“The Continuous Thread of Revelation: Eudora Welty Reconsidered” An International Welty Society Conference, Charleston, S.C. February 21 to 23, 2019
CALL FOR PAPERS
The 47th Annual Louisville Conference On Literature & Culture Since 1900
Featuring–Sianne Ngai, Douglas Kearney, & Lynn Keller
February 21 - 23, 2019
The 47th annual Louisville Conference on Literature & Culture since 1900 will be held at the University of Louisville, February 21-23, 2019. Critical papers may be submitted on any topic that addresses literary works published since 1900, and/or their relationship with other arts and disciplines (film, journalism, opera, music, pop culture, painting, architecture, law, etc). Work by creative writers is also welcome.
Submissions may be in English or Spanish.
Even among the modernists with whom he is frequently grouped, Joseph Conrad, the Polish-born former mariner who, in his third language, reinvented himself as a British novelist, is a singularly resonant and deeply fraught figure. Conrad’s biography and work anticipate both the figure and the preoccupations of the transnational and transcultural artist. In a 1906 letter, Henry James wrote to Conrad, “No one has known – for intellectual use – the things you know.” How Conrad rendered what he “knew” is critical to literary developments of the last century. Much of the scholarship on Conrad, however, has focused on his impressionism or, more controversially, on his view of imperialism. Was he, in his partial sympathy for subjugated people, and his attack
Dostoevsky’s character Ivan Karamozov declares, “Without God, everything is permitted.” This notion is philosophically provocative and existentially potent, particularly in the study of secular literature from the modern era. Having experienced with Hillis Miller calls “the disappearance of God” or Nietzsche’s “death of God”, secular literature shows several attempts to account for humanity’s place, meaning, and immanent values. This panel seeks to explore questions of existential crisis in the secular age that perforate throughout modern literature and theory. How does one ascribe meaning or purpose to a world of violence, trauma, and suffering? How does modern fiction tease out social problems and what insight to they provide for them?
Joyce’s Feast of Languages
The XII James Joyce Italian Foundation Conference in Rome
Conference Dates: January 31-February 1, 2019
DEADLINE FOR ABSTRACTS: November 25, 2018
Keynote speakers: Richard Brown, Enrico Terrinoni, Chrissie Van Mierlo
The James Joyce Italian Foundation invites proposals for the Twelfth Annual Conference in Rome. It will be hosted by the Department of Foreign Languages, Literatures and Cultures at the Università Roma Tre, to celebrate Joyce’s 137th birthday.
Call for papers for a panel titled "Discourses of Truth in Harlem Renaissance Art and Literature" at the 2019 NeMLA Conference in Washington, DC
Chair: John Hadlock, Duquesne University (firstname.lastname@example.org)
From the earliest reviews to the most recent monographs, commentators have noted the Austin-based director Richard Linklater’s overt references to James Joyce. We invite scholars of literature and film to submit 500-word proposals for essays exploring Joyce's fiction in relation to specific Linklater films.
The Space Between: Literature and Culture 1914–1945
Call for Essays:
Cinema in the Space Between: An International Approach
The Space Between: Literature and Culture 1914–1945 is the annual peer-reviewed digital journal of the Space Between Society, focused on interdisciplinary scholarship of the two world wars and the decades between.
Deadline for submission: December 31, 2019
Writing in 1800, the Marquis de Sade claimed that the Gothic was the inevitable product of the revolutionary tremors felt throughout Europe. In revealing the proximity between poetic and political terror, the Gothic became the inescapable condition and symptom of modernity itself. The rise of the Gothic in late eighteenth- and early nineteenth-century Europe is closely bound up with the discovery of Shakespeare as a "modern dramatist" by Hegel and, later, Marx. Like the Gothic, Shakespeare's plays had a propensity for exploring the "dark underbelly" of the new modern world. This seminar explores the mutually constitutive relationship between "Shakespeare" and "the Gothic," viewed as cultural catalysts for modernity and modern creativity.
Seeking abstracts for consideration on a panel at the Northeast Modern Language Association March 21-24 in Washington, D.C. Please submit abstracts and contact information by Sept. 30 using the following link: http://www.cfplist.com//nemla/Home/S/17510