What was medieval style?
The Outlaw Corpus and the Fight for Justice: Medieval Outlaw Narratives in Modern Form
This cfp is for a round table for The Twelfth Biennial Conference of the International Association for Robin Hood Studies, to be held at the University of Montevallo (Montevallo, AL) from 14-17 May 2019. The theme of the conference is “Outlaw Bodies.”
PCDP 2019: Fairies and the Fantastic
February 22-23, 2019
The most fundamental question from which this journal’s number arise is the following: is it possible to compare the specific attitude of a line of medieval mysticism thought with some aspects of contemporary thought? Which are important in particular?
A first element concerns the typical model of monastic reflection of the 12th century, in which the mystical perspective, with a strongly metaphorical language, drafts a cognitive itinerary in which the subject assimilates itself to the known object (dynamics that is illustrated with the analogy of the relationship between the lover and the loved).
This session at the 2019 International Congress on Medieval Studies examines the many valences of wounds in late medieval Christianity, focusing on themes surrounding wounds and wounding both visible (corporeal and/or material) and invisible (rhetorical and allegorical). The image of the wounded body held a central place in late medieval Christian practice and material culture; the wounds of the crucified Christ were tangible reminders of his Passion and served as foci of veneration, while stigmatic saints and maimed martyrs were marked as holy by means of bodily trauma.
Scholars agree that English and French, whether language, literature, or culture, had a strong relationship in the Middle Ages. Despite their mutual interactions and back-and-forth distribution of power, the portrayal of the relationship has remained fairly static, frequently described as French influence on English writing but not the other way around. Rather than a unidirectional influence, however, we should perhaps consider the relationship to be one of exchange. How might English ideas have influenced French ones? How might both peoples have viewed each other on a day-to-day level?
In a letter to his friend Axel Kaun, Samuel Beckett once described the “terrible materiality of the word surface” that faces every writer as they set pen to page. Their goal, Beckett claims, is to puncture this surface, boring holes into the word so that a different materiality “lurking behind” it might seep through. When the word is filled with holes, when what is said is ineffable and indescribable, it is no longer subordinated to its representative function. Rather, the word reveals its own sense and sensuousness, its materiality entirely distinct from that of its referent. The “sounding of impossible bodies” of the voices of the dead in M.
"On the Road: Medieval Travel and Travelers" (March 22-23, 2019)
Vernacular Devotional Cultures Group
The Vernacular Devotional Cultures Group is organizing the following three special sessions at the 54th International Congress on Medieval Studies at Kalamazoo in May 2019. The VDCG sponsors sessions on medieval mystics and mysticism and showcases recent scholarship on vernacular spiritual traditions in medieval Western Europe.
Please send abstracts of no more than 300 words and a completed Participant Information Form to Dr Catherine Annette Grisé (email@example.com) by 15 September 2018. Electronic submissions are preferred.
50th NeMLA Anniversary Convention
Washinton DC, March 21-24, 2019
#balancetonporc: Confronting Sexual Assault in French and Francophone Texts