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modernist studies

The Vicious Circle: The Days, Dames, and (K)nights of the Algonquin Round Table

updated: 
Wednesday, September 1, 2010 - 1:44pm
Northeast Modern Language Association

In 1919, several New York wits 'roasted' drama critic Alexander Woollcott at the Algonquin hotel. They enjoyed the afternoon so much that they met again as the Algonquin Round Table for the next ten years. This panel will consider the wit and artistry of the Algonquin Round Table. Panelists are invited to submit papers addressing the group or any members: Adams, Benchley, Broun, Connelly, Kaufman, Parker, Ross, Sherwood, Toohey, Woollcott. Our goal: remove some dust from this exciting 20th-century group.

[UPDATE] Film & Philosophy: How Films Think

updated: 
Wednesday, September 1, 2010 - 12:27am
UF GFSG

Keynote speakers: Mary Ann Doane and D.N. Rodowick
Special Session with William Rothman
Just added: a lecture by Andrew Bujalski and a screening of his 2009 film Beeswax

Film & Philosophy: How Films Think
Organized by the Graduate Film Studies Group
Sponsored by the Center for the Humanities and the Public Sphere with support from the Yavitz Fund
Co-sponsored by the Digital Assembly
University of Florida
November 5-7, 2010

Deadline for submissions: October 1, 2010

CFP: New Essays on the Work of EDWARD P. JONES. Nov. 1, 2010 (abstracts, early submissions); March 20, 2011 (completed articles)

updated: 
Tuesday, August 31, 2010 - 10:11pm
Daniel Wood / University of Melbourne

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Submissions are now being sought for the first ever collection of essays on the life and work of Edward P. Jones. The collection, entitled Edward P. Jones: New Essays, will be published in the second half of 2011.

Essays should take the form of full-length scholarly articles approximately 5,000 words in length, and may be submitted either in full (if already completed or nearing completion) or provisionally as 500-word abstracts outlining the central thesis of a proposed article. Longer articles will receive consideration, but contributors who wish to submit such articles should first send a brief query to epjessays@gmail.com.

Aesthetics and Politics of Literary Multilingualism at NeMLA Convention, April 7-10, 2011 at Rutgers University, New Brunswick,

updated: 
Tuesday, August 31, 2010 - 1:06pm
Paola Gambarota

Literary multilingualism has an ancient and continuous history and yet scholars and critics have taken up this issue only intermittently. This panel aims to discuss recent theories of literary multilingualism, its aesthetic elements and political implications as well as specific examples able to provide relevant models of analysis.

Women's Studies Area of PCA/ACA cfp 12/15/10

updated: 
Tuesday, August 31, 2010 - 10:14am
Popular and American Culture Association

As Area Chair for the Popular Culture/American Culture Association's
"Women's Studies" area, I invite abstracts for the Spring 2011 joint ACA/PCA conference to be held in San Antonio, TX April 20-23, 2011.

To find additional information about the association and conference, visit http://pcaaca.org/conference/national.php

Please send 250 word abstracts to me by 12--15--10 via e-mail: lscoleman@eiu.edu

[UPDATE]"Interdisciplinary Studies and Women Modernists" Northeast Modern Language Association (NeMLA) 7-10 April, 2011.

updated: 
Monday, August 30, 2010 - 5:25pm
Laurel Harris, City University of New York Graduate Center

In her recent anthology _Gender in Modernism_, Bonnie Kime Scott opens the literary field to include disciplines previously left out of the modernist frame such as dance, painting, cinema, and the sciences. In doing so, Scott broadens the scope of modernism and, in particular, provides new angles of inquiry into the work of women literary modernists. This panel will further explore this interdisciplinary move, asking how, and to what effect, we might bring the insights of other disciplines to bear on questions of gender in literary modernism. How did visual, aural, and performative art forms influence the work of modernist women writers?

Performing Knowledge (deadline 9/30/10; NEMLA April 7-10, 2011)

updated: 
Monday, August 30, 2010 - 2:59pm
John Savarese, Rutgers University

This panel invites papers that examine how literary texts perform knowledge, and how literature becomes an object of scholarly knowledge in a variety of disciplinary settings. Panelists might address literary representations of the cleric, the virtuoso, or the pedant; the use of scholarly paratexts (the gloss, the appendix, the footnote); or, more broadly, the influence of disciplinarity and professionalization on the literary text. For more information, see below.

Send abstracts to Sean Barry, sean.barry@rutgers.edu, and John Savarese, john.savarese@rutgers.edu, by 9/30/10.

NeMLA 2011: New Brunswick, NJ, April 7-10, 2011.

UPDATE: Literary Dress: Fashioning the Fictional Self (deadline 9/30/10)

updated: 
Monday, August 30, 2010 - 12:00pm
NEMLA 2011 (April 6-10, Rutgers NJ)

Literary Dress: Fashioning the Fictional Self

Fashion, fabricate, artifice, make-up: all these terms have a double valence. Each term in noun form denotes a prosthetic application of something foreign atop something natural (usually a human body) with the intention of concealing or enhancing the natural item beneath. Each term in verb form, though, carries a connotation of constitution and creation: a sense of literal "becoming," or even investiture. In some way, these terms gesture towards the ephemeral, frivolous, and the temporary AND towards a sense of ontological making.

[UPDATE]: Iconoclasm: The Breaking and Making of Images, March 17-19, 2011

updated: 
Monday, August 30, 2010 - 11:04am
Rachel Stapleton, Centre for Comparative Literature, University of Toronto

Abstracts for Iconoclasm due September 10, 2010

"Iconoclasm", featuring keynote addresses by Carol Mavor (Manchester) and Michael Taussig (Columbia), will take place at the University of Toronto, March 17-19, 2011.

We accept abstracts of no more than 250 words for talks of 20 minutes on a range of topics related to the breaking and making of images.
For full CFP and FAQs please visit Iconoclasm Website

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