking and viral transmission in an industry-related context; the fetishization of barebacking in terms of "breeding"; the circulation of "breeding" videos over social media spaces; and so forth.
CALL FOR PAPERS FOR A PROPOSED SSAWW EDITED COLLECTION
CALL FOR SENIOR SCHOLAR TO WRITE PREFACE
The Society for the Study of American Women Writers (SSAWW) is seeking abstracts (250 words) for essays (7500-8500 words, excluding notes) on American women writers and liminality for a proposed edited collection. We also seek a senior scholar in the field of American women writers to write the preface to the collection and, if interested, join the team as a co-editor.
Keynote: The Weird & the Southern Imaginary will introduce the aesthetics and generic conventions of the Weird to cultural studies of the U.S. South and the region's local, hemispheric, and (inter)national connections. Contributions from literary critics, film and popular culture scholars, philosophers, and critical theorists will consider forms of the Weird in a range of texts (literature, art, film & television, comics, music) from, about, or resonant with conceptions of different South(s).
We are looking for original contributions for an anthology on the history of girl labor to be published by an American university press. We are seeking specifically for chapters that examine girl sex work and new media labor in non-western contexts.
Preferred topics include:
Girls and internet labor: blogging, gaming, lifestyle videos, micro-celebrities in non-western contexts
Girls and self-marketing in the web: seeking sponsorships, broadcasting one's image for profit
DIY cultures: Hello Kitty, "cute cultures," fashion, girls as producers of new consumer products
Gift cultures/ alternative markets/ hunter and gathering communities
The Canadian Society of Medievalists invites abstracts for 20-minute papers for its session, "Lacunae: Noticing What Is Not There", to be held at the International Congress on Medieval Studies in Kalamazoo, MI in May 2016. In doing so, we hope to delve into the productive possibilities for medievalists of paying attention to what is missing. Textual scholars may be particularly familiar with the physical problem of absent sections of text, missing leaves or illegible scripts obscured by damage or decay to the manuscript but these kinds of lacunae are not the only ones that scholars encounter.
"Don DeLillo: 'Fiction Rescues History'" Conference
Paris - February 18-20, 2016
Guest of Honor: Don DeLillo (with the support of Actes Sud Editions)
Peter Boxall, University of Sussex
Michael Naas, DePaul University
LARCA – Laboratoire de recherches sur les cultures anglophones (UMR 8225, Université Paris Diderot)
VALE – Voix anglophones, littérature et esthétique (EA 4085, Université Sorbonne Paris 4)
ERIAC – Équipe de recherche interdisciplinaire sur les aires culturelles (EA 4705, Université de Rouen)
As two of the three famous "hermeneutics of suspicion", Marxism and psychoanalysis both have an important but conflicted relationship with the work of education. As Lenin writes in 1918, "Marxism educates the vanguard of the proletariat which is capable of assuming power … of being the teacher, the guide, the leader of all the laboring and exploited people" (The State of the Revolution). Less than twenty years later, Freud will pessimistically reflect on the state of the psychoanalytic "cure", saying that "it almost appears that the analyst's work might be the third of those 'impossible' professions in which, even before you begin, you can be sure you will fall short of complete success.
I. Guest Editors
Yen-bin Chiou, (Department of English, National Chengchi University, Taiwan)
Hung-chiung Li, (Department of Foreign Languages and Literatures, National Taiwan University, Taiwan)
Tim Burton is certainly one of the most popular directors of contemporary Hollywood. His oeuvre includes blockbuster films such as Batman (1989), Planet of the Apes (2001) and Alice in Wonderland (2010) as well as less profitable– but still highly recognizable - films such as Ed Wood (1994). His work with stop motion, evident in Tim Burton's The Nightmare Before Christmas (1993), Tim Burton's Corpse Bride (2005) and the recent Frankenweenie (2013) has further popularized and updated a technique that has been fundamental in cinema since the silent era.
It is our contention that a magazine like this has needed to exist for a while. There needs to be a home for the complicated patriot, the unlikely patriot.The sociologist Robert Bellah believed that the United States had a civil religion that was to be contrasted with that of other nations. If that's true – and we think it is – then this is a magazine for the agnostics. What can one say? America seems like a pretty good idea – we should try it some time.
To get what we're up to check out our website at mericamagazine.org (that's "Merica," not "America," lest you accidentally go to the other - though excellent - magazine of that name). Check out especially the "About" section and the "Submission" section for a fuller idea of our concept.