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'Essayism': Special Issue for Electronic Book Review

updated: 
Saturday, September 8, 2018 - 1:44pm
electronic book review
deadline for submissions: 
Monday, October 15, 2018

electronic book review is currently seeking submissions for a new gathering on the theme of ‘Essayism’

ACLA 2019: Revisions of Fascism: History, Aesthetics, and Affect

updated: 
Wednesday, September 5, 2018 - 11:08am
ACLA
deadline for submissions: 
Thursday, September 20, 2018

“The logical outcome of fascism is an aestheticizing of political life,” writes Walter Benjamin in "The Work of Art in the Age of Its Technological Reproducibility," thus placing aesthetics at the center of the critical discourse on fascism. Employed in work as disparate as Klaus Theweleit’s Male Fantasies (1977/1987) and Erin Carlston’s Thinking Fascism (1995), Alice Kaplan’s Reproductions of Banality (1986) and Mark Christian Thompson’s Black Fascisms (2007), Benjamin’s concept has situated fascism as a historical and phenomenological phenomenon. Reproduced incessantly, this line of Benjamin’s refuses to resolve into a single tradition of thought, a crystallized image.

"Memorializing War, Destroying Memory" NeMLA 2019

updated: 
Wednesday, September 5, 2018 - 11:11am
Urszula Rutkowska
deadline for submissions: 
Sunday, September 30, 2018

In explaining what inspired 1984, George Orwell wrote that what “frightens [him] much more than bombs” is imagining a future in which “some ruling clique controls not only the future but the past.” The retroactive curation of memory is an oft-undertaken project, practiced in ways as particular as the redaction of a text like Guantanamo Diary, and as absolute as the omission from history of the story told by Chester Himes’ If He Hollers Let Him Go, in which Robert Jones is punished for a crime he did not commit by being forced to enlist in the Army in order to fight, and likely die, in World War II.

Eudora Welty: One Writer's Beginnings Reconsidered

updated: 
Wednesday, September 5, 2018 - 10:36am
American Literature Association Meeting
deadline for submissions: 
Saturday, December 1, 2018

One Writer’s Beginnings Reconsidered

2019 marks the 35th anniversary of Eudora Welty’s memoir One Writer’s Beginnings (Harvard UP, 1984). Loved and admired by a diverse readership, this book centers on the circumstances that sparked Welty's passion to become a writer. Originating from her presentations as inaugural speaker in Harvard’s Massey Lectures in American Studies (then the "Lectures in the History of American Civilization” ), the book chapters are based on her three lectures --“Listening,” “Learning to See,” and “Finding a Voice” --and they focus on Welty’s childhood and family life in Jackson, Mississippi. 

Eudora Welty: The Eye of the Photographer

updated: 
Wednesday, September 5, 2018 - 10:36am
American Literature Association Meeting
deadline for submissions: 
Saturday, December 1, 2018

Eudora Welty Society Call for Papers

In 1944, Eudora Welty remarked “if you click your camera at something, people from nowhere run up and ask ‘Why did you take that?’”

The motivational impulse, artistic composition, cultural context, and sociological importance of Welty’s photographs have all received scholarly attention since the 1971 first publication of her photobook One Time, One Place. Our 2019 ALA panel invites further new work on Welty’s photography.  Proposals may include the relation of her photography to biography, literature, art history, to photographic technique, genre, and history, as well as to such topics as memory, location, and racial representation.

Special Issue (2019) of 'The Journal of Wyndham Lewis Studies'

updated: 
Wednesday, August 29, 2018 - 9:40am
Wyndham Lewis Society
deadline for submissions: 
Monday, April 1, 2019

Special Issue (2019) of The Journal of Wyndham Lewis Studies ('Lewis and the Post-War, 1919-1921')

In his autobiography Blasting and Bombardiering (1937), Lewis memorably assessed the world in which he found himself on returning from the western front: 'We were all in the post-war, but that period produced nothing but a lot of sub-Sitwells and sheep in Woolfe’s clothing, and we were not of it. I call us here "the Men of 1914".' The Journal of Wyndham Lewis Studies seeks 7- to 10,000-word essays that engage with Lewis’s post-war writing, activities, and social networks. We are particularly interested in essays that:

Call for Papers "Modernism and Multiple Temporalities"

updated: 
Wednesday, August 29, 2018 - 9:33am
the Modernist Studies in Asia Network (MSIA)
deadline for submissions: 
Tuesday, December 25, 2018

MSIA2

‘Modernism and Multiple Temporalities’

The Second Annual International Conference of the Modernist Studies in Asia Network (MSIA)

12-14 September 2019

Aoyama Gakuin University, Tokyo

Confirmed Keynote Speakers

Prof. Laura Marcus (Oxford)

Prof. Douglas Mao (Johns Hopkins)

Prof. Aaron Gerow (Yale)

 

Call for Papers

 

International Conference on London Studies "Versions of Londonness". Please note: Selected papers will be published in the post-conference e-Book.

updated: 
Friday, August 24, 2018 - 12:19pm
London Centre for Interdisciplenary Research
deadline for submissions: 
Saturday, September 15, 2018

International Conference on London Studies"Versions of Londonness"24 November, 2018 – London, UKorganised by London Centre for Interdisciplinary Research

Selected papers will be published in the post-conference e-Book.

Re-presenting David Jones

updated: 
Monday, August 20, 2018 - 9:36am
Thomas Berenato / University of Virginia
deadline for submissions: 
Saturday, September 15, 2018

Seminar at ACLA 2018, Georgetown University, Washington, DC, 7-10 March 2019

https://www.acla.org/re-presenting-david-jones

Co-organized by Thomas Berenato (Virginia) and Anna Svendsen (York) for the David Jones Research Center

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