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CfP: Texts in times of conflict [DEADLINE FOR ABSTRACTS 5 JUNE]

updated: 
Tuesday, June 2, 2015 - 5:16pm
The Centre for Textual Studies and The Centre for Adaptations, De Montfort University

Reflecting on the seismic cultural and political shifts of his own time, Francis Bacon pinpointed 'printing, gunpowder, and the compass' as the technological drivers which had 'changed the appearance and state of the whole world'. Bacon's identification of communicative (print), violent (gunpowder) and technological (compass) forms of cultural expression and exchange as world-shaping continues to resonate, shaping the production and interpretation of texts.

[REMINDER] Power and the Mediterranean, deadline June 15

updated: 
Tuesday, June 2, 2015 - 1:01pm
Susan Abraham/Meditopos, University of Michigan

The conference "Power and the Mediterranean" will be held on 13-15 November 2015 at the University of Michigan, Ann Arbor, featuring keynote speaker Julia Clancy-Smith (University of Arizona).

Reminder-Order and Disorder Symposium-September 20th, 2015

updated: 
Tuesday, June 2, 2015 - 9:33am
ISSH of Jendouba, Université de Jendouba, Jendouba, Tunisie

Full title: Order and Disorder Symposium
Date: 6-Nov - 7-Nov 2015
Location: ISSH of Jendouba, Université de Jendouba, Jendouba, Tunisie
Contact person: Sihem Arfaoui
Meeting email: order.disorder15@yahoo.fr
Call deadline: September 20th, 2015.
Symposium language: English, French and/or Arabic.

[UPDATE] Negotiating Space for (Dis)ability in Drama, Theatre, Film and Media - 25-27 September 2015

updated: 
Tuesday, June 2, 2015 - 8:52am
Department of Studies in Drama and Pre-1800 English Literature at the University of Łódź, Poland

Due to several requests we have decided to extend the deadline for submissions until Monday, 15 June 2015.

The Department of Studies in Drama and Pre-1800 English Literature at the University of Lodz invites you to attend the 2015 biannual "Lodz Conference in Drama, Theatre, Film and Media," which will focus on the theme of (dis)ability. The event is a continuation of the series of conferences organized under the title: "Drama through the Ages."

CfP "Emotional and Affective Narratives in pre-Modern Europe/ Late-Medieval and Renaissance France"

updated: 
Tuesday, June 2, 2015 - 8:23am
Charles-Louis Morand Métivier

CfP "Emotional and Affective Narratives in pre-Modern Europe/ Late-Medieval and Renaissance France"
We are still interested in essays that investigate the constituency of such "archives of feelings" through the study of the affectivity and emotionality of both literary and non-literary texts, such as political and theological treatises, mystical texts, medical works, scientific tracts and pamphlets, hagiographies and encyclopedic compendiums. While we welcome submissions of articles dealing with such topics in different geographic areas, we are particularly interested in late-medieval and Renaissance French texts.
Articles may examine, but are not limited to questions related to:
- Discourses and practices of emotions and affect

[UPDATE] Teaching Medieval and Renaissance Literature

updated: 
Monday, June 1, 2015 - 5:47pm
This Rough Magic / www.thisroughmagic.org

This Rough Magic (www.thisroughmagic.org) is a journal dedicated to the art of teaching Medieval and Renaissance Literature.

We are seeking academic, teachable articles that focus on, but are not limited to, the following categories:

•Authorship
•Genre Issues
•Narrative Structure
•Poetry
•Drama
•Epic
•Nation/Empire/Class
•Economics
•History
•Religion
•Superstition
•Philosophy and Rhetoric
•Race/Ethnicity
•Multi-Culturalism
•Gender
•Sexuality
•Art

SAMLA Special Session: Transforming Text and Images in Ovid's Metamorphoses

updated: 
Monday, June 1, 2015 - 10:03am
South Atlantic Modern Language Association

This panel will discuss representations of vignettes from Ovid's Metamorphoses, focusing on illustrated editions, graphic literary representations, and other visuals. Ovid's epic naturally lent itself to visual representation, both affected by prior artwork and affecting subsequent art depicting Roman mythology. An ethically problematic poem, the Metamorphoses was received with anxiety, particularly for the dangerous lessons it could impart to vulnerable audiences, which resulted in adaptations that transformed image and text to guide readers' interpretations.

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