The Mythgard Institute at Signum University is pleased to announce the third annual Mythgard Midatlantic Speculative Fiction Symposium (known affectionately as MidMoot III) on September 24-25, 2016 at the University of Maryland at College Park. Additional details about the symposium will be announced in the summer, including special guests. We are accepting proposals now for short presentations intended to foster discussion. Presentation topics are welcome in the following areas:
RISKING THE FUTURE: VULNERABILITY, RESISTANCE, HOPE
An International Conference on the Risk Humanities
Durham University, UK
12-13 July 2016
(Professor of African and African American Studies, Duke University)
(Australian Research Professor, University of Queensland)
(William H. Wannamaker Professor of Romance Studies, Duke University)
Call for Papers:
The Penn Program in Environmental Humanities
University of Pennsylvania
October 20-22, 2016
The Penn Program in Environmental Humanities is pleased to announce Timescales, an interdisciplinary environmental humanities conference to be held on October 20-22, 2016 at the University of Pennsylvania. Timescales explores the question of temporality in ecological crisis.
Keynote speakers: Professor Julie Sanders, Newcastle University, and Dr Adam Smyth,University of Oxford.
Abstract Deadline: 15th April 2016
All texts and artworks will have at one stage been a work in progress, despite the tendency to value them as cultural artefacts once they are deemed finished and made available for consumption. Redrafting and editing are processes which strive towards a "final" product, meaning their publication often results in the loss or occlusion of multiple ancillary versions. Such materials are important to our understanding of how texts and works are shaped and reshaped, and by whom.
This permanent MMLA panel invites abstracts that engage with collectives, communities, and print culture, widely conceived. In line with the conference theme, "border states," how does print culture give us a sense of community boundaries? How are collective identities formed, altered, or dismantled? What role does print culture play in shaping collectives or communities? How can we (re)conceive solidarity or community through the literary? This panel can engage with but is not limited to the following topics: literary criticism, critical theory (including theories of affect), aesthetics, propaganda, literary texts, and print culture more broadly.
Layman Poupard Publishing seeks peer reviewers for forthcoming entries in volumes of the Literature Criticism Series published by Gale Cengage. Reviewers will be asked to vet an 1800-word background essay and a primary works checklist. They will also be asked to recommend published critical essays to be reprinted in the entry. Reviewers will be credited in print and paid an honorarium. Academic affiliation is required.
To apply, please send a short vita with cover letter describing your research interests to firstname.lastname@example.org.
Current needs are:
CONTEMPORARY LITERATURE CRITICISM
Saul A. Kripke
Deadline for abstract submissions extended until April 30, 2016.
Early Modern Women Writers (approx. 1550-1700)
at Othello's Island CVAR, Nicosia, Cyprus
5 to 9 April 2017
Early Modern Women Writers is a semi-autonomous conference strand within the annual interdisciplinary conference on medieval, renaissance and early modern studies, held annually since 2013, in Cyprus, called Othello's Island.
As a whole, Othello's Island attracts approximately 100 delegates, whose topics include archaeology, art history, history, and literary studies, to name but a few. Since its inception a significant section of the conference has covered early modern women writers, such as Mary Wroth, Aphra Behn and Margaret Cavendish.
Call for Papers
Department of French and Italian
Transparency and Opacity in French Language Literature
Deadline for Submissions: August 1, 2016
The upcoming issue of Parlour will concentrate on women as producers and consumers of texts with an emphasis on counter-intuitive feminist interpretations. We invite submissions that explore a wide range of approaches to the issue's theme and its attendant connotations of defiance, opposition, direct action, and rebellion.