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modernist studies

ACLA-Snapshots of the Past: Memory and Photography in Literature and Film (Sheraton Grand Hotel, Chicago, 3/19-3/22, 2020)

updated: 
Wednesday, September 11, 2019 - 10:05am
The American Comparative Literature Association
deadline for submissions: 
Monday, September 23, 2019

Following the success of previous ACLA seminars, “The Story of Memory: Remembering, Forgetting, and Unreliable Narrators” and “The Story of Remembrance: The Future of Memory and Memories of the Future” in 2018 & 2019, this seminar invites paper proposals to discuss the relationship between memory and photography and its representation in literature and film.

 

Emerging Subjects: Transnational Modernism and the Urban Imaginary

updated: 
Monday, September 9, 2019 - 1:36pm
American Comparative Literature Association
deadline for submissions: 
Sunday, September 22, 2019

The American Comparative Literature Association's 2020 Annual Meeting will take place at the Sheraton Grand Hotel in Chicago, March 19th-22nd, 2020.

Proposed Panel

Organizer: Desmond Harding

Co-Organizer: Nicole Sparling Barco

 

Emerging Subjects: Transnational Modernism and the Urban Imaginary

ALA 2020: Carson McCullers Society Panel

updated: 
Monday, September 9, 2019 - 1:37pm
Carson McCullers Society
deadline for submissions: 
Saturday, January 12, 2019

The Carson McCullers Society is pleased to announce an open call for panel papers on any topic related to the life and works of Carson McCullers for one of two guaranteed panels at the American Literature Association (ALA) conference in San Diego, California, on May 21-24, 2020. Papers that approach McCullers’ works from interdisciplinary, comparative, and disability or gender studies perspectives are especially sought; however, all topics will be considered.

PCA/ACA Pulp Studes

updated: 
Thursday, September 5, 2019 - 3:46pm
Jason Ray Carney / Christopher Newport University
deadline for submissions: 
Friday, November 1, 2019

Pulp magazines were a series of mostly English-language, predominantly American, magazines printed on rough pulp paper. They were often illustrated with highly stylized, full-page cover art and numerous line art illustrations of the fictional content. They were sold at a price the working classes could afford, though they were popular with all classes, including president Woodrow Wilson. The earlier magazines, such as All-Story, were general fiction magazines, though later they diversified and helped solidify many of the genres we are familiar with today, including western, detective, science fiction, fantasy, horror, romance and sports fiction.

Agamben and Literature (ACLA 2020)

updated: 
Wednesday, September 4, 2019 - 3:44pm
American Comparative Literature Association
deadline for submissions: 
Monday, September 23, 2019

Giorgio Agamben is one of the most compelling contemporary theorists of literature. Yet despite ever intensifying interest in Agamben’s work, his studies of literature and poetics remain a less explored dimension of his corpus. This seminar seeks spirited contributions that engage with Agamben’s reflections on literary texts, as well as those mobilising the concepts and interests of his aesthetics into new readings. Papers addressing the connections between literature and other aspects of Agamben’s thought (such as sovereignty and biopolitics) are welcome, as are explorations of his writing’s intellectual and historical contexts – including its affinities with the work of thinkers such as Benjamin, Blanchot, Foucault, Derrida, de Man and Hamacher.

ACLA Panel - Lost in the Archive: Writing and Self-Effacement in Bureaucratic Subjectivities

updated: 
Wednesday, September 4, 2019 - 3:41pm
Alexandra Irimia / Western University
deadline for submissions: 
Monday, September 23, 2019

Clerks, bureaucrats, copyists, scriveners, archivists, bookkeepers – they are, along with the repositories of written facts they work and sometimes live in, organs of the greater corpus of the archive. This human machinery of archons (Derrida) is hidden in full display, at once peripheral and essential to the archive, managing its material flows, embodying the Law, maintaining and guarding the archive’s very possibility of existence.

Writing without Writing: Fragments and Survivance

updated: 
Tuesday, September 3, 2019 - 5:23pm
ACLA 2020
deadline for submissions: 
Monday, September 23, 2019

Since the nineteenth century to the present, fragmentary writing has been widely deployed in literature and philosophy (i.e. Ernst Bloch, Schlegel, Mallarmé, Adorno, Maurice Blanchot, Kafka, Beckett etc.) as a strategy to disrupt the idea of totality by and through writing. Fragmentary writing as an incomplete totality, bears absent voices and traces and alludes to a whole.

Writing a Cosmos: European Literature and Popular Astronomy, 1890-1950 (CfP)

updated: 
Friday, August 30, 2019 - 8:19am
Christoph Richter
deadline for submissions: 
Tuesday, October 15, 2019

By the turn of the twentieth century, the ‘new astronomy’ had developed into a proper scientific discipline, with its own sets of instruments, its own journals, its own jargon, and its own interpretative authority. With the acceleration of new discoveries and insights into stellar phenomena, the emerging mass media ensured that this astronomical knowledge fascinated an even wider audience in the late 19th and early 20th century. At the same time, literature across Europe responded to the fascinating astronomical developments in a variety of modes, styles, and genres.

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