Henry James and the Visual Arts
Henry James and the Visual Arts
University of Reading, Thursday 29 June 2023
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Henry James and the Visual Arts
University of Reading, Thursday 29 June 2023
CFP: MLA Annual Convention 2024 (4-7 January)
Proposals for presentations on travel writing in English from any period or part of the world. Please submit a 200-word abstract by April 1, 2023. The RMMLA conference will be held in Denver, CO, from Oct. 11-14, 2023.
CFP: Robert Graves and The ‘60s: “All You Need is Love”?
British writer Robert Graves (1895-1985) associated with multiple counterculture movements, including the modernist vanguard and anti-war poets, made forays into Eastern mysticism, reimagined the Classical period, contemporized ancient myths and rituals, experimented with hallucinogens, and managed to publish over 140 books, including what some might term his magnum opus, The White Goddess, an encyclopedic work he subtitled “A historic grammar of poetic myth.” Above all else, he is remembered as a poet of Love, exploring the subject across his long career in its many iterations: romantic, allegorical, ritualistic, the literary—the coupling of Poet and Muse.
This edited volume collects essays from those writing about the experience of reading, studying, teaching, and interpreting James Joyce. The essays form a picture of how Joyce’s writing serves its reader by reflecting dimensions of human experience.
It is more than a cliché that gender plays a crucial role in religion, as most religious orders in the world were, and currently are, dominated by men. The role of women in cultic settings is, as a rule, secondary, as is also the authority of female ministers of religion, while the social benefits of those appointed with religious duties are also incomparable with the privileges received by men. This year, we invite proposals that explore the female share in leadership roles related to religion (saints, prophetesses, priestesses, nuns, preachers, witches, shamans and more), and emphasize how their achievements are reflected in history and art. How prominent female figures have compromised men’s secured positions of power in socioreligious structures?
Both Melville and Conrad appeal to the concept of life allied with their artistic activities. Moby Dick is pervaded by appeals to the appeal to life, as in the description of a whale skeleton become a chapel: "Life folded Death; Death trellised Life; the grim god wived with youthful Life, and begat him curly-headed glories." Conrad, too describes the action of art in fruitful tension with the kinetics of life, as when in his 1897 preface, he connects art with seizing a fragment "from the remorseless rush of time, a passing phase of life." But how exactly do these writers understand and see their relation to "life" -- vegetative, human, physical, spiritual, ethical?
The year between December 29th 2022 and December 29th 2023 would have been the hundredth of William Gaddis’ life. Between 1955, when he published The Recognitions, and 1998, when he died shortly after completing Agapē Agape, Gaddis was notorious for a disproportion between reputation and readership. Being reflexively labelled “difficult,” with his own novels’ wry figurations of characters writing “for a very small audience,” and with a tendency to be categorized (though not always actually read) alongside the increasingly unfashionable “high postmodernists”… all this might have made it hard to envisage his work surviving into the 2000s.
The Graduate Student Representative for the Modernist Studies Association seeks paper proposals from graduate students and emerging scholars on the topic of “precarious modernisms” for a guaranteed MSA 2023 panel. In a rapidly shifting climate of academic precarity, what can modernism’s own precarities offer in the way of addressing our contemporary crises of the humanities? Panelists might consider, but are certainly not limited to:
Conrad's works feature linguistic sophistication, narrative complexity, psychological nuance, subtle irony, political contestation, and historical challenge. While some might seek to avoid difficulty, this panel instead embraces difficulty and considers how precisely the most challenging aspects of Conrad's art can empower students and cultivate subtlety, humanistic and historical breadth, and even humility. This panel invites papers that consider how the multivalent difficulty of Conrad’s works — syntactic, psychological, political, or aesthetic — offers pedagogical opportunity. Comparative approaches are welcome.
Essay Cluster for Cusp: Late 19th-/Early 20th-Century Cultures
Disability on the Cusp:
Transitions, Transformations, Intersections
Ex-position Feature Topic Call for Papers
The Twenty-First Century: The New Contemporary?
Publication Date: June 2024 (Issue No. 51)
Submission Deadline: October 31, 2023
■ ■ ■
It’s time we began to talk about the twenty-first century. Period.
Periodization is one of those topics to which academics often say there are no well-rounded approaches. We qualify our account, understate the possibility of being spot-on, and even feel apologetic.
Modern Language Association Annual Convention
4-7 January 2024 Philadelphia
The Henry James Society invites proposals for the following panel.
Henry James and Event(s)
CALL FOR BOOK CHAPTERS Pub Date: TBA Hardback Price: Hard ISBN: Pages: TBA Binding Type: Series: Perspectives and Anthropology in Tourism and Hospitality (PATH) CALL FOR BOOK CHAPTER PROPOSALS
CALL FOR PAPERS
DISCOURSES OF MADNESS
Special volume of Humanities (Journal): Journal of Interdisciplinarity
Today I felt pass over me a breath of wind from the wings of madness.
—Charles Baudelaire
North, South, East, West
Cardinal points and regions
in contemporary British literature and arts
International conference SEAC / CECILLE
Université de Lille, 19-20 October 2023
Organized by Claire Hélie
Keynote speaker: Prof. Katy Shaw (Northumbria University)
Katherine Mansfield: Life, Light, and Renewal
Fontainebleau-Avon, France
13-15 October
An international conference and the annual birthday lecture
organised by the Katherine Mansfield Society
Professor Elleke Boehmer FRSL FRHistS FEA
will be presenting the Keynote Address / Birthday Lecture
The E. E. Cummings Society will sponsor two sessions at the 2023 American Literature Association conference in Boston (http://americanliteratureassociation.org). We invite proposals for papers on any aspect of Cummings’ life and/or work. Proposals that touch upon the following topics will be especially welcome:
Utpictura18. Call for papers. Issue on Shakespeare
https://utpictura18.univ-amu.fr/rubriques
Coordination of the volume by:
Jean-Louis Claret, Aix-Marseille Université, LERMA
Jean-Jacques Chardin, Strasbourg Universioty
Anne-Valérie Dulac, Sorbonne Université, VALE
Estelle Rivier-Arnaud, Université Grenoble-Alpes, ILCEA4
American Literature Association Annual Conference - Boston May 25-28, 2023
The Sea in American Literature
deadline for submissions: January 25, 2023
The Jonathan Bayliss Society invites submissions for a panel on The Sea in American Literature. Potential subjects for this panel range from Melville and Richard Henry Dana to Stephen Crane, Robert Lowell, Elizabeth Bishop, Barry Lopez, and Jonathan Bayliss, but others will occur to you as well. Please send abstracts of no more than 250 words to Gary Grieve-Carlson at grieveca@lvc.edu by January 25, 2023. Please indicate if you have AV requirements.
The Jonathan Bayliss Society will sponsor a roundtable panel at the 34th Annual Conference of the American Literature Association, to be held May 25-28, 2023, at the Westin Copley Plaza Hotel in Boston.
Narrative Form in American Fiction
deadline for submissions: January 25, 2023
Call for Papers: Volume 5, Number 1, 2023
Themed Issue on
“Futuristic Epistemology and Scientific Dimensions: Neo-perspectives in Science Fiction”
To be edited by
Niladri Mahapatra & Akasdip Dey
PG Department of English, Bhatter College, Dantan
CALL FOR PAPERS: American Studies Association (ASA)
In-person, Le Centre Sheraton,
Montreal, Canada, Nov 2nd-5th, 2023
Session Title: "Pedagogies of Solidarity in Black American Literature at Mid-Century"
Session Organizers: Rachel Carroll, University of Illinois at Urbana-Champaign; Ariel Martino, Colgate University
Due Date: Please send abstracts (250-500 words) and a brief bio (max 350 words) to racheljc@illinois.edu and afrasermartino@colgate.edu by Friday, January 20th, 2023.
American Literature Association
34th Annual Conference
May 25-28, 2023
The Westin Copley Place
10 Huntington Avenue
Boston, MA 02116
Edith Wharton and Beauty
The Edith Wharton Society invites papers that explore Wharton’s engagement with beauty in her works. Panelists are encouraged to consider the role of beauty in her writing on design, gardens, and travel as well as her novels and stories. All theoretical approaches are welcome. Proposals might consider (but are not limited to) the following questions:
The tension between adherence to traditional modes of expression, and experimentation has underlain modern Irish literature. Regarded as the epitome of Modernist experimental writing, James Joyce went so far in pushing the boundaries of what constituted prose as to become the object of criticism from such different commentators as Lukács and Pound, both of whom found fault with Joyce for the radicalness of experiment, particularly in Finnegans Wake. However, Joyce himself considered his work to be firmly set in the realist tradition. At a time when he was yet to publish his first collection of lyrics, W. B.
Logic and Modern Literature
University of Lausanne, Switzerland
September 14-15, 2023
https://www.logicandmodernliterature.net/
Hugh Kenner: How to Write
Symposium, Université Paris Nanterre, May 5th, 2023
Call for papers
Strange Atmospheres: The Seventh International Flann O’Brien Conference
The Department of English at Babeş-Bolyai University Cluj, with the International Flann O'Brien Society
27–30 June 2023
CONFIRMED SPEAKERS
Announcing
The 2023 First Book Institute
June 4-10, 2023
Hosted by the Center for American Literary Studies (CALS) at Pennsylvania State University
Co-Directors
Sean X. Goudie, Director of the Center for American Literary Studies and Past Winner of the MLA Prize for a First Book
Priscilla Wald, R. Florence Brinkley Professor of English and Women’s Studies, Duke University, and Co-Editor of American Literature