In the past two decades, universities, professional organizations, and businesses around the western world have placed a great emphasis on celebrating diversity on their grounds, welcoming members, students, faculty, and employees from different ethnic, religious, gender, sexual, and class identities. This trend toward embracing otherness has often been instituted and protected by laws and policies in different countries, and employees have been trained to effectively maintain agreeable and harmonious work atmosphere with each other.
India is one of the few countries in the world to have a film censor board. And one of its recent casualties is a lesbian film significantly titled "Unfreedom." The current government has upped the ante by extending the ban culture of censorship from the aesthetic realm to the realm of everyday consumption with the ban on beef. The ban on Jafar Panahi, the Iranian filmmaker, continues and he continues to express himself in his art form in house arrest. The recent Charlie Hebdo massacre in Paris has put the limelight back on censorship.
Slick, lubed, squirting, dry: bodies, fluids and the act of sex have long been sensually, erotically intertwined. But what would it look like to move from a poetics to a queer politics of fluids? From the fluids of the sex act to liquid metaphors employed to express trans*/gender/sexual fluidity, to a broader, critical exploration of new (sensual, fluid) materialisms, this seminar centers on a hypothesis: a closer reconsideration of fluids, both literal and figurative, may open up new approaches to queer analysis.
The Bloody Stylus, the Mangled Doormat, and the Blossoming Rose: Perspectives on Henry Suso's Work on the 650th Anniversary of his Death
We invite submissions for this roundtable, which will consist of four to six short presentations followed by an open discussion. We aim to provide a forum for a growing conversation by soliciting speakers interested in any aspect of the teaching, editing, and translation of the languages and literary cultures of the Low Countries as they inform pedagogical practice.
DEADLINE EXTENDED: August 18
The Public Intellectuals Lecture Series has just wrapped up a successful spring lineup featuring four fantastic, well attended lectures. We are now planning a second series for the fall.
The Public Intellectuals Lecture Series aims to create a bridge between scholars in the Arts and the general public. While the complex ideas these scholars help develop have important, real world applications to the way we understand and interact with each other, they are often couched in jargon and confined to the journals and lecture halls of the academic sphere. This lecture series will offer a venue and format in which scholars can present these ideas to the public in an accessible manner.
The Societas Daemonetica is accepting proposals for fifteen- to twenty-minute papers for the Hell Studies session Presenting and Representing Hell, to be held at the International Congress on Medieval Studies at Western Michigan University, May 12-15, 2016.
Whether seen in signs and portents, or read in grimoires or magic books, the occult in the premodern world is both marveled at and feared. A significant amount of the description of occult and sorcerous activity, however, also functions as political commentary, whether as direct criticism of secular current events or as a voice or conceptual space for the spiritual "other" in medieval society.
PCA/ACA 2016 National Conference
March 21st - 25th, 2016 – Seattle, Washington
The Medievalism in Popular Culture Area (now the combined areas of Arthurian and Other Medievalism) accepts papers on all topics that explore either popular culture during the Middle Ages or transcribe some aspect of the Middle Ages into the popular culture of later periods. These representations can occur in any genre, including film, television, novels, graphic novels, gaming, advertising, art, etc. For this year's conference, I would like to encourage submissions on some of the following topics:
This panel seeks participants interested in exploring the complex and multi-faceted relationship between Shakespeare and Italy. Key areas of focus will be, among other things, the impact of the Italian Renaissance on England; early modern English translations of Italian works; Shakespeare's use of Italian texts for both direct source and indirect inspiration; Italian settings and characters in Shakespeare's plays; the influence of Italian genres, such as tragicomedy, in Shakespeare's drama; early modern English attitudes towards Italy in general and certain Italians (such as Machiavelli) in particular; and later Italian adaptations of Shakespeare, particularly for the opera and for the cinema.