This conference at the University of Huddersfield is co-hosted with the Universities of Reading and Liverpool Hope. It will take place on 16th and 17th September 2015 and aims to explore the social, economic and spatial factors underpinning the changing way ordinary men demonstrated their commitment to God and the church(es) in a period of significant turmoil. Papers that address English male devotional experience from historical, literary, gender studies and material culture perspectives are welcomed. Suggested themes include:
The Apollonian: A Journal of Interdisciplinary Studies (ISSN 2393-9001)
Call for Papers
Volume 2, Issue 2 | June-July 2015
FOCUS: Reading Queer in Literature, Film and Culture
Submissions are invited for the forthcoming issue of The Apollonian (Vol. 2, Issue 2) on the representations of the 'queer' in the various genres and sub-genres of literature, art, cinema, culture, critical theory, philosophy and history. The papers are expected to be scholarly in nature, and yet accessible to a fairly general readership.
Topics may include, but are not limited to:
This panel seeks papers that treat any aspect of social difference as presented in the literatures of the Middle Ages. Papers might construe this social difference as confessional, geographic, economic, political, ethnic, or bodily. How do these categories of difference shape social formation? How do they delimit the boundaries of moral relevance and/or social inclusion? What counts as a neighbor? What counts as a monster? What obligations or affinities do these designations entail? How does one know how to treat a stranger? Paper proposals that deal with the troubling of categories of social difference are especially welcome.
Call for Papers:
2015 Midwest Popular Culture Association Conference
Thursday-Sunday, 1-4 October 2015
Hilton Cincinnati Netherland Plaza
Address: 35 West Fifth Street, Cincinnati, OH 45202
Phone: (513) 421-9100
Deadline: May 15, 2015
I am seeking papers of up to 8,000 words for a special issue of the theology journal Perichoresis, http://www.degruyter.com/view/j/perc, from researchers in the study of religions, philosophers, theologians or others with expertise in the field.
Broadly conceived within 'historical theology', contributions may involve philosophic perspectives or cultural issues, analysis/discussion of problems concerning language, tradition, experience, gender, practice etc, or specific exploration of/engagement with a particular text, method, approach, figure or theme.
Please contact me with an idea for a proposal or more information as required.
Aporetic Press is inviting the submission of proposals for edited collections and scholarly monographs in the fields of literary criticism, philosophy, media and cultural studies, as well as fiction and poetry related to the Gothic, horror, weird, speculative, cyberpunk and science fiction. In the case of literary works a sample chapter or an indicative selection is preferred in lieu of a proposal. Full manuscripts should not be sent unsolicited.
CALL FOR PAPERS
Unity and Division in the History of Art
41st Annual Cleveland Symposium
Friday, October 23, 2015
The Cleveland Museum of Art, Cleveland, Ohio
In what ways can the visual arts unite or divide humanity? How can their subjects and functions stir us to collaboration or lead to disagreement, apathy, or even war? How do objects themselves change when their relationships to one another, or to the viewer, are altered or rearranged?
Evolutionary Love: Relations and Identities in a Virtual World
Belonging and possession have long been treated as foundational to the missions and activities of museums and archives in how they connote, establish, explain, and demonstrate the ways collections belong to them; determine and express who possesses custody, ownership and control of artifacts; and, by extension, consider the knowledge surrounding objects, makers, places of origin and residence that they supply. Typically, museums and archives express their interests in possessing collections through practices of acquisition, loan, attribution, provenance, exhibition, scholarship, conservation, and rights and reproductions.